Music / BT

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BT is the stage name of Brian Wayne Transeau (born October 4, 1971), a prominent electronic musician. His signature style includes a lot of post-processing effects, oftentimes making you think that your MP3 player has crashed horribly or become possessed by something quite unpleasant. Despite this, his music is still precisely rhythmical, insanely catchy, and omnipresent.

His albums have run the gamut from straight progressive trance, to vocal-heavy dance, to phenomenally stirring ambient music. As a producer, he's collaborated with many other artists (Mike Doughty, Tori Amos, Britney Spears, and Stewart Copeland to name a few) and remixed songs by... pretty much anyone he hasn't collaborated with (Madonna, The Doors, Diana Ross).

His 2010 album These Hopeful Machines was nominated for a Grammy Award in the "Best Dance/Electronica" category, losing to La Roux's self-titled album.

Discography

Studio Albums

• Ima (1995)
• ESCM (1997)
• Movement in Still Life (1999/2000)
• Emotional Technology (2003)
• This Binary Universe (2006)
• These Hopeful Machines (2010)
• Nuovo Morceau Subrosa (2012)
• If the Stars Are Eternal So Are You and I (2012)
• A Song Across Wires (2013)
• _ (2016)^note Officially, this album is untitled, but BT simply used an underscore character as a placeholder in order to release it through iTunes and other digital stores.
• Between Here and You (2019)
• Everything You’re Searching For is On The Other Side of Fear (2019)
• The Lost Art of Longing (2020)
• Metaversal (2021)

EP's

• Turn Me On (1999)
• Extended Movement (2000)
• The Technology EP (2004)
• Human Technology EP (2005)

Compilations

• R&R: Rare & Remixed (2001)
• Still Life in Motion (2001)
• 10 Years in the Life (2002)
• These Humble Machines (2011); Radio-edits of These Hopeful Machines on a single disc.
• These Re-Imagined Machines (2011); A 2-disc set containing many assorted remixes of tracks from These Hopeful Machines. 👁 This example contains a TRIVIA entry. It should be moved to the TRIVIA tab.
  A limited-edition 4-disc set containing an obscene amount of goodies^note 3 CD's containing 24 remixes, 1 DVD of all 59 remixes and 3 music videos, a 2.32-page, 12” hard bound book, a 3.12” x 72” poster and a BT logo sticker, as well as being personally autographed and serial-numbered by BT... whew! was released some time later.
• Laptop Symphony (2012); A 2-disc set containing various new remixes, in the spirit of most of his live performances. "Flaming June" from ESCM makes its triumphant return as the final track on the second disc.
• Electronic Opus (2015); Funded via Kickstarter, it contains symphonic, orchestral re-arrangements of many classic BT songs, including "Flaming June", "Simply Being Loved", "Dreaming", "1.618", and many more.

Sample CD's

• Breakz from the Nu Skool (2002)
• Twisted Textures (2002)
• 300 Years Later (with Nick Phoenix) (2005)

Music appearances

• The Fast and the Furious (2001) (Complete score)
• Monster (Complete score)
• Stealth (Complete score, and collaborated with David Bowie)
• Cars: Tokyo Mater (Complete score)
• Frequency and Amplitude (Contributed tracks to each)
• Alpha Protocol (complete score)
• Need for Speed: Underground (Licensed his song "Kimosabe")
• Toy Story Toons: Partysaurus Rex (complete score, minus some musical cues from Toy Story 2)
• SSX Tricky (Licensed his song "The Hip-Hop Phenomenon")
• Of all things, he provided background music for a series of direct-to-DVD Yoga and Pilates DVD's MTV released in the early 2000s.
• XGRA (Features several tracks from Movement in Still Life)

"The only constant is tropes":

• 👁 This example contains a TRIVIA entry. It should be moved to the TRIVIA tab.
  Author Appeal: Mathematical concepts, which prominently show up in song titles and samples, and occasionally lyrics. He once explained on Facebook an old technique of his that used the curve of a parabola to calculate pings/samples that speed up or slow down.
• Boastful Rap: On "Knowledge of Self", "Madskillz-Mic Chekka", and "Kimosabe", with the caveat that the vocalist isn't BT.
• Cluster F-Bomb: The final verse of the Industrial section of Solar Plexus.
• Epic Rocking: As a progressive trance artist in the 90s, this is quite common in BT's catalogue, with songs between 8 and 11 minutes:
  • Debut album Ima contains a 42 minute DJ mix of the vinyl version by producer Sasha (himself known for long compositions.) The 2CD US version also includes back to back mixes of "Loving You More" and "Blue Skies", totalling 13 and 17 minutes, respectively.
  • Nearly every song on ECSM is 8 minutes long.
  • The vinyl mixes of Movement in Still Life and Emotional Technology consist of extended versions of 8 of each album's songs, with most hovering 9-10 minutes in length.
  • The average song length on These Hopeful Machines is 9:20, with only two songs dipping below 7:30 in length. The similar A Song Across Wires has an average of 8:13, with one song slightly under 6:00 in length. Both albums were also issued in radio edit form: THM kept 4-7 minute song lengths, while Wires was cut down to less than 4 minutes a song.
  • The full version of _ includes five songs above 12 minutes in length. Three of the songs were added to streaming services in divided segments.
  • "Genesis.json👁 Image
    ", a "one-of-one piece of software containing a 24-hour, audio and visual, adaptive composition".
• Epic Instrumental Opener: The album version of "Loving You More" has a 9-minute lead in track (the "Garden of Ima" dub mix), which segues into the "Final Spiritual Journey" mix (the radio edit).
• Everything Is an Instrument: Best exemplified on This Binary Universe, where the sounds of his daughter's infant giggles get used to great effect. One press release for the album mentioned that BT had used circuit bending (re-wiring instruments, or in this case, even household appliances and Furbys) to create unique sounds.
  • The credits for the song "Le nocturne de Lumière" on These Hopeful Machines lists all of the conventional (and non-conventional) instruments, followed by all of the software BT wrote himself, followed by "who knows what else".
• Greatest Hits Album: Electronic Opus, a collection of BT's greatest hits reimagined with an orchestra.
• Kids Rock: "Forget Me", out of nowhere, ends with BT's daughter Kaia singing the chorus herself.
• Loudness War: These Hopeful Machines has gotten a bit of flack for this.
• New Sound Album: BT has changed sounds several times as his musical and mathematical vocabularies continue to grow.
  • Ima was deep/progressive house.
  • ESCM went for progressive trance, trip hop and drum and bass.
  • Movement in Still Life kept the trance but added New Breakbeat music.
  • Emotional Technology was trance-pop and rock ballads. These Hopeful Machines followed suit with more trance and more rock.
  • This Binary Universe was a complete Genre Shift to experimental, ambient and new age electronica (influenced by 👁 This example contains a TRIVIA entry. It should be moved to the TRIVIA tab.
    Creator Breakdown due to his equipment being stolen and his daughter's kidnapping.) If the Stars Are Eternal, So Are You and I, Nuovo Morceau Subrosa, and _ followed suit with more glitch, dark ambient, drone music and chillstep (an ambient form of dubstep.)
  • A Song Across Wires went straight for electro house and trance (aka electronic dance music.)
  • His soundtracks will also invariably be in entirely different moods than his albums, due to the nature of scoring films and video games.
• Non-Appearing Title: :"Superfabulous", "Somnambulist"("somnambulating" appears, but not "somnambulist"), "Paris"(although "Parisians" appears), and "The Last Moment of Clarity" from Emotional Technology; "Movement in Still Life" and "Love on Haight Street" from Movement in Still Life; and "Firewater", "Lullaby for Gaia", and "Solar Plexus" from ESCM.
• Older Than They Look: Almost 50 years old, but a lifetime of healthy eating and exercise as detailed in some of his Facebook posts makes him look about 15 years younger.
• Same Face, Different Name: In 2019, BT released an album under the name All Hail the Silence, a collaboration with singer-songwriter Christian Burns (formerly of pop band BBMak). It's poppier than his usual work and makes extensive use of vintage analog synthesizers.
• Single Stanza Song / Looped Lyrics - "Smartbomb" features a line taken from the next track ("Love on Haight Street": "Back on the set and coverin' all bets, hah, d-") looping over and over with a short chorus carrying the title.
  • "Nectar" from ESCM is a perfect example; beginning at 1:40, until the very end, the lyrics are just one line:
    "And it ebbs and goes, ebbs and goes, where love can only flow."
• Sitcom Arch-Nemesis: He apparently does not like Borgore very much.
• Word Salad Lyrics: "Never Gonna Come Back Down", his collaboration with Mike Doughty, is naturally full of this. Adding to the weirdness, Doughty also recites from the Book Of Revelations, gives shout outs to an imaginary audience, and asks for DJ Rap's phone number in gratuitous Spanish. BT actually had him do a few takes of improvised rambling and pasted together the best bits of them between verses.
  "That's what I do for a living..."
  • "Blue Skies" from Ima also qualifies, as the vocals were made entirely of random clips of Tori Amos improvising. In production, she never once said the words "blue" and "skies" in the same sentence.
    • The two of them agreed to collaborate, and Tori began the process by free-styling over an unreleased version of "Divinity" and sending BT the recording. When BT sent her the completed song, Tori couldn't understand how it contained lyrics she had never sung and hung up on him. (She called back five minutes later saying, "This shit is bad-ass!")