Web Video / Critical Role Campaign Four

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Campaign Four of Critical Role is a series of Actual Play web videos, which began airing on October 2, 2025. In a departure from previous campaigns, Matthew Mercer is not the Game Master. Instead, that role goes to Brennan Lee Mulligan, the longtime DM for Dimension 20 and previous DM for Exandria Unlimited: Calamity, Exandria Unlimited: Divergence, and the Downfall arc of Critical Role: Campaign Three. Additionally, several new players join the regular cast alongside the mainstays from the previous three campaigns, and the story takes place in the world of Aramán, a new setting created for the season rather than Exandria as in campaigns 1-3. The game uses the 5.5e rules of Dungeons & Dragons 5th Edition.

Taking place seventy years after the Shaper's War, which saw the gods of Aramán slain, and twelve years after the failed Falconer's Rebellion in which the common people rose up against the growing tyranny of the noble houses, the story begins with an execution. Thjazi Fang, leader of the Torn Banner and hero of the Falconer's Rebellion, dies on the scaffold despite many efforts to save him, and the ripples caused by his death bring a great many unusual characters to his funeral to remember, mourn, or even curse him. These disparate souls swiftly entangle with one another as Thjazi's death proves to be neither the first nor the last domino in a chain of ever-growing intrigue and violence, and gradually come together as allies (with varying degrees of enthusiasm) against the forces that threaten them all.

Trailers: Announcement👁 Image
, What is Campaign Four?👁 Image
, Official Trailer👁 Image

WARNING! Spoilers for the Overture^*Episodes 1-4 are unmarked, including multiple First Episode Twists.

The cast for Campaign Four:

• Brennan Lee Mulligan as the Game Master.
• Aabria Iyengar as Thaisha Lloy, Orc Druid
• Alexander Ward as Occtis Tachonis, Human (Hollow One) Wizard
• Ashley Johnson as Vaelus, Elf Paladin
• Laura Bailey as Thimble, Pixie Rogue
• Liam O'Brien as Halandil Fang, Orc Bard
• Luis Carazo as Azune Nayar, Human Paladin/Sorcerer
• Marisha Ray as Murray Mag'nesson, Dwarf Wizard
• Matthew Mercer as Sir Julien Davinos, Human Fighter/Rogue
• Robbie Daymond as Kattigan Vale, Human Ranger
• Sam Riegel as Wicander Halovar, Aasimar Sorcerer
• Taliesin Jaffe as Bolaire Lathalia, Construct (Panto Mask) Warlock
• Travis Willingham as Teor Pridesire, Nama Paladin
• Whitney Moore as Tyranny, Demon Warlock

Campaign 4 provides examples of:

• Actor Allusion: One of the ads in Episode 18 is a spoof of Heated Rivalry, and Travis takes on the role of Ilya, meaning that he's just doing his Teor accent the whole time.
• All-Accessible Magic: In Dungeons & Dragons, wizard magic comes from rigorous study rather than innate power (like sorcerers) or an external patron (like clerics). This is also a social divide in the setting: the Penteveral Wizarding School takes pride in the fact that it's open to anyone who can put in the work, but it's targeted for suppression by the sorcerer bloodlines in the nobility.
  Dean Tallbarrel: This institution was born of scrappy little folks from the gutter. And these original five, the first deans? They were just poets and academics until a couple little street urchins from the shadows of Dol-Makjar said, "Well, if these words of creation are written in the foundations of our earth, then let's go find them!"
• Animal Motif: Birds. Multiple important elements of the story are named or themed after birds, such as the Falconer's Rebellion and the Stone of Nightsong. Actual birds are also present, with the Rookery where Hal lives being full of magpies, crows infesting Caravan Hill where The Mafia make their home, doves regularly flying over the upper class neighborhoods and rock doves (pigeons) absolutely everywhere. So far every episode has had at least one mention of birds in the environment and each of the three player groups can be associated with one of the birds commonly mentioned: Falcons for the Soldiers Table, nightingales for the Seekers Table and magpies for the Schemers Table. In Episode 7 it's revealed that the object that Thjazi saw in the sky just before he was executed was a falcon, which clearly means something important to Doset and Univere Tachonis.
• Anti-Climax: Played for Laughs in Episodes 9 and 10. Episode 9 ends with a Cliffhanger of Tyranny beginning to turn to stone. After a week of suspense, the next episode begins with Brennan dramatically recapping the moment... and then casually confirming Tyranny passed her saving throw and shook the petrification off. The table immediately calls him out for it.
  Whitney: I've been shitting myself, Brennan!
• Anti-Frustration Features: Due to the campaign's purposeful severity of Character Death and removal of traditional options to remove it like Revivify, Brennan introduced a mechanic called "Desperate Measures" as a safety net for death saves: if someone rolls a death save and doesn't gain a failure, they can choose to stabilize themselves, or they can give Heroic Inspiration to someone in their line of sight, but must continue making death saves. The design of this gives an out to allow players stabilize themselves (albeit requiring their first roll to be a success, and they'll still be incapacitated), but it also encourages them to gamble with contributing valuable assistance to their remaining allies at the cost of risking their life the following turn. It also exists to ensure players still get to contribute to fights and make meaningful choices while their character is incapacitated.
• Anyone Can Die: Brennan has made it clear that this is a very dangerous campaign and mentions that he advised everyone to create backup characters. Thimble is introduced on the verge of dying and Teor is barely in time to save her. Later Teor, after some very bad rolls, is paralysed and in mortal danger, and is only saved because Tyranny and Wicander decided to go and rescue him. Brennan even reveals in a cooldown after Episode 3 that if Murray had continued to antagonise Primus Tachonis and started casting spells, he would have instantly killed her. While Occtis is killed and then brought back as a Hollow One in Episode 4 and it was revealed that Alex Ward always planned to play his character as such, it wasn't a given that said character would be Occtis and he might have been Killed Off for Real if the rolls hadn't gone in the players' favour.
• Alternative Calendar: Araman's days are called Luniere, Chassaire, Victoire, Marchendiere, Solaire, and Forgiere.
• Apocalypse How: In their final moments many Shapers cursed the world itself, creating magically irradiated areas inversely correlated to their domains in life. The Obridimian Empire, which existed under the domain of the sun god, Tansul, was turned into The Eternal Night by his passing which forced the newly sundered noble houses to resettle elsewhere, hence the name. It is currently unclear whether their commoner subjects were as fortunate.
• Arc Words: "I hear the falcon's cry" was a motto of the Falconer's Rebellion, and come the present day it and its variants are used as a declaration of defiance and rebellion against the increasingly tyrannical Sundered Houses.
• Bait-and-Switch: The campaign's initial advertisement made it clear the plot revolves around Thjazi Fang's imprisonment and impending execution, implying the party's goal would be to either clear his name or otherwise help him escape. Indeed, half of the player characters already have some kind of plan to save him before the campaign even starts. The very first scene is Thjazi being successfully hanged.
• Bar Brawl: Episode 3 has Thimble, Kattigan, and Occtis get into one of these with the Crow Keepers in their place of business, which happens to be a tavern. It nearly ends up being a Curb-Stomp Battle for all three of them, but Vaelus's sudden arrival quickly turns the battle in their favor.
• Barred from the Afterlife: In the 70-odd years since mortals killed the Shapers, the divine realms have become inaccessible, leaving dead souls stuck in the Tenebral Reaches with nowhere to go. Mortals have found various ways to cope — the resurgent druidic Old Path allows reincarnation at the cost of personal identity; the new clerics of the Totality are trying to reverse-engineer divine magic without gods; the Candescent Creed secretly sells souls to demons; and House Tachonis draws power from the trapped spirits — but it's generally agreed to be less bad than the Shapers' dominion.
• Battle in the Rain: The Soldiers' siege of Castle Sloak takes place during one of Sloak's supposedly frequent downpours. The last leg of Thimble's one-on-one battle with Casimir also takes place outside in the rain, with her having to simultaneously dodge both raindrops and the arrows being shot at her.
• Big Bad Duumvirate: The biggest antagonistic forces introduced in the Overture are Photarch Yanessa Halovar, Wick's grandmother and leader of the Candescent Creed who is keeping a Celestial imprisoned, and Primus Tachonis, Occtis' father using shadowy necromancy to make a power grab.
• Bookends: The Overture begins with Thjazi Fang's unjust execution at the hands of House Tachonis, after a failed attempt to rescue him. It ends with Occtis successfully resurrected after he's murdered by his family.
• Breaking Old Trends:
  • As stated in the live announcement by Critical Role, this will be the first main campaign of Critical Role where Matt isn't acting as the DM. Instead, Brennan Lee Mulligan takes over the main DM duties; Matt is a player.
  • The game uses the 5.5e rules of Dungeons & Dragons 5th Edition, as said in the "What is Campaign Four?" video. Previous campaigns all used the 2014 rules.
  • The "What is Campaign Four?" video shows that instead of following one party, the characters are split into three rotating parties in a "West Marches"-style campaign.
  • In a dark example, this campaign marks the first time a character is introduced while already making death saving throws — Thimble is introduced unconscious, and has to roll death saves before anything else. She rolls an 11, a 17, and then a Nat 1, for two successes and two failures. Thankfully, Teor gets to Thimble before she can slip through death's door and casts Cure Wounds on Thimble to bring her back to consciousness.
  • Thimble marks the first time a character starts with both a stat at the bare minimum and a stat at the maximum; as a Pixie, she only has 3 Strength (due to literally only being a few inches tall) but also has 20 Dexterity, the natural max, to compensate.
  • This is the first campaign where Sam is not playing a small character to start.
  • Episode 1 begins with The Teaser, setting up the action with the Public Execution of Thjazi Fang. Previous campaigns all featured some sort of ad read from a show sponsor to begin the episode, even the intro; Campaign 4 jumps straight into the action instead.
  • This is the first campaign where Episode 1 features no combat, though there are still initiative rolls, and Tyranny makes the campaign's first attack roll...against a bird.
  • For the first time, we don't have a base Barbarian in the roster. On the flip side, for the first time we have not just one but TWO base paladins. ^note  Possibly three, considering that Azune is a paladin/sorcerer.
  • While we've had more than one Character Death and an undead player character, this campaign marks the first time that one leads directly to the other thanks to Occtis.
  • Campaign 4's levelling system is distinct from Campaign 1's experience-based one and Campaigns 2 and 3's milestone levelling. Brennan lets the players roll their hit point increases, pick ASI or Feats, and, if choosing the latter, "shortlist" 3 Feats to choose from when they level up... which can be at any point of the player's choosing, if well-justified by the narrative. All these bonuses are then applied mid-game, and the player locks in their Feat and spell choices.
• Central Theme: Death, and how we remember and honor the dead. The death of Thjazi Fang kicks off the campaign, the death of the gods has the afterlife in disarray, and the consequences of those deaths drive the campaign's plot. Additionally, the PC's are continually warned about the deadliness of the world and the likelihood that any of them could be killed.
• Cold Open: Following the Overture, each session begins with a brief scene of a completely different group than the one who is playing for the rest of the session, acting as a glimpse for the audience to see what everyone else is up to as their stories play out concurrently.
• Curb-Stomp Cushion: Primus and Ethrand Tachonis far outclass the level 3 player characters when they first fight, and the careful planning they put into their attack leads to the deaths of almost all of Houses Royce, Davinos, and their staff, along with Occtis. However, both Vaelus and Julien manage to land decisive blows against Primus before he leaves (Vaelus finding a damage vulnerability and Julien critting), showing that he can be killed; Lady Aranessa manages to escape the Palazzo Davinos alongside the PCs; and Occtis ultimately comes Back from the Dead, albeit not entirely as he was.
• Dare to Be Badass: The narration of the official trailer is essentially a whole speech about this from Thjazi Fang, inspiring people to rebel against the current government.
  "Why do I say this? To discourage? To frighten? I say it because my grandparents and yours defied the gods and saved their people. What would you do to honor that memory? Would you fight? Would you die? I have no intention of dying tomorrow, but if I do, I'm glad to have gone down fighting. I can still hear the falcon's cry. Can you?"
• The Dark Times: As there were no longer gods able to send the souls of the dead to various afterlives, something called the Ghost Wars occurred, which lasted at least 20 years. Then, with the rise of druidism, there was another war called 'War of Axe and Vine' which lasted another twenty years and directly lead to a conflict called 'The Falconer's Rebellion'. Basically, the death of the gods only seems to have caused more and more wars, which affect Aramán to the modern day.
• Dawn of an Era: It's been only 70 years since the Shapers were killed, and the campaign picks up as the snowballing consequences of that decision finally start to explode.
  Brennan:^*In the Episode 7 Cooldown As much as Aramán is about a place, I think this campaign is a lot more about a time. It's about a shifting time.
• Death of the Old Gods: The major inciting incident of the backstory. The seven Shapers were all killed by the people they ruled after over 4,500 years of direct influence over Aramán.
• Devil, but No God: Demons existed in Aramán even before the Shapers arrived, originating from a realm called "The Pit", and continue to exert their power after the Shapers' War. Ksha'aravi, the high prince of demonkind, is by now the highest power known in the setting.
• Does This Remind You of Anything?: Would it even be a Brennan Lee Mulligan campaign without social commentary in fantasy trappings?

  Brennan: [completely unprompted, pointing directly into the camera] You can't prove there's allegory in this!

  • House Halovar is what prompted the above quote, an organization that does its best to enforce ideals that its leaders don't follow because the only way to benefit from breaking the rules is to be the only one breaking them. The potential comparisons are endless, but given his past body of heavily anti-capitalist work the clearest comparison is to people rich enough to be immune to legal consequences while using those same laws (and the legal teams they can afford) against everyone else. It also has strong parallels with corrupt religious institutions and leaders throughout history.
  • The story is set in a nation born from a rebellion, only for its current leaders to sink into the same corruption it stood against, with Thjazi's speech encouraging the people to remember what their ancestors fought for. This all seems evocative of mid-2020's America.
  • The efforts of the Sundered Houses to defund government organizations to privatize their roles is very similar to the efforts of Elon Musk earlier that year to do the same to organizations like the postal service and the Federal Aviation Administration, someone Brennan's opinions on are well documented👁 Image
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• Downer Beginning: The very first line of the campaign is "Liam, someone you love very much is about to die." And he does. Episode 1 begins with Thjazi Fang being hanged from the gallows, with his brother Halandil watching in the crowd. It appears as if he has some sort of plan of escape, only for the lever to be pulled and Thjazi Fang falling through the platform as the rope goes taut, ending up Killed Mid-Sentence when he tries to tell Halandil one last thing through the Message cantrip. The rest of Episode 1 is spent mostly on Thjazi's friends and family at his funeral at Hal's house, with the mood naturally being very somber and depressing. Meanwhile, Thimble almost dies as soon as she's introduced.
• Dramatic Irony:
  • Because the players are divided into three sub-tables, and because there are many instances where the other players are either waiting in the wings for their turn or 'off-table' altogether, both the audience and certain characters/players are aware of several revelations that other characters/players aren't; such as House Halover keeping a celestial imprisoned under the city and Wicander being said celestial's grandson ^note All the players are aware of this, while in-story only Wicander and Tyranny know the truth, or Bolaire actually being a sentient Puppeteer Parasite mask who was created to kill one of the Shapers^note Hal, Murray and Azune are aware of the first part, while (because of Liam's terrible Insight roll and Taliesin's excellent Persuasion roll, it's uncertain how forthcoming or truthful Bolaire has been thus far about the latter part), or Occtis Tachonis having been murdered by his own family^note Which came as a huge shock to the Soldiers table a few episodes later, as Whitney/Tyranny chose to disguise herself as Occtis to sneak into an enemy stronghold, only to be swiftly discovered and hit with the revelation that Occtis is dead.
  • When Bolaire confesses his fraught relationship with Thjazi in "Stone-Faced", Hal tries to gauge Bolaire's sincerity, but Liam rolls a natural 1 on the Insight test while Taliesin gets a natural 20 to persuade him, leaving Hal totally convinced in-character. Hal tries to probe further in the next session, only for Liam to roll another natural 1.
• Driving Question: Several are introduced over the course of the Overture, setting up the overall goals the three groups split up to investigate.
  • What did Thjazi Fang see in the sky before his execution, that made him suddenly realise the plan to rescue him would fail and he actually was about to die? Episode 7 reveals that it was seemingly just an ordinary Falcon in flight overhead, but given Thjazi's reaction and how unnerved Univere Tachonis becomes upon hearing about the bird's presence, it's evident that it symbolised something profound to both of them.
  • With all the various people invested in rescuing such a beloved hero, how and why did all of their efforts fail and his execution proceed uninterrupted?
  • What was the various plans and objectives that Thjazi had in the works in the lead-up to his death, some of which were important enough that he tried to use his last moments of life to direct his brother Hal on what to do to succeed without his oversight?
  • What are the goals and objectives of the various shadowy organisations connected to Thjazi's death, and how did his execution aid them?
• Dying Town: Sloak is a modest barony in the Kingdom of Timmony, and its state by the time of the campaign is, simply put, crappy. Built on a narrow split of land next to ridges, ledges, and cliffs from tall mountains, it's already a poor place for farming, and each successive Baron it's belonged to was increasingly unjust, eventually falling into the hands of the Tachonis family. Their only use of the land is tossing it and its deeply neglected castle aside to Casimir — a "reward" for his cooperation in betraying Thjazi — and what few dozen knights and villagers remain stay there either out of professional obligation to their oath or personal obligation to their hometown.
• Failed a Spot Check: Double Subverted. The plan to rescue Thjazi Fang from his execution stand at the last moment (after all other legal methods to overturn it had come to naught) required his allies discretely sneaking a rune with teleportation magics woven into it inside Thjazi's clothing, which he would break at the last second before the rope snapped shut and get teleported to safety. Azune Nayar even double-checks the rune's on him with Detect Magic as part of a preliminary scan as he's being dragged to the gallows, and subtly shows Thjazi where to push to break it. However, the execution proceeds as planned, and afterwards, the group discovers that Thimble, who was supposed to deliver the actual rune, was ambushed and nearly killed hours beforehand, with the rune lying beside her. When they check Thjazi's body, they find that what Azune detected was in fact a cheaply-made fake that looks nothing like the rune — but to his magical senses, it's an exact duplicate. This proves that whomever sabotaged Thjazi's escape knew that the fake wouldn't be seen with any actual eyes, and along with the ambush on Thimble, tips the party off that somebody betrayed their plans to the Sundered Houses and ensured Thjazi's death.
• Fallen Angel: After the death of the gods, all celestials went feral and became ravenous killing machines. A celestial on the loose was essentially a death sentence for that entire region.
• False Reassurance: When Wicander asks if the Filament is actually his angel grandfather's blood, Yanessa is quick to assure him that no, it isn't...because he doesn't have blood, per se, but yes, it does come from his body.
• Fantastic Fallout: The deaths of the Shapers created Barrowdells - persistent areas of volatile magic inversely correlated to the deity's domain while alive. The Barrowdells revealed so far include:
  • The Eternal Night, the heart of the Obridimian Empire now shrouded in eternal darkness and was created by the death of Tansul, Shaper of the sun. This wreaked havoc on the environment by killing off plants and animals that relied on sunlight, caused severe cooling and sandstorms, and resulted in many magical artifacts no longer working properly as they require the dawn to recharge.
  • The Stormwrack, an area near the Eternal Night which has endured unending rain and storms that have only gotten worse for 70 years, created after the slaying of Trozhna, Shaper of the forge.
  • The Wastes are an area of fossilized, shattered trees where nothing can survive, created by the death of Sylandri, Shaper of life and nature.
  • The Barrowdell of Illumi, Shaper of magic, while currently unnamed, irrevocably changed multiple schools of magic, particularly divination and conjuration.
  • Inverted by Azgra, Shaper of war, whose death caused the soil of Kahad to become unusually fertile and produce bountiful harvests in what would be named the Blooming. Dr. Talter describes it as "the only positive Barrowdell".
• Fantastic Racism: Elves and Fey seem to received a lot of this in the setting. Elves on the whole had less reason to rebel from their Shaper and so suffered a lot with the Shapers War, which has left them a traumatised people who may be arrested on the spot if unlucky because of the assumption they may be dangerous. Meanwhile, fey are perceived as The Fair Folk, annoying pests at best and savage monsters at worst, and have suffered a lot at the hands of people, especially after they were cut off from Faerie.
• First-Episode Twist: As noted under Bait-and-Switch, the initial hook of trying to stop Thjazi Fang's execution is immediately turned on its head when he's successfully hanged in the very first scene. From there, the focus of the campaign turns towards not only picking up the pieces in the aftermath, but also attempting to discover who was behind all the interferences in the plans to save him.
• Four Is Death:
  • Campaign 4 appropriately starts with the biggest Downer Beginning of any main Critical Role season, with Thjazi Fang dying in the very first scene. The rest of the cast meet at his funeral, with the party collectively dubbed The Mourners.
  • Episode 4 features the massacre of everyone at Palazzo Davinos, save Lady Aranessa, Julian, Thaisha, and Vaelus. This includes Occtis, who winds up the first character death of the campaign when his own brother holds him down and guts him like a fish. While he manages to come back at the end of the episode, albeit as a Hollow One, it was very close to a Killed Off for Real situation had Murray used a Nat 20 Portent roll when trying to reconnect his soul to his body.
• The "Fun" in "Funeral": Though the general mood of his funeral is somber, Thjazi's friends and family have some chuckles drinking his favorite liquor, which tastes like piss and makes them wonder if he had a tongue injury in the Falconer's Rebellion.
• Full-Circle Revolution: Those who overthrew the tyranny of the gods replaced it with "tyranny of their own making" within a few generations, according to Brennan's description in Episode 2. This led to another revolution, the Falconer's Rebellion- 12 years before the current story, which doesn't seem to have succeeded. With the player characters taking up arms and getting into battle over Thijazi's execution, the Revolutionary cycle seems to be restarting with the Fanged Falcon.
• Genre Deconstruction: Being a Brennan Lee Mulligan-DM'd campaign, Araman as a setting deconstructs many of the usual tropes of D&D style fantasy, some to the point of Inverted Trope. Most notably the presentation of sorcerers; in most D&D settings, sorcerers are almost an afterthought, treated as less impressive and important as wizards due to the lack of skill required to be a sorcerer. Here, as natural-born spellcasters, sorcerer bloodlines have managed to appoint themselves the nobility of the setting and are treated as the ruling elite, as being able to cast high level spells simply as a birthright would logically make them politically very powerful in the setting.
• Genre Roulette: A minor case: the generally gritty High Fantasy atmosphere of the setting remains consistent throughout all the tables, but each arc takes on significantly different tones based on the shared goals of the individual sub-tables. The Soldiers feel the most like "traditional" Dungeons & Dragons in their focus on adventuring and achieving major goals through combating big foes. The Seekers are also adventurers, but tend to deal with more wide-scale cosmological issues, focusing on answering more cerebral questions of magic and unveiling world-shattering secrets. The Schemers are conversely more "street-level", alternating between banal everyday routine in Dol-Makjar and conspiring against the Sundered Houses in a manner more akin to an intrigue-focused political drama.
• God Is Dead: Seventy years before the events of Campaign Four begin, the Shapers (the pantheon of this world) were slain. They had put their own interests and loyalties to each other ahead of the welfare of mortals, and many mortals responded by banding together and starting a terrible revolutionary war against the gods and those who stayed loyal to them. Ultimately, the gods were defeated, but their deaths have had significant consequences.
• Grey-and-Gray Morality: The fairies of Hawthorn's Glade generally send "big folk" to the Wraith Glade to make sure that they can never tell anyone how to find it, and to add numbers to the undead horde that roams the forest at night. An ugly choice, and yet many of the fairies have clearly suffered at the hands of the big folk and they have no way to return to Faerie. Furthermore, not all of the inhabitants are okay with that plan, including a fairly nasty hag. Meanwhile, the Soldiers aren't necessarily paragons of morality themselves, apart from Wick and possibly Teor. Thimble and Kattigan are okay with stealing, at least in the abstract, and Tyranny helped deceive Wick for months. They had to find and hopefully rescue Cyd (himself very much a thief) from the Wraith Tree, and destroying it took a powerful defense away from the fairies.
• Have You Seen My God?: As discussed in the Fireside Chat with Brennan Lee Mulligan and Matt Mercer👁 Image
  , the campaign is set in a realm where gods, as are usually known, no longer exist. This has significant ramifications on the nature of faith and divinity as codified by a typical D&D setting. In particular, clerics can't answer to literal deities anymore and must instead derive their power from more abstracted interpretations of their figures of worship, itself a fractious approach prone to increasing crises of faith (which has conversely led to druidic schools of thought and "old magic" coming back into fashion).
• Heaven Seeker: All of the Shapers except for Azgra promised an eternal paradise after death to their faithful followers, which is part of the reason that Aramán's underworld is filled with restless spirits who cling to that promised afterlife. The Old Path offers reincarnation as an alternative, but it requires a Loss of Identity that many people are unwilling to accept.
• High-Altitude Homicide: When Julien faces a heavily armored knight on a high bridge over a waterfall, he simply shoves him off to his death rather than try to land a blow.
• High Turnover Rate: The Barony of Sloak has changed hands five times in less than a month, going from the old Baron's widow, to her new husband Doset Tachonis, to Casimir Gavendale to Wick to Dame Cosgrove.
• Hit So Hard, the Calendar Felt It: The last year of the Shaper's War was the year 4518 of the Shapers' dominion. When the war ended, a new epoch began, as the campaign is set in the year 71 post-Shaper's War.
• Hopeless Boss Fight: Brennan prefaces the fight against Primus and the House Tachonis ghouls that Aramán is a living, breathing world, and as such not every fight that can be picked is one that is fair or balanced. Given that Alex always wanted his character to be a Hollow One and Brennan decided to have his murder and resurrection be a part of the campaign's actual story, the fight was heavily stacked towards Occtis dying, with him starting combat separated from the party, caught in a room under the Silence effect with a higher-level spellcaster and six enemies capable of inflicting Paralysis with every hit.
• House Fey: Aramán has an species of house fey called kettle-hobs^*An original creation of Brennan's, who are a species of pixie-like fairies adorned in flowers who help those in need of their service for the promise of food and drink in return. However, if that promise made to them is ever broken or if they feel they are being unfairly treated, they will swap out their friendly head for a much meaner, spikier one they carry around and become a grig, who, in contrast, are thieving criminals dressed in thorns who destroy crops and break promises easily.
• Imperfect Ritual: Tannesar is a ritual site created by the god Tansul to transform one of his priests into a celestial to enact revenge in the event that he is killed by Azgra. House Tachonis figured they could co-opt it to their own ends by substituting their house symbol for Tansul's name, swapping out some reagents, and using sorcerer descendants of the priestly houses instead of practicing priests, creating a half-undead Tortured Monster. They then try it again on Occtis at the Palazzo Davinos — performing the ritual remotely and using a different god's holy relic for good measure. Fortunately, Thaisha calls Occtis back before he can suffer the same fate.
• Inverted Trope: Araman flips the script on a lot of typical D&D fantasy worldbuilding tropes, and particularly the dynamics they create.
  • Wizards vs Sorcerers: In many D&D circles and settings, wizards tend to be portrayed as the "elite" and dominant of the caster classes, as it requires a great deal of effort to become a wizard and the wizard class has far more subclasses and spells as a result, while sorcerers, as Differently Powered Individual, are often portrayed as the more humble spellcaster who just by sheer luck was born with arcane ability; in short, anyone can be born a sorcerer whereas only the talented can become wizards. Here, sorcerers are portrayed as the ruling elite, as they're born from bloodlines with the capability of just innately possessing high level magical abilities, while wizards are portrayed as 'the people's casters' as the ability for anyone to become a wizard with study and knowledge makes them more accessible; in other words, only members of a sorcerer bloodline can become a sorcerer, but anyone who studies it can become a wizard. This inversion is further invoked in-universe, as the powerful ruling sorcerer families are making a conscious and deliberate effort to prevent people becoming other kinds of spellcasters, to avoid the rabble rising in power.
  • Orcs vs Elves. Typically, Orcs are envisioned Always Chaotic Evil with the exception for the Token Heroic Orc, or they'll be heavily stigmatized victims of Fantastic Racism owing to the perception of them being Always Chaotic Evil in-universe; meanwhile, Elves are often one of the key "good" peoples who's societies are typically politically powerful and well-connected, sometimes to the point of arrogance on their part. Here, as the Orc society was the first to rebel against the Shapers and inspired the others to follow suit, they're now among the "core" races in the present who's people and culture is widespread and present; by contrast, Elvish society and the Fey had far less reason to rebel from their Shaper given she was among the kindest to her people, and suffered the worst from the fallout (with the Fey being cut off from their home realm of Faerie), and so elves are both far rarer and treated with far more suspicion from non-elves, especially those who still hold affinity for their dead Shaper, and Fey are treated as savage pests. Among the players, Hal and Thaisha have very little difficulties interacting with others and hold some implicit political power due to being orcs, while Vaelus, as an Elf, is treated with suspicion where she goes and requires affirmation from her allies to be trusted, and its stated that she could otherwise be arrested on sight for being an elf wearing the religious garments of her now-dead goddess, while Thimble has become bitter from the Fantastic Racism she receives as a pixie.
• Know When to Fold 'Em: The Crow Keepers pretty much entirely remove themselves from the plot after Vaelus, who's a being of myth, kills their guildmaster in one blow using magic more potent than any of them can muster. One of their number tells her flat out that none of them will have the Crow Keepers come after them after this, which is true... but they're experienced enough to use the systems of power to sic the actual law enforcement on her after.
• Loss of Identity: Reincarnation works this way in Aramán, as druids can bring a departed soul back from the 'limbo' that emerged after the deaths of the gods, but the soul won't remember who they once were e.g. the Hounds of the King in Timmony are reincarnated knights reborn in the bodies of dogs, who have to be told about their past lives.
• Malevolent Angel: The death of the Shaper Gods reduced all Celestials to mindless, berserk killing machines. It's yet to be shown whether they can return to their senses, but, given that each one is a Person of Mass Destruction, mortals don't want to test their luck.
• Metaphorgotten: In Episode 2, Murray tries to explain the ramifications of Dean Tallbarrel being replaced as head of the Pentaveral to him.
  Murray: It's just this slippery slope that we have all been subjected to try and climb for the past months and years even. And it's like they're sitting at the top of it with just soap and water, pouring it down this slippery slope until we smack onto our faces, bust our teeth out and, and go sliding all the way down to the bottom right where they want us to be, which is under their big fucking feet... at the bottom of their hill. The analogy got away from me but you understand what I'm saying, right?
• Mêlée à Trois: In Episode 14, a three-way fight breaks out between the Seekers, three demonic Aspirants of House Halovar, and a scion of House Tachonis and his troops.
• Mid-Season Upgrade: Invoked by Brennan, and by extension the players, with his own spin on levelling up. Rather than levelling up out of session and making changes to the sheet accordingly purely at Brennan's discretion, he now allows the players to choose when they level up and gain more power, which even be in the middle of combat, so long as it's deemed to be fitting within the current narrative.
• Obvious Rule Patch: The death of Ilumi, Shaper of magic, irreversibly changed the fabric of Aramán's magic. This, among other things, has disabled a bunch of spells that could bring tables into contact with one another sooner than planned, like teleportation, scrying, and long-distance communication spells like Sending.
• Old Magic: The Old Path is a druidic tradition that tends the natural world as a source of divine power and an avenue of reincarnation. It existed on Aramán before the Shapers came, persisted despite their attempts to destroy it as a threat to their supremacy, and now enjoys a resurgence since their deaths.
• One Curse Limit: Invoked by the Drowned Men, an order of warlocks. The Tachonis can forcefully mark people to enslave their souls upon their death, but by giving their souls to their warlock patron, the Tachonis can't claim them later because the warlock contract takes priority.
• Our Demons Are Different: Demons appear to come in several varieties. Anthropomorphic Personifications like Tyranny and her sisters fall under the domain of Ksha'aravi. The Mercanauds appear to be sentient flames inhabiting soulless humanoid vessels. What role fiends play, if that is even a meaningful distinction in the Aramán cosmology, remains to be seen.
• Our Elves Are Different: The Elves of Aramán are immortal specifically because they were granted the quality by Sylandri, the Goddess of Life, and while they can be killed by mortal injury, they're immune to the life-draining powers of creatures such as ghouls. In the rare event that one of them dies, they would be ferried to the afterlife without passing through the underworld thanks to the Stone of Nightsong. They're also an Amazing Technicolor Population, as Vaelus (herself lilac-skinned) recalls her sister and brother having lilac/yellow and green/yellow skin respectively, and they can 'save' memories of precious moments to recall clearly during their Trances.
• Out-Gambitted: Thjazi's allies hatched a desperate, risky, last-minute plan to rescue him from the gallows, smuggling in a teleportation rune into his clothes that he'd break at the last second to be teleported to safety, with Azune Nayar double-checking it's there with Detect Magic as part of a preliminary scan en route, indicating to Thjazi where the rune is to use it. However, the execution proceeds as planned, and when investigating what went wrong, the party discovers that Thimble was ambushed with the actual rune in their secret hideout hours beforehand, and what Azune detected was in fact a magical counterfeit designed specifically to trick him and the rest that the plan was still proceeding accordingly. The counterfeit being of cheap make (but the magical energies woven into it being of high-enough quality to trick Azune), meaning they knew it wouldn't be seen with the naked eye, and their enemies knowing about the safehouse to thwart Thimble tips the group off that one of Thjazi's allies betrayed him to the Sundered Houses, who played into their own efforts to save Thjazi and pretend it was still proceeding according to plan, so they wouldn't kick up a fuss or attempt any heroics until the last minute.
• The Plan: Halandil and Thimble both independently hatched plans to rescue Thjazi from his execution and get him out of town. Both efforts failed, so now the co-conspirators need to figure out exactly what went wrong.
• Plot-Triggering Death: Episode 1 begins with the Public Execution of Thjazi Fang as he's hanged from the gallows. He appears to have a plan to escape, but something in the sky makes him realize that it's not going to work. He spends his last moments alive trying to communicate with his brother Halandil before Thjazi is Killed Mid-Sentence. Most of the Player Characters meet by coming to Thjazi's funeral at Hal's home.
• Public Execution: The Inciting Incident of the story is the public hanging of Thjazi Fang. Some of his loved ones try to save his life with a complex scheme, but are ultimately unsuccessful.
• A Rare Sentence: Episode 17 gives us "I recognize this scorpion" when the Seekers encounter the pet giant scorpion of one of Occtis' cousins.
• Revealing Cover-Up: When Azune is investigating the Palazzo Davinos, he finds a major hole in the Tachonis's coverup when he finds a room without any magical signatures at all. Not only are all other parts of the Palazzo saturated with a low-level magical aura from the sorcerous Royce family living there for so long, the room itself has prominent evidence of a casting of Mending meaning that there should be magic to detect, so the absence of any to detect is only proof that someone had motive and means to completely scrub the room of magic in contradiction to the cover story the Tachonis had created about the Royce going to Fairie.
• Rewatch Bonus: Bolaire's rather freaked out reaction to Thaisha being attacked by a mask that formed in the coffin of Olbalad in Episode 2 takes on a new layer when Episode 4 reveals he is a similar magical mask. His story about his Expressive Mask having been bound to his face because he did a similar blunder by examining it without precautions also takes on a different context when you realize he's basically relaying how countless poor schmucks have become his "suits" over the years.
• Rule of Drama:
  • As part of the high stakes and dangerous atmosphere the campaign is designed to play out with, several spells and features in 5.5e are prohibited. In the most prominent removal — as explicitly stated by Brennan in the Episode 9 Cooldown — resurrection spells, from Revivify to Raise Dead to Resurrection, are off the table to ensure that all deaths are final (with the exception of Occtis, though his situation was a massive fluke and not purely desirable).
  • Brennan eschews 5.5e's save-DC-based grappling rules in favor of 5e's original contested athletics checks because he finds them more dramatic.
  • Speak With Dead is a spell that normally has pretty strict rules to it, among the most prominent being that upon targeting a corpse, whoever's casting it can only ask five questions, and the corpse can only answer with what it knew in life. When it's introduced in episode 18, however, the spell is used to "step over the veil" and directly converse with its target (Pascard Velmonte) as they appeared before death for more extended conversations. Not only does this allow for a less restrictive, more narratively satisfying means of gathering information, it also plays into the understood mechanics of death and the afterlife in Araman, namely that deceased souls are effectively stuck in limbo, from which they're able to provide a grander perspective of all that they know.
• Serial Escalation: Played With. After the first three campaigns had seven permanent players throughout all of them, this campaign nearly doubles the roster to thirteen players, including the Dungeon Master from the previous campaigns. However, this is mitigated by the players being in rotating groups of four or five at a time, so there are usually fewer people at the table.
• Sliding Scale of Gameplay and Story Integration: In a change from previous campaigns, when leveling up Brennan has the players roll hit points ahead of time but wait to actually apply the benefits of leveling up until they reach a moment of narrative significance for the character. This allows the players to tailor the features they choose at level up to match their character's progression and immediate needs within the story, such as Wicander choosing the Tough feat at the last second to avoid a potential instant-kill attack from a boss.
• Superpower Lottery: Brennan highlights in Episode 20 how sorcerers, such as the members of the Tachonis bloodline, don't have the ability to choose the magic they are born with, and as such, their exact powers vary. From a Doylist perspective, this is Brennan's justification for why sorcerers have a limited list of potential spells compared to other spellcasters in D&D (even though mechanically, the sorcerer players do get to pick what spells they use), but this also has narrative implications regarding the kinds of schools of magic they have access to. In the case of the episode, the Schemers know that illusion magic is historically not something the Tachonis have access to, revealing that they secretly hired an outside illusionist as part of a conspiracy, then set them up to be arrested once they were of no use as a cover-up.
• Taken for Granite: Episodes 9 and 10 see the Soldiers attempt to sneak into Castle Delawney, only to unwittingly fall into the clutches of House Seremei (in turn, House Tachonis), namely their soldiers and wrangled basilisk, which they attempt to weaponize with its petrifying gaze. Several people end up caught by its gaze and barely manage to overcome its effects, with Thimble in particular dropping to the ground after her wings begin to turn to stone. In the end, the only direct casualty from it during the brawl is one of the castle guards. However, the Soldiers discover that within the cart the forces were attempting to move out is full of petrified victims, including Teor's brother, Cyd.
• The Teaser: Episode 1 begins with Azune setting up a plan to help Thjazi Fang escape from his execution. Before it goes off, Thjazi realizes that something has gone critically wrong and he spends his last moments desperately giving Halandil instructions before he is hanged. Only then does the episode cut to the ad read.
• Three Approach System: The three sub-tables the player characters are divided into all tackle the Campaign's questions from different angles. Which table a character is at depends on their current goals and the interest of their player, with the hope that everyone will try each table by campaign's end.
  • The Soldiers are focused on direct confrontation and combat. Their current goal is to find someone, possibly in Dol-Makjar, who can help recover Teor's brother.
  • The Seekers are focused on world lore and larger cosmological questions. Their current goal is to reunite with allies in Dol-Makjar and share information about their discoveries in Tannesar.
  • The Schemers are focused on political machinations and NPC interactions. Their current goal is to attempt to open old wounds between the remaining Sundered Houses, using the Tachonis attack on House Royce and its vassals as a pretext.
• Third-Party Deal Breaker: Whatever the Drowned Men's warlock patron is, it's more powerful than the magic House Tachonis uses to bind its servants' souls. Pascard Valmonte made a deal with House Tachonis long before he sold his soul to the patron, but the patron still wins out and carries his spirit off in a rush of dark water.
• Unequal Rites: The differences and conflicts between different spellcasting traditions is a major point of conflict in the story.
  • The influence of the Shapers made divine magic the dominant form of spellcasting in Aramán for centuries. Since their death, divine magic has greatly waned, but some have made efforts to utilize it in their absence.
    • House Halovar has built a new religion serving "the light," divine power unrestrained by an actual god. This is actually a front to consolidate power. The Halovars used a captured celestial to create their own sorcerous bloodline so members of the family can harness divine magic directly and refined the celestial's bodily fluids into filament which their followers use to also channel divine magic in a limited capacity.
    • The Totality is a group of scholars who are working to channel the power of divine magic through study instead of faith. They have had some success but are currently limited to simple spells and unpredictable visions.
    • Paladins of the dead Shapers can still cast spells, but their magic is distinctly necrotic after seventy years.
  • Druidism was almost stamped out under the Shapers, but saw a massive resurgence during and after the Shaper's War as a way to reclaim magic without needing the gods' permission and playing a role in killing them. Druidic belief also appears to be the primary religion practiced by orcs in this setting, including druidic rites that are performed over the body at orcish funerals. They even played an active role in ruling Dol-Makjar until their council was disbanded 14 years prior to the campaign.
  • Sorcery, as an inherited power, has largely consolidated into noble houses that now uphold it as a form of elitism. All five Sundered Houses have innate magic derived from different sorcerous bloodlines and most nobles look down upon other forms of spellcasting.
  • Wizardry is considered the magic of the people as the only form of magic that doesn't require permission from a greater power or being born with it, only the willingness to put in the time and the effort to learn. Unfortunately this means the Sundered Houses now have a vested interest in stamping it out to maintain their exclusive access to magical power, and they've begun making it illegal in public places, installed their own puppet to run the Penteveral as the only magical academy in the city, and are taking steps to bolster the arcane marshals who crack down on unauthorized magic.
  • Bards use a subtle form of learned spellcraft similar to wizards but designed to conceal the somatic gestures while performing onstage. Soundwaves are also noted to influence the ambient magic around the caster, as seen with Halandil's Aid and Healing Word spells.
  • Warlocks have been outlawed for the last 14 years, but with the gods dead and the doors to Faerie closed warlock contracts are increasingly in demand since demons and other supernatural entities are the only higher powers left for supplication. As shown in episode 4, with no guarantee of an afterlife many families are willing to bargain in hopes of sparing their deceased loved ones from the horrors of the underworld.
• War Is Hell: The Cold Open of episode two gives us a snapshot of the Falconer's Rebellion. It's not pretty.
• Wham Episode: Episode 4 is a real doozy; House Davinos is wiped out in an absolute massacre by House Tachonis, Bolaire is revealed to actually be a sentient mask that wears different people that was made in order to kill one of the Gods, and, most notably, Occtis dies after being gutted by one of his own brothers. It is only a Nat 20 from Murray that prevents him from being Killed Off for Real, and even then he's revived as a Hollow One.
• Wham Line:
  • The end of Episode 2 is already a bit of a Wham Shot; Wick is "promoted" and is shown his family's innermost secrets. Namely, that the holy liquid they use in their rituals is actually the blood of an insane celestial locked in an iron maiden. And if that wasn't bad enough, his Grandmother then casually says this.
    Photarch Yanessa: Wiccy, I'd like you to meet your grandfather.
  • In Episode 7 Casimir Gavendale, in the middle of his rant about how unfairly he's been treated in his 'reward' for betraying Thjazi rambles about how "I watched him look up, saw the terror in his face and he saw that fucking falcon." This instantly gets the attention of Univere Tachonis, and both she and her brother Doset are alarmed and concerned when Casimir confirms that the falcon was literally the last thing Thjazi saw before he died.
  • It's a very minor one, in Episode 11, Thimble once again attempts to get at Kattigan for why he left the Falconer's Rebellion. The last few times it was brought up he simply deflected, but this time he responds.
    Kattigan: You'd have to ask Teor about that.
  • Later that episode, Brennan reveals that the "final form" of the kitchen knife that Tyranny stole from Ulbid, and that Kattigan refashioned for her, eludes her as she tries to attune to it and feels only a searing jealousy in its memories of being used by his wife to prepare a simple meal for her daughter.
    Brennan: In another world, another time, an object like this might have been referred to as a Vestige of Divergence.