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VOOZH | about |
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| 👁 MTMTE44 regcvr.jpg "Forty-two! Is that all you've got to show for seven and a half million years' work?" | ||||
| "The Not Knowing" | ||||
| Publisher | IDW Publishing | |||
| First published | September 2, 2015 | |||
| Cover date | August 2015 | |||
| Written by | James Roberts | |||
| Pencils by | Hayato Sakamoto | |||
| Colors by | Joana Lafuente | |||
| Letters by | Tom B. Long | |||
| Editor | John Barber | |||
| Continuity | 2005 IDW continuity | |||
| Chronology | Current era (2015) | |||
Following the trail of Agent 113's bullet, the Lost Lighters make their way to the Necrobot's base of operations, where both Rewind and Chromedome's relationship, and Nightbeat's hope in the existence of a greater power, are tested.
Contents |
The message bullet extracted from Swerve's shoulder proves largely corrupted by rust, but of the data sent by Agent 113—now revealed to have been the previous holder of the "Vos" codename—one intact piece of information gives the crew of the Lost Light a startling new objective to explore: the location of the supposedly-mythical Necrobot's base of operations. Rodimus has a revelation of his own, however—it turns out that the doodles he has been carving into his desk since the ship's launch are, in fact, a map to Cyberutopia just like the one Thunderclash drew, and he is much more interested in following it than looking for the Necrobot. When Rewind and Chromedome explain that they want to visit the Necrobot's world in hopes of learning the fate of Rewind's old partner Dominus Ambus, Megatron agrees to their request, and the Lost Light sets off. Ultra Magnus takes Rewind aside to talk about his departed spark brother in order to caution him to not get his hopes up for Dominus's survival, but it turns out that Rewind has already had this discussion with his Magnus, on the quantum duplicate Lost Light, and refuses to believe his claim that he can sense his brother's absence.
Presently, the Lost Light arrives at the Necrobot's rather unassuming planet, and a small group heads down to the surface in the Rodpod. They are greeted by the sight of a beautiful garden, full of holographic statues surrounded by sparkling blue flowers, and soon deduce that the statues represent those Transformers who are still living, while the empty plinths are for the dead. Homing in on the solitary life sign on the planet, the Rod Pod sets down outside a huge complex, where a noticeably jumpy Nightbeat immediately spots some movement in the building's doorway, only for the door to be slammed shut before he can reach it. While the others split up to wander about the garden and investigate, Nightbeat stands outside the door and calls to whoever or whatever may be inside... at which point, the door opens a crack, and the imposing form of the Necrobot appears to invite Nightbeat inside!
Ravage dismisses the exercise as a waste of time, but Megatron confides that that was precisely his rationale for allowing the trip: although he will accept his fate when the time comes, he is in no hurry to rush toward that final judgement. Regardless of Megatron's intent, Chromedome and Rewind are here for a purpose: soon, they have hacked into the central database that powers the holographic statues, so that they can search for Dominus's name to learn what has become of him. But before Chromedome presses "search", Rewind hesitates, unsure if, after all this time, he really wants to know the truth. Chromedome assures him that whatever choice he makes, he will stand by him, and help him continue his search in other ways—a show of dedication that convinces Rewind that the past must be put behind him. The search begins, and the result appears... Dominus Ambus of Ambustus Minor is, indeed, deceased.
Within the Necrobot's complex, the mysterious robot explains to Nightbeat that he is, actually, a totally ordinary—if very long-lived—Cybertronian named Censere. A forensic pathologist, Censere was moved to begin chronicling deaths when the death of his friend Tusk went unreported, and simply uses the machines in his complex to keep track of spark signatures and to teleport him around the universe to carry out his tasks. Nightbeat is dismayed and furious; in spite of his rationalist nature, he had truly hoped to learn that the Necrobot was proof of a higher power, a reaffirmation of the notion of life after death that Nightbeat had come to doubt since his own death years beforehand. Censere reassures him that just because he is not "magic" does not mean that the Afterspark does not exist, and explains that his understanding of life and death is not absolute: he was, for instance, alarmed to see Nightbeat and many of the other Lost Lighters, as he believed they were already dead. Censere takes him to a monolith labelled "In Honor of the Disappeared", upon which he has carved the names of those whose deaths he cannot verify; Nightbeat sees his own name on the slab (his body having been stolen away into the Dead Universe before Censere reached him), but then spots another one of great interest. He calls the crew together, and while everyone is marvelling over the once-legendary Necrobot, Nightbeat takes Chromedome and Rewind to the monolith, where it is revealed that Dominus Ambus's name is also engraved on its surface!
A little later, as everyone prepares to depart, Nightbeat says farewell to Censere, but not without grimly informing him that he should use his skills to save the living, rather than record the dead. Rodimus realizes that Megatron has disappeared, and is informed by Riptide that he slipped away with Ravage a little while ago, after the Necrobot explained the significance of his garden's flowers: they contain the residual spark energy of the deceased, and he plants them around the statue of the Transformer who was responsible for ending that life. Thus it is that Megatron receives a grim reminder that he cannot put off his day of reckoning forever, as he visits his own statue and sees a beautiful blue field of sparkling flowers, stretching in every direction, far and away into the horizon...
(Numbers indicate order of appearance.)
| Autobots | Decepticons | Others | ||
|---|---|---|---|---|
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"You know, I can just about accept that the D.J.D. was infiltrated by an Autobot, but what I find bizarre is that this "Agent 113" thinks it practical to deliver his field reports by firing bullet-shaped data-slugs into three-fingered metallurgists."
"It's not exclusively metallurgists. When I said that, I didn't... I was attempting to make a joke."
"Yes—I know—I was running with it. There's a lot of banter on this ship; I thought I was ready to take the plunge."
"I think we've both learned something from this."
"If you caught me spilling that many beans, you'd give me a dressing down so epic, so protracted—so narratively dense—it would have subplots, callbacks, and a finale that would provide closure whilst leaving the door open for future tellings off."
"Is it too soon to have "Chosen One" engraved on my forehead?"
"I can think of more appropriate words."
"Don't take offense, but it's quite difficult—sitting here, looking at you... you look so similar."
"I know. Why do you think I've spent most of my life trying to look like someone else?"
"I don't know what you were expecting. I don't know what a non-boring planet looks like to you."
"What."
"Describe it. I'm genuinely interested. Describe your perfect planet."
"Let's see... stripped of organic life, relieved of energy, coated in metal... oh—wait—that's your perfect planet."
"Don't touch anything, don't steal anything, and definitely don't desecrate anything."
"Once you press "search", that's it—I'll know. And I don't know if I'm ready to know. ...I'm sorry. This is stupid. I'm being stupid."
"It's not. And you're not."
"Tell me what to do."
"Rewind—my love—it's not for me to say."
"But this affects both of us. If I don't do this... if we leave here not knowing, we could spend the next four million years searching for someone who's..."
"I know. But at least we'd be doing it together."
Swedish:
More Than Meets the Eye Volume 8 – cover art by Alex Milne and Josh Perez
The IDW Collection Phase Two: Volume 9 – cover art by Marcelo Matere
The Definitive G1 Collection: Volume 66: Speak, Memory – cover art by Dan Khanna (Getaway) and Hayato Sakamoto (retro)
Några av mina bästa vänner är Autoboter – cover art by Alex Milne and Josh Perez