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Sword Art Online II

Anime: Sword Art Online II

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Main Title Sword Art Online II (a10376)
Official Title en
Official Title ja
Type TV Series, 24 episodes
Year 05.07.2014 until 20.12.2014
Season Summer 2014
Tags actionAction anime usually involve a fairly straightforward story of good guys versus bad guys, where most disputes are resolved by using physical force. It often contains a lot of shooting, explosions and fighting., cyberpunkCyberpunk focuses on computers or information technology, usually coupled with some degree of breakdown in social order. The plot often centres on a conflict among hackers, artificial intelligences, and mega corporations, tending to be set within a near-future dystopian Earth., fantasyImaginative or fanciful work, especially one dealing with supernatural elements and themes., haremThree or more characters, generally female, are under the influence of one character, normally male. Their interactions are romantically or sexually loaded. The female characters often draw heavily from stock archetypes. Sexual tones are applied to the lead`s behavior and to the members` depiction. The lead will often be physically abused for his behavior. The harem may be only a support to an existing or predictable relationship, or the lead may end up in relationships with most or all members., novelA novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. Manga, comics, or visual novels do not fit this description and are not considered novels; including a small number of illustrations, however, is still permissible, which means that light novels are considered novels., romanceRomance describes a story that deals with love between two or more characters typically also having an optimistic ending. Romance is also a difficulty encountered when creating a harem., science fictionScience fiction stories usually focus on how situations could be different in the future when we are more technologically advanced; due to either our own achievements or having met with other civilizations whom we have learned from., seinenSeinen, literally "young man", is one of the main demographic classifications applied to manga, and, by extension, to anime, especially manga-based ones. As the name implies, seinen works are marketed primarily to an audience of young men; the age range commonly understood to be the target of such works goes roughly from 17 to somewhere in the 40s., swordplayThe act or art of using a sword or similar weapon skillfully., virtual worldA virtual world is a place where the character interacts with a computer (or some other device)-simulated environment, be it real or imagined. The condition for a virtual reality to exist is the existence of an originating "real" (source/anchor) world for the character. In some cases, a virtual reality where characters can get harmed physically is depicted. - [similar]
Resources
Rating 5.07 (7082)
Average 6.79 (7137)
Review Rating 5.86 (5)
Added by hidden on 2013-12-31 15:03
Edited by hidden on 2017-08-18 05:19
Main Title Sword Art Online II (a10376)
Official Title en
Official Title ja
Official Title fr
Official Title de nl
Official Title zh-Hans
Official Title zh-Hant
Official Title ko
Synonym GGO, Gun Art Online, Sword Art Online 2, Sword Art Online II: Calibur, Sword Art Online II: Mother`s Rosario, Sword Art Online II: Phantom Bullet, Мастера меча онлайн 2, אומנות החרב אונליין 2, هنر شمشیر زنی آنلاین 2 : گلوله فانتوم
Short SAO 2, SAO2, SAOII
* Based on Kawahara Reki's light novel series Sword Art Online.

A year has passed since Sword Art Online (SAO) was cleared. Kirito is asked by Kikuoka to investigate Gun Gale Online, specifically Death Gun, a weapon which seemed to link deaths in the virtual reality world to those in the real world.

Upon entering the game, Kirito meets Sinon who teaches him the ropes of the game. They both enter the Gun Gale Online tournament, Bullet of Bullets. Kirito displays his amazing skills although he is only a newcomer to the game. Later, Kirito finds out that the mysterious deaths are linked to a red guild named Laughing Coffin in SAO.

Source: SAO Wikia

Note: The first episode received advance premiere screening on June 29, 2014. Regular television broadcast started on July 5.

Statistics

Score/Rank by

5.07 (7082)
#78 (#2)

Favourites/Rec.

Running Time

approx. 10h

Completed

10096 (67.2%)

Watching

1085 (7.2%)

Plan to Watch

3505 (23.3%)

Dropped

324 (2.2%)
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There are no approved similar anime for this entry. There are some rejected ones though you can look at by toggling the option above.
reasons

Explanation by gshere on Monday, 11.01.2016 05:32

The MC is asked to play the game as part of an investigation/report.
TV Series, 2016, 12 eps, 2.83 (701), 5.41 (706)
Approval: 35.71% (14 votes)
  • Recommendations
  • Reviews
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recommendations

recommended by 39 users - 6 for fans - 21 recommended - 12 must see

recommended
by rhymesmatter on 2020-08-16 11:43
I actually quite enjoyed the sequel. Shinon's character although initially annoying, managed to grow on me! I quite liked her on the last few episodes where she became a secondary character compared to the GGO arc where she was the main heroine. Plot had an interesting continuation and the introduction of Yuuki was a nice change of pace.

Finally I should mention that the highlight of this season was grill Kirito! That's all I am going to say xD

Recommended!
recommended
by Singrana on 2020-06-29 08:49
if you are in the market for the trainwreck that is SAO it continues here; not quite so bad its good as season 1 but the train is picking up speed
recommended
by zorrax on 2019-04-22 16:56
not better than S1 but to see

Reviews

Rating: 4.33
Approval: -
I won't bother to make this more structured than this, so here you go, everything wrong with SAO II, in bullet format.

EPISODE 1

Making radical changes to the gameplay of an MMO would normally make most of the older players to ragequit. Not in this game though.

The main villain has the lame name of Death Gun.

The threat is nowhere near the level or interest of the first arc.

Kirito and Asuna are on a date in the real world and the only thing they can talk about is videogames.

Flashback to things we already know about and wished we had forgotten.

Agent dude claims he was there when Kirito woke up in the end of the first arc, when we never saw him standing there.

Agent dude and Kirito chat about very dangerous and top secret matters by shouting in a public restaurant.

Boring infodump in the pilot episode.

On top of that, said infodump happens by having people sitting on a table and talking, which is the laziest method of exposition.

Super secret intelligence organization begs a teenage citizen to go in another deadly videogame just so he will become a target for Death Gun. Said plan assumes Death Gun will be interested in a guy who is not a top player there but also has no idea how to play first person shooters.

Kirito accepts to go back in a deadly videogame and risk losing his perfect life, all for the wellbeing of videogames. Said wellbeing is all about videogames which are using helmets that fried the brains of thousands of people, and were used for brain control on hundreds of others, but are for some reason not forbidden already. This is why it is very important to stop a guy from killing a few people because that will totally make things worse.

First sight of the new girl in the story is having the camera zooming in on her ass and vagina.

EPISODE 2

The sniper class is broken since it can wipe out any player or monster if they simply stay far away and keep firing at them, without ever being spotted.

Lazy infodumping amongst professional players talking about basic strategy plans a few minutes before the mission begins

Creepy guy tries to seduce a teenage girl just because her avatar looks sexy (and the camera makes sure we realize that)

Retarded group formation of otherwise professional players (scouts walk a few feet in front of their team, the team walks in the open like sitting ducks, their bodyguard walks behind them)

If a simple cloak can hide your equipment and make it impossible for enemies to know what your fighting style is, why isn’t everybody wearing cloaks?

People taking first person shooter games too seriously. New girl talks about honor in videogames when she is there to stalk and murder people for money

Smiling means you are a professional

Falling down 10 floors with one foot causes no falling damage

There is a limitation to how much you can rotate your weapon, which gives even more unfair advantage to snipers, since they can hit you if they are far away but you can’t hit them if you are right above or below them.

Reuse of the tentacle rape scene

You can only have one account and play one game, something which would never work financially

Side harem girls wetting themselves over Kirito-sama

EPISODE 3

Lazy infodumping once again by simply sitting on a table and talking. Because Kawahara doesn’t know what good exposition means.

A little girl can overpower an adult male, while all other adult males do shit

If you save yourself and your mother from certain death, she will be terrified of you

The best therapy to get over the fear of people pointing their fingers at you, is to shoot people in videogames

The show reveals the identity of Death Gun instead of keeping it a mystery

Once again the show makes all males besides Kirito to be douche bags, just so he will look better by comparison

Kirito is so OP that even when doing nothing while in a coma, he seduces sexy nurses

Three episodes and Kirito is still not in the game

EPISODE 4

Asuna hereon does what she is best at. Doing nothing and letting Kirito do all the work.

Kirito is now a trap, just because

Kirito has a super rare, beautiful, special avatar everybody is jealous of and wish they owned (of course)

Nobody would play a game that gives you a random avatar whose features you cannot customize. But it’s not like Kawahara knows anything about videogames or something.

People sexually harassing Kirito because he looks like a girl. Nobody questions if a player is really the same genre as his/her avatar

The first girl Kirito befriends all by chance in the game is Death Gun's next target

Our noble hero manipulates a girl he just met for his benefit. As heroic as it was back in the first arc.

Kirito wins right away at a mini game nobody else who has being playing for years can

Nobody questions why a new player with no experience or equipment can do that without yelling hack or cheat

Star Wars knock-offs

Lightsabers exist in this game, even though nobody can use them properly or even afford to buy them

Kirito can use them and buy them right away

Motorbikes exist in this game, even though nobody can use them properly

Kirito is good at driving motorbikes because he played racing games

Kirito drives a bike in real life even when it’s illegal for his age (great message for the audience)

EPISODE 5

The tournament is called Bullet of Bullets

Nobody in this game has a nickname with digits. This is impossible in any game with millions of players.

Kirito doesn’t input his real information as means to keep his identity hidden, even when the sole purpose he is in the game is to lure Death Gun by making it public he is there

Kirito is more worried that he will lose game prizes than his life

Making a fuss over a half naked avatar

So much for not making his information public. Death Gun finds him just from his name. Because magically nobody else chose to be called Kirito.

Nobody recognizes Death Gun in the tournament, even after he made himself public in the beginning of the show. Hell, they act as if they don’t even see him.

If Laughing Coffin members still exist, it means they were not arrested after they were freed from the first game. Another proof of how nobody in this world cares about deadly videogames.

EPISODE 6

Wasting time by repeating the same slow ass scene from the last episode

Forced infodumping by explaining what they are supposed to do in a mission, a minute before they do it

Kirito’s personality is rewritten every 20 minutes (from serious outside the game, to goofy inside the game, to terrified because of something that happened years ago and which didn’t show any signs of even caring about, up until then)

Kirito feels remorse for saving his life and countless others by killing psychotic and amoral mass murderers

The battles lack excitement because they lack choreography and animation. Plus, because nobody can hit Kirito even if he fires a hundred bullets while he is standing still.

Kirito can avoid bullets because he can see the eyes of the sniper from miles away

Kirito cheats on Asuna once again by seducing Shinon

Kirito and Shinon both conveniently suffer from PTSD, and both accidentally met in this game as soon as he logged in

Kirito was constantly telling us he doesn’t like popularity and is continually not trying to attract attention from the people around him. And now seduces girls in front of a huge live audience.

You go to the finals even if you lose a duel

EPISODE 7

Mostly filler around people who never mattered

More incest

More talking while sitting on a table

Kirito lies to his harem girls once again but it’s ok because he is the protagonist

EPISODE 8

Kirito acts as if he never had PTSD in front of others

Kirito acts as if he likes others cheering for him, even when he claims he is anti-social and doesn’t like men to sexually pursuit him

Shinon hits the grenades someone carries when she could simply beat him with a simple shot

Despite all her bold claims to beat Kirito this time, he sneaks up on Shinon and overpowers her in a few seconds

Kirito once more knows how to cheat the system when nobody else knows, by swimming naked underwater

A pointlessly complicating fight scene where someone is assumed to be Death Gun

Shinon contradicts her claim from before, when she said players in this game don’t use close-range weapons

EPISODE 9

If invisibility cloaks and stun bullets are so effective, why isn’t everybody using them?

Death Gun kills a player for no reason, even when his target was Shinon and nobody else

Kirito lets Death Gun to escape while standing there, not doing anything to stop him, so the story can last more episodes

Kirito proceeds to keep fighting other players as if winning the tournament means more than finding Death Gun

EPISODE 10

Kirito conveniently leaves, so Shinon will need to be saved by him. Just more excuses for looking cool.

Kirito fails to shoot Death Gun while he was standing still and defenseless, so the story can last more episodes

Death Gun shoots Kirito with the paralyzing gun which magically doesn’t paralyze its victims anymore

Death Gun doesn’t constantly shoot at them while Shinon is too scared to fire for five minutes

Shinon misses Death Gun but hits all by accident an exploding gas tank. How convenient.

Kirito defeats a player without even bothering to show us how

Kirito says he never forgot the faces of the people he killed even though he clearly had done so for years until his PTSD was asspulled into the plot

Some sort of weird sexual innuendo is exchanged when Kirito says “you live in me” and Shinon replies “I never gave myself to another man” followed by her totally falling in his lap

EPISODE 11

Kirito magically figures out how Death Gun kills people, by simply speculating over a dozen different things, with absolutely no evidence to support his conclusion

While doing so, the camera shows Shinon’s ass and her bending over like she is giving him a head. Way to ruin the seriousness of the whole thing.

All of which are recorded and shown to Asuna and the rest of the harem, who are magically not annoyed by all that

Kirito doesn’t even give a damn about the above, as if it’s normal for him to seduce girls

This is one shitty game if players can peek at your personal information while you are inserting them

They decide to confront Death Gun, instead of Kirito simply shooting himself, logging out, and calling the agency to go arrest the killer in Shinon’s apartment. Or better yet, just running to her apartment in a few seconds because he is Kirito.

Some believe you cannot log out or communicate with others while the tournament is still running. If that is true, this is one shitty game if you are paralyzed and playing dead for hours, without at least chatting with someone else to pass the time. Damn, this game is really like the first SAO; it traps you in it.

The secret agency can’t do anything to stop Death Gun because the owners of the game are overseas. So how do they expect Kirito to stop him then? Better yet, why are they sending someone to investigate without informing the owners of the game first? After all, it’s about a guy killing their top players and hurting their profits. They will be more than willing to cooperate by being in constant touch with Kirito. As soon as he tells them who Death Gun is, they will trace his account to his home and ban his avatar, thus stopping the threat. But no, they are overseas and they are better of not knowing someone is killing their top players…

EPISODE 12

They are casually talking about the specs of a player, as if they are not in a grim situation all of a sudden

Said player is introduced and taken out in less time than they were talking about him

Shinon and Death Gun snipe each other’s weapons, a thing which has the odds of one in a trillion

Internal affairs has all of SAO’s players real names and character names but for some reason they didn’t know which of the players had killed others in the game

Death Gun actually thinks he can defeat the OP protagonist

Death Gun is using a melee weapon that is supposed to be the best in the game and way better than the one Kirito is using. And yet Kirito is shown defeating players with one slash, while Death Gun has stabbed him multiple times and yet he is still alive.

EPISODE 13

Fuck the rules Shinon, just believe in yourself so years of psychological trauma and game experience are rendered meaningless. She can now snipe at impossible distances because she knows she is weak, something she couldn’t do while she thought she was strong and had a scope.

Kirito once again uses impossible detective skills to remember Death Gun’s real name. All it took was to think of a Laughing Coffin member who wore a mask with red eyes. Seriously, that’s all he did.

The nurse says she can’t save him from dehydration if he stays in the game for too long. Which is bullshit since this is the most basic thing all hospitals can do.

Also, if that was the case, how come ten thousand people did not dehydrate for over two years while they were trapped in the first game?

Asuna assumes Kirito can sense her presence by touching a tablet.

Zaza you idiot, you were discovered because you didn’t wear a mask with different colors. It’s a different game for crying out loud.

But then again Kirito wears black in all the games he goes in. Must be a fetish.

The red bullet lines appear only when someone fires the bullet. But for no logical reason, they appear now when Shinon is just aiming at Death Gun.

Also, how come this was just a distraction? If she can lock on him from such a distance, she might as well shoot at him.

Kirito defeats Death Gun with one hit, and makes him blow up for no real reason.

Double suicide, really???

Everybody watching is happy to see two people winning a single winner tournament instead of complaining it is rigged.

Kirito jumps up from the bed and without saying hi to his harem bitches, runs to feel some ass from his latest conquest

Once again the main villain of the arc is a psychotic rapist, just so Kirito will appear to be chivalrous despite being a cheater and a hax

And of course Death Gun was Shinon’s friend. It’s not like there were any other possible candidates who had more than 10 seconds of screen time.

And of course his cool avatar personality is nothing like his creepy real personality, even though everybody else acts the same

Yet another guy who takes videogames too seriously. Fuck reality if you can be the best in a fictional world.

Also, hail contradiction! First he wanted to kill Shinon, and now acts like he planned for years to rape and take her to some fairy land.

Also we are meant to believe he had a partner who left Shinon’s house while he sneaked in despite Shinon going around checking out the place.

Also, we are supposed to believe he was stealing dangerous drugs from his father, who never found out about it.

Also, we are supposed to accept he has a brother, a father, and a business when the show didn’t bother to show any of those.

Gotta love those door locks. They open so easily from the OUTSIDE when the second Death Gun went in to kill Shinon, then locked again, only to open again easily for rape-kun to go for her ass. But when she tries to open the door from the INSIDE then the door remains locked. Then Kirito comes in and again the door lock does not work.

And predictably Kirito arrives to the rescue. The police or a secret agency weren’t able to mobilize faster than a typical teenager.

EPISODE 14

Rape-kun overpowering Jesus-kun. I call bullshit.

No nipples for Kirito-sama

Plot armor strikes again as Kirito is shot with poison in the only square centimeter of his body that was accidentally protected

Do you know what we do in my country when students bully and even point real guns at people? We tell the teachers about it, and call the cops.

Yes Shinon, don’t even bother to tell anyone this guy is not your boyfriend and you are not his 5th waifu. Let the viewers imagine stuff.

Describing with monologue how a masterplan took place after the whole thing is now over

Talking about the background and the motivation of people who were accomplices or died in the game without ever bothering to show them in the whole anime

What is that you said mr. special agent; people confuse reality with games? Maybe if you go public about this problem you can increase public awareness and prevent future tragedies. But why do that; just give Kirito lots of money and walk away while hiding the truth from the people.

Kirito treats his other harem girls like shit, and they respond by acting like complete idiots

So how come Kirito-dono thinks of something so simple to help Shinon get over her PTSD that no other psychiatrist did for all these years, and instead she was proposed the therapy of killing people for money in videogames? It had no effect anyways.

EPISODE 14.5

A recap episode for all those who found the plot too complicating to understand it, even if it sums up as: Videogames are serious business and Kirito is boring as hell for succeeding in everything without effort.

EPISODE 15

Excellent continuity. Asspull a whole event that happened in the past in narrated flashback with still images and pretend they always knew about it but never mentioned it. And do all that by having people talking while sitting on a table.

Excellent characterization. Show Asuna naked, yearning Kirito’s D, instead of being that dynamic woman you pretended she was at first.

Shinon has officially entered Kirito’s harem, and is now a cat woman with a tail for him to pull for the lulz. Remember when they pretended she was dynamic and wouldn’t let anyone boss her around?

Excellent world building. Have narration with minimum animation to explain the backdrop of something that is just a harmless videogame quest.

And yes, we moved from videogames that can kill you to fool around trying to get a videogame item with no risk or tension whatsoever.

They are role playing this quest so well, to the point they even refuse to message the other players to stop killing the flying spaghetti monsters and prevent the disaster.

Funniest part is that Kirito has founder privileges in this game. He doesn’t need to go find the sword or prevent the disaster. He can create anything he likes because he is like a god in this world.

And even if he does it just for the heck of it, he doesn’t need other party members. He can solo the whole thing.

EPISODE 16

This game is way too easy if a bunch of players who just found out they can use magic, after a long battle that leaves them injured and with most consumable items gone, can still wipe out several bosses in a line without dying once, all of which while still being pressured by time.

Klein falls in love with a fictional character, even after everybody tells him she’s not real and most likely a trap.

EPISODE 17

Remember all those MMO boss raids you won by looking for magical win triggers in the boss room? Neither do I.

And this concludes the most boring, aimless arc ever. ZZZ…

What Shinon says to Kirito about pulling the sword is an allegory for fapping only to her.

EPISODE 18

Oh look, they return to the cottage where chapter 16.5 happened. And this time they bring all the harem bimbos for an orgy.

EPISODE 19

Oh so that is the amazing conflict of this arc. A classic evil mother who doesn't want her daughter to be with the peasant boy WHO SAVED SIX THOUSAND PEOPLE, including her daughter. Love the logic.

EPISODE 20

New harem girl appears. So much for calling this Asuna’s arc.

Evil mother wants Asuna to marry an idiot like she did, for power and money.

Kirito appears to steal the spotlight once again.

EPISODE 21

I honestly don’t care about this boss battle. It’s just a game.

EPISODE 22

I don’t care about the sick new girl either. We only saw her for 2 episodes and they expect us to care? And why does Asuna even give a damn about a girl she met 2 days ago? Her stupid mother is a bigger issue than this bs drama.

EPISODE 23

Videogames are so cool, they make even stuck up parents to change their minds from the very first time they try them out.

Too bad real life stuck up parents wouldn’t even touch the controller, much less agree to enter a virtual reality that they know is addictive, ruins the social lives of children, and killed thousands of people.

Why did the mother even need to go into the damn videogame to have a typical chat like any normal person would have in real life? Reality is not enough for that?

She changed her mind so easily, making the whole conflict feeling superficial as hell.

And even if she hadn’t changed her mind, Kirito would simply appear, win her with his godly charm, and then they would have a lovely hentai threesome. Hell, that would be a better ending to a bullshit resolution by having people talking while sitting in a videogame.

EPISODE 24

In real life, very few players would give a shit about another player dying, much less coming to see her, all at once for a last time, because of time zone differences and various other real life obligations (assuming they have a social life and still go outside). Although she was famous, her fame is limited to her avatar, not the real her or her real life issues. Nobody cares if a gorgeous dark elf is in reality a smelly 60 year old fat male.

And seriously, it’s her last moments and she STILL needs to spend them while playing videogames.

In real life, there would be thousands of conspiracy theorists who would cause uproar by her death, claiming that videogames give people AIDS.

Ah yes, there’s that girl who helped the original villain to do all the crap he did. Yet another plot point that was just thrown in there and was never touched upon.
Rating: 5.5
Approval: -

Sword Art Online has a lot to prove. The fandom gets all giggly when talking about it, but the first season had tons of boring slice-of-life and an absurd exageration of siscon by the end, not to mention all the nonsense it spat with each episode. I resumed my amusement of the first season as "the best when it comes to make things worse". Anyway, jump to 2014 and the second season, smartly named Sword Art Online II (SAOII), is finished. My sanity told me to keep away, but my curiosity got the better of me and when I noticed I was watching the first episode.

First of all, SAOII has nothing to do with the game Sword Art Online Kirito and his girls played in the first half of the first season. Now the game of the moment is Gun Gale Online (GGO), where Sinon, a lonely and traumatized highschool girl plays in a vain attempt to free herself from her tragic past. What she doesn't know, however, is that a player appears to be killing people in real life through the game, and she is likely a target.

  1. Kirito joins the fray
    SAOII starts with the wrong foot already. You see, instead of investigating these murders by regular means, with real police force, detectives, and making some simple political trades, the adults of SAO's world go crying for Kirito to help. Apparently, any normal means is blocked because the game servers are overseas, and Kirito's superb expertise with ingame murdering comes to play. It's a rushed and poor excuse to put Kirito in another game, but damn... this can be doable considering how much nonsense stuff the previous season gave us.

    The first half
    The first half of the show goes around this "investigation". Although the pace can be terribly slow at some times, the fact that Kirito and Sinon are the only important cast members showing (and they are not a love-dovey couple with a hut in the woods and nothing to care about besides sex) allows SAOII to focus more on the events at hand. This turns out to be a great decision, which makes this entire first half already a LOT better than anything the previous season showed us. There is a large sense of danger, Sinon is far more human-like and charismatic than any of the previous girls, and even Kirito himself is not a jerk as he used to be (he still is the unmatched super-uber skilled hackz0r playa-ki11).

    The midseason terror
    The tale progression solves the mystery behind the player-killing and then Sinon just changes her personality and importance to be only "one more dere to Kirito's harem, with cat ears" and the show suddenly dives head-on into a absurdly stupid filler saga of three episodes that throws any momentum the show head right out of the window. This quest for a random ingame item with no importance whatsoever and lacking any kind of meaning or character development is simply unnaceptable for a show that finally got itself on track with GGO. Fortunately this ends quickly.. which takes us for...

    Sword Feels Online

    After a tense combat with a player killer and a absurdly boring quest for a random ingame item, SAOII flies to the skies of extreme drama and neverending tears. A pilot entry as boring as the previous three episodes only hides the "feels" awaiting the watchers as Asuna meets a new girl to play and learn about her fight for life, as well as her teammates in terminal situations.

    Seriously, this can get anyone by surprise. After stupid slice-of-life, siscon crisis, investigation, and random wandering, SAOII now tries to be the drama queen. What can surprise you even more is that it does a great job at that, perhaps the best thing it offered since its start.

    A better cast
    SAOII achieves two decent milestones here: first, it proves that by removing all the girls and leaving romance as only a timid charm, the cast can be less annoying. Sinon achieves what Asuna failed miserably at first season, portraiting a damsel in distress that is much more likely to be loved instead of hated. Kirito also changes his jerk personality around Sinon to some extent and becomes a less annoying protagonist.

    But when the gils return
    Second milestone, it proves that SAOII is just a sort a harem. Right after Sinon's saga ends, she completely changes to a secondary role and tranforms from traumatized girl to Kirito's Harem Girl #5. The rest of girls are also all there, knowing Kirito and Asuna are a thing, but doing regular stuff girls do around protagonists.

    The emotional strength
    Perhaps what made the cast of SAOII shine this time was the traumas they had. Some of them absurd, yes, but traumas nonetheless. It is interesting how the show manages to make Sinon's trauma and Yuuki's situation seems absurdly more tragic and impressive then being trapped in the game during the first season. The former SAO players are just carefree happy guys, as if they just played WoW for a year in the comfort of their chairs and now are playing Destiny instead. The damage was already done, but I can only wonder how much better SAO could be if they tried to put this absurd level (or at least part) of drama to the original cast during the first season.

    No progression with the fights though...
    If you felt that SAO had a lack of exciting combats and the coreography in general was lacking, this will only slightly change here. The production value of this second season is on par with the first by all means, which translates to cute girls and guys, combats resumed by a single flash super power, and lots of talking and cutie face close-ups. SAOII, however, do try to make things better by giving Kirito a light saber and putting him on more fights by the start. They rarely get truly exciting, but we can at least leave a small sense of progression.


SAOII surprised me, I can't deny that. The first season left me angry after every and each episode, it delivered so much nonsense that I barely could keep up with. Studio A-1 Pictures is a certainty of light presentation and that was one of the major issues back then. Now, however, the studio decide to transform SAOII into a exagerated drama, much like what happens in Ano Hana.

The result is positive. Very positive. The first half with only Sinon and Kirito achieves a degree of tension and urgency that was non-existent in the previous season, and the late arc was so heavy in drama it transformed the whole show. I can only truly point a finger at the filler 3-episode long middle arc, which not only totally destroyed the good momentum, but also gave me back all the feelings I had when I watched the first season.

So, with these decent start and ending, an annoying middle part, and a drastic reduction in the nonsensical decisions and real world interference, SAOII achieves a good quality standard and now deserves a bit of praise at least.
Rating: 7.66
Approval: 57.3% (2 votes)
The famous/infamous Kirito has successfully fought off two impossible opponents in two virtual MMOs, and now gets to spend his time relaxing with his friends and Asuna. However, not everything is peaceful in the online world as there is a player who can apparently kill actual human beings just by killing their virtual avatar in the game Gun Gale Online. Kirito is summoned to this new world to confront this new threat; what will he discover, and how will his past affect his endeavors?

Like it or not, SAO is a show that ended on a pretty conclusive note; and for those who didn't have enough there was a summary OVA with a small bonus ALO quest at the end. So why is there a full on sequel? What could they possibly add on to the original?

SAO II adds on a few more pieces that are worthwhile to the entire storyline. These include some additional background pieces on Kirito's future aspirations (perhaps maybe leading to a bridge for Accel World), a new friend to add to his harem, and (most importantly) an extended arc focusing on Asuna. So, if you happened to want to see what a trap Kirito would look like, want to see what a Counter Strike - turned MMO would look like, or would like some more time with Asuna this addition is well worth your time. If you despised the original SAO, then there is no point diving into this. If you haven't seen the original SAO, then I'd recommend picking that up first, lest you like watching things in a confused state.

Animation:
The animation in SAO 2 is solid and continues pretty much where SAO left off. As with the original SAO, they do a great job of painting an interesting, virtual world. This time, the first arc takes place in a gritty, smoggy world full of assassins and bounty hunters, a sharp contrast to the bright, lush fantasy worlds in the previous two MMOs. As with the original, a good deal of attention was paid to user mechanics such as how to buy weapons or adding virtual aids for the player, like a reticule to measure accuracy when shooting. Though the atmosphere for this arc was much darker than previous settings, the overall tonality was never bleak; perhaps this is more due to the actual story though so I'll get to that in a bit. Character designs are similar in style to the original; they bring back a lot of the original cast even if many former characters only get somewhat brief cameos. What was a strong annoyance, and why I held off on watching this for awhile, was that Kirito turns into a trap in GGO and is often mistaken as a girl; so this is just the millionth time that he apparently by "chance" rolls a super-rare avatar/ability. The new girl, Sinon, is an interesting add-on though personally not as interesting as either Asuna or Leafa.

Expect a good deal of action in this one, as with the original. Since most of it takes place in the virtual world, damage just looks like colored patches or in extreme cases detached limbs, no gore or blood though. As the first arc is gun based, expect a lot more ranged battles. That being said, Kirito can't give up his sword skills and, due to his insane in-game reaction time, decides to use a beam saber to essentially deflect all incoming bullets. Expect a lot of pretty good action sequences, some of which are a bit over the top with vehicular chases and massive explosions. Apart from some personal time with Asuna, don't expect too much in the form of ecchi.

Sound:
There are two OPs and three EDs that pretty much line up with each arc. The first OP is a bit light by SAO standards and, though fast paced, didn't really feel like it had a strong connection with the show. The first ED continues Luna Haruna's work on the franchise, but the song pales in comparison to the crisp melody of Overfly. The second OP is fittingly sung by Asuna's VA, though the particular melody isn't anything special. The filler-arc ED, a pretty nice and peaceful tune, is sung by Lisa. The last arc's ED (also sung by Lisa) is a very fitting piece that fits well with the mood of the arc, in addition to having some very high notes. Not to be outdone, the BGM and sound effects are likewise very well done. There is a background hum in GGO and the BGM is fittingly different with a more down-tempo, electronic based theme. However, action moments, like the original, are accentuated with orchestral instrumentals. There are definitely hints of the themes of the original SAO BGM as well. The transition between the dark world of GGO and the fantasy fairy world is further accentuated by the BGM, which takes on the familiar and more playful themes of the original SAO second season.

The VA cast of the original return to give a likewise great performance. You won't hear as much of Ayana Taketatsu as the main heroine roles go to Haruka Tomatsu and Miyuki Sawashiro. Aoi Yuuki also plays a significant role in the last, emotion-filled arc. All of them give great performances, giving each of their characters a unique and memorable flair.

Story:
The story of SAO 2 is a bit of a mixed bag. Some parts are very well presented while others were fillers or very predictable.

What made SAO's first arc so special was the very real threat of death hanging over everyone's head, it added a lot of tension that seemed so ironic to some of the scenic, peaceful lands in the virtual MMO. Once again, the series attempts to hold characters' lives hostage, though in this case the tension never really materialized. By the start of SAO 2, you just feel like Kirito is analogous to Neo from the Matrix; he can basically enter any MMO and pretty much dominate from the get go. Add in a few foreshadows and you can pretty much predict the entirety of the arc. Predictability aside, it is probably the most traditional of all three arcs with a decent exposition of the detailed world of GGO and the new heroine Sinon. It builds to a final, climatic battle that feels (probably purposefully) similar to the climatic battles in the original SAO.

The second arc feels like a filler arc in elf land where Kirito and his friends must go on a quest to save the entire world and involves some hybrid cross between a King Arthur and Norse mythology story. Some curveball plot twists aside, it is relatively straightforward and not particularly engaging.

The final arc starts as a seamless continuation of the second arc, except that the focus quickly shifts from Kirito to Asuna. There's a mysterious knight that is challenging all players and, to everyone's surprise, even Kirito loses (gasp!). There is a new group of characters introduced in this arc, which builds to a very nice climax. This is probably the most emotional of the arcs and does a good job humanizing MMOs.

Overall, the plot is entertaining and, mixed with good production values, offers a pretty compelling package. There are quite a few plot twists and cliff hangers, which make this show a great one to chain. I thought the ending arc was a particularly good one, as it tries to remind us that the player on the other side is indeed another human being. What I took away from this is that despite being pseudo-anonymous, we should still be respectful, as we don't know what others might be going through in their lives.

Character:
Kirito, Asuna, and the gang have pretty established relationships already by SAO 2. Thus, two of the arcs revolve around brand new characters. The first arc introduces Sinon, a sniper who in real life is traumatized by guns due to a childhood incident. Kirito happens to bump into her in GGO and they eventually bond despite some humorous bumps along the way. Though Sinon is pretty well developed, I found her character slightly off putting and not really all that relatable. After the first arc, her character somewhat fades into the background. Asuna takes the lead in the last arc, backed by a new character Yuuki. Yuuki is a very strong character with a very strong will and a slightly tomboyish attitude. I greatly enjoyed her performance, saying anything more would be a spoiler.

Since the show does spend so much time bringing the viewer up to speed with all the new characters, our existing crew from SAO (excluding Kirito and Asuna) get significantly less screen time (i.e. this will suck for those who like Leafa, Lisbeth, or Silica). Furthermore, the antagonists aren't anywhere near as imposing as those in the original show were. This greatly diminished the potential excitement and tension in the show. Despite the fact that the existing crew is static, the overall interactions between the cast were very enjoyable.

Value:
Given that I didn't think SAO needed a sequel, I think they did all right. It's not as intense as SAO, not as engaging as SAO, and not as creative as SAO. Despite being inferior in some crucial ways, the show still carries the original's production values and introduces some new interesting characters. Heck, at least it had more new content than the SAO OVA. Still, this is a pretty decent watch considering everything else in the season. If you're itching for an engaging and occasionally intense action show with a bit of emotional tension at the end, definitely try this one.
Rating: 4.66
Approval: -
Following the chaos and overhyped piece of shit that was Sword Art Online in 2012 of course there going to be a second season and of course its gonna be way more inferior to the ALREADY mess of a story and steryotypical characters of the first show so let's begin it from the top

ANIMATION:
probably the only good aspect in this series is the animation,the animation is done by A-1 Pictures and as they mostly deliver the animation is awesome the art is generic but the background detail and the character figures are awesome and visual effects are damn amazing
ANIMATION=9

SOUND:
as far as sound goes its pretty good,OP's and ED's are all nice and voice acting still has that damn Mastuoka voicing another generic main lead and i dont really remember the BGM so its not very memorable
SOUND=6

STORY:
OHHHH THE STORY if you thought that SAO 1 was bad then just look at this shitfest first lets see what the show has to offer in terms of premise:
the first three episodes are FiILLED WITH EXPOSITION AND JUST KICKS THE SHIT OUT OF STUFF LIKE THE INFAMOUS CIRCLING KIREI IM FATE/ZERO and they are also im café so its not remotly entertaining as that circling was so ridiculous it was very fun its just a bunch of guys eating cake(GODDAMN IT K-ON) and discussimg how shit hits the fan in another VRMMORPG called Gun Gale Online A.K.A Call of Duty when Darth Vader sorry sorry i mean Death Gun(wich is a stupid name like seriously Death Gun? what is there a life gun somewhere in the future,if there is i know i would shoot Satoshi Kon or something) appears out of fucking nowhere and starts fucking shit up and killing players by shooting them through the TV in the game and somehow they die in real life from a heart attack wich reminds of an other suspicious notebook with death in it's title so it's up to our main hero to save the day and figure out who the fuck that is!
by turning into a girl(wich is only inserted for that one time where he gets to see the main heroine mistake him for a girl and change her clothes right infront of him,no reason else)wich brings me to another problem i have eith this show wich is the weak explanation of the world now this may not disturb the casual viewer wich i know a lot of the SAO fanbase are but for me the writer just dosent know how RPG mechanichs work like for example the random customization Seriously HAVE TOU EVER FUCKING SEEN AN RPG WITHOUT CUSTOMIZATION BUT APAPPARENTLY IN THE FUTURE THEY SAID FUCK THAT COSTS TOO MUCH MONEY SO WERE JUST GONNA MAKE IT RANDOM wich leads him to becoming a girl and a jedi master weilding a light saber by the help of the main heroine who can do mid
air 720 quick scopes who obviously we get ass shots galore from her,and unlike how it is advertised and everybody focuses on this side of the story that can be somewhat entertaining my main hate with this anime is in the second half of it where it turns into a tear jerker anime focusing on Asuna(wich was completly ignored in the first half even the show disregards her relationship with Kirito)and some girl back in ALO wich was totally disappointing because i hate anime that try to be more than they are YOU ARE AN ACTION ANIME IF YOURE GONNA DO EMOTINAL SCENES DO THEM FUCKING RIGHT IF NOT STAY AN ACTION ANIME and well because i hate tear jerkers and between those two arcs there lies one of the most shitty anime epsiodes i have ever seen in my entire life wich are in the excalibur arc where they didnt know what the fuck to do in the gap between the two arcs so they just decided to make Kirito and his friends go on a random MMO quest to get some sword and defeat some shitty boss TOTALLY POINTLESS
so in short mediocre intertaing first half and shitty in between two main arc episodes and a shitty last arc that staryed from the formula that it was going with WICH IS ACTION ACTION FANSERVICE
STORY=2

CHARACTERS:
there arent a lot of additions the only important ones are Sinon the main heroine of the first half and is only there for ass shots and another harem addition the other one is Konno Yuki who thank god didn't become a harem girl is well......i really cant say much without spoiling anything otherwise than that the characters are bassicaly the same cast
CHARACTERS=5

VALUE:
rewatchability is not that much having only the first half remotley entertaining and you'll probably never really look back and say "oh i really want to watch SAO 2 again"
VALUE=3

ENJOYMENT:
In terms of of enjoyment it is very entertaining for thr casual viewer but if you want a story that makes sense and has good characters this is not going to be very different from the first Season and thats only the first half and with the second half being either boring or being just a bunch of pointless action scenes so
ENJOYMENT=2

Overall it just suffers from having too much fanservice on Sinon Boring exposition game mechanics that dont make sense(eich was also a flaw with the first season)and a boring second half and completly pointless middle

THE FINAL RATING FOR SWORD ART ONLINE II IS=4.6/10 I give you a recomendation to just watch the first half if youre intrested and just look up the rest of the story on wikipidea or something

for alternate anime recomendations:
Log Horizon
Btooom!
Hunter x Hunter Greed Island arc
Rating: 7.16
Approval: -
Sword Art Online II

Since I've been the only person to have written a generally favorable review for the first season, it is only fitting that I'm doing it again (hereby in advance before all the review-shitstorm is falling upon the show here).

Again, as always, I'd like to apologize for any inevitable typos and grammar mistakes.

Art/Animation

It's production-wise of very similar quality to its predecessor, which results in very good still footage and decent animation quality. I commend the show for its visual adaption of GGO in particular.

8/10

Sound

Voicework is again top-notch and deserves full marks. Soundtrack is a mixed bag, containing nice new arrangements of established pieces as well as some very intriguing new composition. The soundtrack is generally too repetitive, though.

9/10

Story

The similarities to SAO I are again very striking: The show includes a very solid first arc and a mostly disappointing follow-up with little to work with. That being said the implementation and plot of the Gun Gale Online-chapter are generally convincing and result in a somewhat fresh perspective in favor of the base material. The mystery about Death Gun is compelling enough to capture more than just shounen-aficionados.
Unfortunately, the second arc is oozing with ridiculous melodrama and otherwise irrelevant plot development, again very comparable to the first iteration's narratic setup. It provides enough fan-service for most of the audience, which prevents them from skipping the last episodes altogether.

It does have a cliffhanger-esque ending, so there should be more to come.

6/10

Character

There is little change to the base cast. Kirito is still the invincible, rather all knowing boy-hero, Asuna mainly the damsel-in-distress-like girl-hero. In favor of the show I have to say that the second (more irrelevant) arc provides further nuances to Asuna's character, which is certainly welcome.
I've been very happy with the implementation of Sinon, she is by far the most intriguing addition to the show and is generally interesting to watch. Yuuki is a little less interesting, but still tolerable.
All in all it's a definite improvement to the generally one-dimensional cast of SAO I.

7/10

Value

It does have a few feature-fights and moments I've watched a couple of times. I could imagine that some people would like to watch the first arc again, but the replay value is limited in general.

6/10

Enjoyment

Make no mistake, it's fully enjoyable for a full run and provides fans with more of the same. In addition, the Gun Gale Universe provides enough wonder and mystery to attract a new and seperate audience. The dystopian look of the new MMO-scenario also helps to keep things fresh.
Unfortunately, the series loses a lot of its momentum (again!) in its second, generally unimportant arc that adds little to the universe (except some additional character development for Asuna). This prevents the show from any longlasting impact the world of Sword Art Online would otherwise demand.

--

22.12.14 - Shadowbroker
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abilitiesAbilities are skills or competences that have applicability in some sort of activity.

agile (1)The character has a great agility which comes in very handy for combatants or otherwise fighting characters.clever (3)A clever or smart person is generally understood as having broad knowledge and the sharpness of mind required to put that knowledge to good use, especially when applying rational thought to long-reaching decisions, with the broad knowledge leaning more on the smart side and the sharp mind on the clever side. Unlike a genius, the clever person may be skilled, but only mundanely so, and in contrast to a cunning person, a clever person is not characterized by being sly or apt at surreptitiousness.cooking (2)Cooking is the process of preparing food by using heat.dual wielding (3)The ability to use a weapon in each hand skillfully.extreme speed (3)The character has an astonishing speed, surpassing the Human limits.flying (1)This character has wings, natural or artificial, which enable the character to take flight. Or is in command of some form of levitation (e.g. a witch using a broom to fly). Not to be confused with "flying planes" or "flying helicopters".genius (1)A genius is someone possessing extraordinary intelligence or skill, normally to a degree associated with the achievement of unprecedented insight, and especially when demonstrated through a creative or original work in a field of human knowledge. Such ability is well beyond the realm of an ordinarily clever person, who instead applies a sharp mind to mundane levels of skill.gun marksmanship (2)A person who is both skilled at firing a gun and accurately hitting what they are aiming at.healing (2)Healing is the power to restore biotic organisms to their optimal health.leadership (4)The ability to lead skillfully.magic (20)Magic is the art of purportedly manipulating aspects of reality either by supernatural means or through knowledge of unknown occult laws.martial arts (2)Various sports or skills, mainly of Japanese origin, that originated as forms of self-defense or attack, such as judo, karate, and kendo.multi-weapon user (1)no description setstrategist (2)A strategist is a person who can formulate and implement a strategy, or a high-level plan to achieve goals under conditions of uncertainty and through the available, limited means. Similarly, lower-level plan formulation and execution is generally the job of a tactician. For practical purposes, the scale and scope difference between strategy and tactics are ignored in this tag.

accessoriesAccessories are objects characters use or sometimes simply carry around.

armour (1)no description setbandage wrapping (1)The character is wrapped in bandages. It can be a portion of their body, or all of it.bow (1)A bow is a weapon that projects arrows powered by the elasticity of the bow.buster sword (1)A larger-than-life sword with a broad blade.dagger (1)A bladed fighting weapon with a sharp point designed or capable of being used as a thrusting or stabbing weapon. Many ancient cultures used adorned daggers in ritual and ceremonial purposes. (source: Wikipedia)excalibur (1)Excalibur is the legendary sword of King Arthur, sometimes attributed with magical powers or associated with the rightful sovereignty of Great Britain. Sometimes Excalibur and the Sword in the Stone (the proof of Arthur`s lineage) are said to be the same weapon, but in most versions they are considered separate. The sword was associated with the Arthurian legend very early. In Welsh, the sword is called Caledfwlch.glasses (6)Glasses (also called eyeglasses or spectacles) are frames bearing lenses worn in front of the eyes, normally for vision correction, eye protection, or for protection from UV rays. For practical tagging purposes, sunglasses should not be considered glasses; the "glasses" tag is specifically about the type that doesn`t block light. However, a character who wears prescription glasses with dark lenses or who wears both eyewear types should take both tags.katana (3)A type of Japanese sword, often called a "samurai sword". The term katana may be applied to the standard size moderately curved Japanese sword with a blade length of greater than 60 cm. The katana is characterized by its distinctive appearance: a curved, slender, single edged blade, circular or squared guard, and long grip to accommodate two hands.lightsabre (1)A sword with a column of brightly colored energy in the place of a metal blade. Most famously known from the Star Wars films.mace (1)A mace is a blunt weapon, a type of club or virge—that uses a heavy head on the end of a handle to deliver powerful blows.magic wand (1)no description setmask (1)Masks are items normally worn on the face. Their uses range from medical (example: oxygen mask) to disguise (avoiding recognition). They can also be used for entertainment (for example, in theater or dance), and may even be forced upon someone as punishment. Masks have been in use since ancient times.pistol (2)A pistol is a small firearm to be used in one hand.rapier (2)A rapier is a slender, sharply pointed sword, ideally used for thrusting attack.shield (1)A shield is a type of personal armor, meant to intercept attacks, either by stopping projectiles such as arrows or redirecting a hit from a sword, mace or battle axe to the side of the shield-bearer. (Source: Wikipedia)skimpy armour (1)Skimpy armour is a set of clothing functionally used as armour, sometimes but not always containing metallic material, where significant areas of the body remain exposed / scantily clad, often for sexual appeal, despite the user wearing a set of armour; were it not for fantasy world physics, the user would be highly vulnerable to injury if normal physics applied.sniper rifle (3)A long-range rifle, usually equipped with a telescopic sight and often a night-vision devicesword (10)A sword is a long, edged piece of metal, used as a cutting, thrusting, and clubbing weapon in many civilizations throughout the world. It fundamentally consists of a blade and a hilt, typically with one or two edges for striking and cutting, and a point for thrusting.

clothingClothing is fiber and textile material worn on the body.

business suit (1)The business suit is a traditional Western-style business attire. For men, this usually consists of a jacket, worn over a collared shirt, with a matching pair of trousers and optional waistcoat vest. For women, this would usually be a jacket, worn over a blouse, with a matching skirt (commonly a pencil skirt) or trousers. Not to be confused with a blazer or sport coat.chaps (1)Chaps are sturdy leggings, generally without feet, designed to provide protection for the legs. Chaps are often held up by an integrated belt, normal waist belt, or suspenders; however, they can also be self-suspended, such as through elastics or straps directly on the leggings. They have no seat and are not joined at the crotch, normally being buckled on over trousers. Often made of leather or a leather-like material, they are most commonly used when riding a horse.cloak (1)A cloak is a sleeveless loose garment, sometimes with a hood, that is worn over indoor clothing and serves the same purpose as an overcoat; it protects the wearer from the weather, or it may form part of a fashionable outfit or uniform. In contrast to a cape, a cloak provides more frontal cover whereas a cape leaves the front fairly open. A cape or cloak with sleeves is a robe.dress (1)A dress is an item of clothing, usually worn by females, which both covers the upper part of the body and includes a skirts below the waist.leg garter (1)Garters are narrow bands of fabric fastened about the leg, usually used to keep up stockings, and sometimes socks. They can also be worn as a standalone fashion item. Sometimes, the garter may be held up by a suspender belt / garter belt.leggings (1)Leggings are a type of fitted clothing covering the legs, which can be worn by both men and women. Leggings are joined together at the hips. In contrast, stockings are not joined together.pantyhose (3)Pantyhose are sheer, close-fitting legwear, covering the body from the waist to the feet.pencil skirt (1)A pencil skirt is a slim-fitting skirt with a straight, narrow cut. Generally the hem falls to, or is just below, the knee and is tailored for a close fit. It is named for its shape: long and slim like a pencil. Pencil skirts are often worn together with a business suit or a blazer, sometimes with a matching waistcoat vest.scarf (1)A scarf is a piece of fabric worn around the neck, near the head or around the waist for warmth, cleanliness, fashion, or religious reasons. They can come in a variety of different colours. Scarves are not to be confused with scarf ties or headscarves.school uniform (3)A type of uniform worn in Japanese schools (called "seifuku" in Japanese), generally high school age or younger. They can vary considerably; commonly, females will wear a sailor uniform (modelled off the British Royal Navy uniforms in 1920) and males will often wear a "gakuran", which is a dark button-up uniform modelled off Prussian army uniforms. But expect to see a substantial amount of variety.thighhighs (4)Thighhighs or stockings are a close-fitting, variously elastic hosiery piece that fully cover and extend above the knees, or partly cover the knees, leaving only the thigh area exposed. Generally, "thighhighs" refers to stockings that stay up by the use of built-in elastic. In contrast, "stockings" is the general term and/or refers to the kind of stockings that need a suspender belt / garter belt. Hosiery that rise up to, but not including, the knee, or slightly thereunder, are knee highs.

entityno description set

NPC (8)An NPC is a computer-controlled non-player character in a computer game such as an MMORPG.artificial intelligence (2)Differing for organic based life forms and their "natural" intelligence, AI is created / programmed by artificial means. Robots, androids, or advanced computers (think "HAL 9000") will have artificial intelligence.cat person (2)A cat person is a humanoid with a cat`s characteristics, most commonly ears, paws, or a tail.fairy (24)A fairy is a type of mythical being or legendary creature in European folklore, a form of spirit, often described as metaphysical, supernatural, or preternatural.game avatar (51)A game avatar is the graphical representation of the user`s game character. It takes a three-dimensional form in games and/or virtual worlds.giant (2)no description sethuman (32)Modern humans are the only extant members of the subtribe Hominina. Together with chimpanzees, gorillas, and orangutans, they are part of the family Hominidae. Terrestrial animals, humans are characterized by their erect posture and bipedal locomotion; high manual dexterity and heavy tool use compared to other animals; open-ended and complex language use compared to other animal communications; larger, more complex brains than other animals; and highly advanced and organized societies.

fashion accessoriesno description set

choker (3)A choker is a necklace, narrow strip of cloth, ribbon, or other object that fits very closely around the neck. It is not to be confused with a collar, which, for humans and other human-like entities, is generally a collar-like accessory serving a restraint, identification, and/or display of submissiveness usage. Please see the description of the collar tag for more information on the distinction. Please also see this tag`s full description for other information on how to use it.earring (3)An earring is a piece of jewellery attached to the ear via a piercing in the earlobe or another external part of the ear (except in the case of clip earrings, which clip onto the lobe). Earrings are worn by both sexes, although more common among women, and have been used by different civilizations in different times.hair clip (4)A small metal or plastic clip used to keep the hair in a certain style, or sometimes just for style.hair ribbon (2)Hair ribbons are ribbons used both as hair decorations and as hair ties. Hair ribbons are often tied into bows. They may also be present as part of a hairband. In older anthropomorphic series, where the gender of characters was sometimes hard to tell at first glance, ribbon bows were used to indicate a female character.hairband (1)A hairband is a flexible plastic or metal band or strip of cloth worn over the top of the head to hold the hair back and maintain a certain hairstyle. A hairband that includes ribbons or has bows along its length should be also tagged hair ribbon. For a similar band worn across the forehead primarily for athletic purposes, see sweatband.necktie (1)The necktie (or tie) is a long piece of cloth worn around the neck or shoulders, resting under the shirt collar and knotted at the throat.

fetish appealsno description set

androgynous (1)Androgynous characters are ambivalent or indeterminate in terms of gender, and can exhibit both masculine and feminine physical traits all at once. It is frequently difficult or impossible to say whether they are really male or female from direct visual observation.bishoujo (2)In the West, bishoujo are attractive girls generally from late childhood or early adolescence to late adolescence, especially those that appeal to males, and particularly fictional characters designed in a way traditionally associated to shoujo manga. Fictional bishoujo tend to be cute, pastel-coloured teenagers; they lack the sophistication of older women, instead having detailed eye and hair design, fluttery costumes often including ribbons, and all sorts of generally sparkly fluff.bokukko (1)A bokukko is a female, usually young, who refers to herself using the "boku" pronoun. The "boku" pronoun is masculine, usually associated with younger boys, and not used by females. Bokukko are often also assertive in a boyish way, though this is not mandatory; some are bokukko despite being quite introverted. A similar concept using the "ore" pronoun is the orekko.cleavage (3)A cleavage is the partial, or sometimes full, exposure of the separation between a woman`s breasts.coin slot (1)Buttock cleavage is minor exposure of the buttocks and the gluteal cleft between them, often because of low-slung trousers. The crena is another formal term for the cleft between the buttocks. Some people think wearing their pants too low in the back is fashionable. The resulting exposure of buttock cleavage is commonly referred to as the "coin slot". Whether this sort of "wardrobe malfunction" is sexy or not is rightly a matter of personal taste.large breasts (6)Large breasts are breasts a fair notch larger than average, as found in some real life adolescent girls or fully grown women. They are bigger than medium breasts and smaller than huge breasts. Note: This tag has many anime/character entries that need to be moved to the new medium and huge breasts tags. Please add the appropriate tag and remove this one from the corresponding anime/character afterwards.loli (1)Loli is a short form of the word Lolita, describing sexually precocious young girls. The related fetish for this is called Lolicon (Lolita Complex).medium breasts (3)Medium breasts are breasts that have a moderate size but aren`t overly big like large breasts. Medium breasts are what would be considered normal size in real life, whereas below average sized breasts are called small breasts.moe (1)Moe is a Japanese slang loanword that refers to feelings of strong affection mainly towards characters in anime, manga, and video games. At the anime level, the cute girls doing cute things (CGDCT) tag may also apply.small breasts (2)Small breasts (flat chested) are breasts that would be considered below the average size for real life medium breasts.zettai ryouiki (2)Zettai ryouiki, literally "absolute territory", is an area of exposed skin of a female in the gap between thigh-high or over-the-knee hosiery and a miniskirt, shorts, or on occasion a minidress. In addition to the area itself, the term can describe the clothing combination. Please note that zettai ryouiki requires all three components: over-the-knee or thigh-high hosiery, thigh skin, and one of skirt, shorts, or minidress.

looksThe looks are a person`s physical appearance. They are commonly used to describe people. Specific parts of one`s looks are most often referred to when especially pleasing or attractive, and sometimes also when particularly jarring.

V bangs (1)V bangs are a style of hair bangs cut to have longer hair in the middle part, forming a v-shape.ahoge (1)Consisting of a single, often large, lock of hair sticking out from the top of the head, it is most often used to identify foolish, bumbling or carefree characters.bald (3)A bald person is someone, most often a male, who does not have any hair on their head. If there`s still hair remaining on the sides or rear of the head, then that person is not yet bald, but balding. This does not include facial hair; a bald person may still have a beard, moustache, or eyebrows.beard (2)A beard is the collection of hair that grows on the chin, upper lip, cheeks, and neck of human beings.black eyes (7)This character has black eyes. (This does not refer to the injury called a black eye)black hair (14)The character has black hair.blue eyes (7)This character has blue-colored eyes.blue hair (5)The character has blue hair.blunt bangs (3)Blunt bangs are a style of hair bangs, cut to have a uniform straight or gently arched edge at the end of the frontal fringe, without jagged edges, and minimal spikes.bob cut (3)A bob cut or bob is a short haircut for women (and occasionally men) in which the hair is typically cut straight around the head at about jaw-level, often with a fringe/bangs at the front. The bob is cut at the level of ears, below the ears, or above shoulders. If the sidelocks are distinct, it is possibly a hime cut.braided hair hairband (3)Braided hair can be tied up to form a braided hair hairband. A well known real-life example is former Ukrainian Prime Minister Yulia Tymoshenko.braids (4)Braids is a style of hair in which the hair is interweaved into locks. Braids can be displayed in various styles, such as twin braid tails or a braided hair hairband.brown eyes (12)The character has brown eyes.brown hair (12)The character has brown hair.cyan eyes (1)This character has cyan color eyes.cyan hair (1)This character has cyan (greenish-blue) hair.dark skin (2)Dark skin is a naturally occurring human skin color that is rich in melanin pigments and having a dark color.exposed midriff (2)In fashion, midriff is a term for the human abdomen. The midriff is exposed when wearing a crop top or some forms of swimwear.fair skin (2)Fair skin is a naturally occurring range of skin colour that is lighter than the average for humans, but not light enough to be considered white. Ethnically speaking, a reasonable real life metric for fair skin is the skin colour of people normally said to be "white".feline pupils (1)Pupils that appear to be stretched vertically. These style of eyes are commonly seen with fantasy characters or animals like felines, foxes, lizards, and snakes.freckles (2)Small brownish spots in the skin due to augmented melanin production that increase in number and intensity on exposure to sunlight.glowing eyes (2)no description setgreen eyes (5)The character has green eyes.hair bangs (3)Hair bangs are a shaped cutting of the front part of the hair so it lies over the forehead. Bangs are usually cut fairly straight - at or above the eyebrows, but can also be curled, ragged/ruffled, spiked up with hair gel, mousse or wax, swept aside, or cut longer to fall over the eyes.insect wings (3)no description setlong hair (5)Long hair is hair from (but not including) shoulder-length, up to (but not including) waist length hair. Sidelocks do NOT count as long hair.mole (2)A mole, also called beauty mark, beauty spot, beauty patch, and sometimes birthmark, is a type of visible, circumscribed, chronic lesion of the skin or mucosa that may be congenital (present at birth) or acquired. Such marks are sometimes considered an attractive feature, hence the beauty-related names, and they are medically known as nevus (plural: nevi), from naevus, Latin for "birthmark". They are not to be confused with the animals commonly called moles.pink eyes (2)This character has pink eyes.pink hair (1)Pink hair, not much to talk about.pointy ears (13)Well they are ears... and they are pointy... what`s more to say there?!ponytail (2)A ponytail is a hairstyle in which most or all of the hair on the head is gathered and secured at the back of the head with a hair tie, clip or similar device, and allowed to hang freely from that point.purple hair (1)This character`s hair is colored somewhere between red and blue.real cat ears (3)no description setred eyes (3)This character has red eyes.short hair (8)Short hair is hair from (but not including) bald, up to (but not including) shoulder-length hair. This hair length is what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length.shoulder-length hair (3)Shoulder-length hair is hair at shoulder length, within a few centimetres margin. This hair length is longer than what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length. Typical male hair at the back of the head which reaches the shoulders does not count as shoulder-length hair; the individual hair strands are very short (0-4 cm), and therefore count as short hair.sidelocks (5)Sidelocks are long locks of hair that come down the side of the face, passing in front of the ears. Sidelocks do NOT count as long hair.spiked hair (2)The hair is styled up into spikes.tail (3)The tail is the section at the rear end of an animal`s body; in general, the term refers to a distinct, flexible appendage to the torso. It is the part of the body that corresponds roughly to the sacrum and coccyx in mammals, reptiles, and birds. Please see the full tag description for usage instructions for this tag.twintails (2)Twintails are type of hairstyle where the hair is gathered into two "tails" on either side of the head. Twintails may also include a pair hair buns, one bun at the base of each tail.very long hair (11)Very long hair is hair from (and including) waist-length hair or longer.wings (2)no description setyellow eyes (1)This character has yellow eyes.yellow hair (7)The character has yellow hair. This does not map precisely to real-life blond hair.

roleno description set

animal sidekick (1)Every mahou shoujo anime needs them, the cute little critters that are supposed to help the protagonists but in reality are nothing but useless bystanders most often abused for gags. Kids love them but they can also often turn into an annoyance.announcer (2)An announcer is a voice actor who works in television, radio or film, usually providing narrations, news updates, station identification, or an introduction of a product in television commercials or a guest on a talk show. Announcers usually read prepared scripts, but in some cases, they have to ad-lib commentary on the air when presenting news, sports, weather, time, and commercials.archer (1)no description setbeta tester (4)The users of a beta version are called beta testers. They are usually customers or prospective customers of the organisation that develops the software, willing to test the software without charge.blacksmith (1)A blacksmith is a craftsman who creates objects, most notably armor and weapons by forging iron or steel.harem lead (3)Harem is a genre/plot frame that is mostly present in the media of Anime, Manga, Light Novels, Visual Novels, and Video Games. It usually involves at least three or more females who for some reason are in the presence of one male as a central plot element. Said male is usually oblivious to the fact that the surrounding females are romantically interested in him.samurai (1)no description setsoftware developer (1)A person engaged in the craft of developing computer software.student (4)A student or pupil is a learner, or someone who attends an educational institution. The may be understood to mean only those enrolled in some sort of educational institution, but, in its widest use, it applies to anyone who is learning, including mid-career adults who are taking vocational education or returning to university, or younger researchers or artists learning from a more experienced colleague and mentor.swordsman (3)no description set

traitsTraits are characteristics, habits, or trends that can be associated to and may be used to identify individuals.

adolescent (8)An adolescent (teenager) is 13 to 19 years old.barefoot (2)This character never seems to wear any shoes — possibly a martial artist that prefers to stay in close contact with the ground, or a girl from the country now living in the city. Alas, under more dire circumstances this can also be a sign of real poverty.brave (4)This character shows little or no fear in face of danger, perhaps even jumping onto the danger when he or she believes the time comes.child (3)A child is any person 3 to 12 years old. In everyday usage, babies (younger than 3 years old) are also children, but they are tagged separately; they should not be tagged child as well. Once a person becomes 13, they are an adolescent instead.energetic (1)An energetic character, often also called a genki character, shows great, often excessive levels of activity or vitality, and seems to always be doing everything extra fast. Genki characters are often slightly, or sometimes very, eccentric, and are filled with confidence and determination, regardless of whether they are competent or not; in fact, they often have little to no actual competence at whatever they generally do.friendly (3)A friendly person is generally considered warm, approachable and easy to relate with in character.helpful (1)This character is serviceable for an end or purpose.hoplophobia (1)Hoplophobia is a political neologism coined by retired American military officer Jeff Cooper as a pejorative to describe an "irrational aversion to weapons." It is also used to describe the "fear of firearms" or the "fear of armed citizens." Hoplophobia is a political term and not a recognized medical phobia.innocent (1)no description setintrovert (1)Introverts are people whose energy tends to expand through reflection and dwindle during interaction. They tend to be more reserved and less outspoken in groups. Introverts generally enjoy time spent alone or with close friends, and find less reward in time spent with large groups of people.

Some of the typical solitary activities are reading, writing, using computers, hiking and fishing. The archetypal artist, writer, sculptor, engineer, composer, and inventor are all considered highly introverted.

Not to be confused as being shy - introverts prefer solitary activities over social ones, where as shy people (who may be extraverts at heart) avoid social encounters out of fear. Like extroversion, introversion is not a black and white measurement, and these people may share some of the same traits than extroverts.
kind (4)Having or showing a friendly, generous, and considerate nature.kuudere (2)A kuudere may be cold and harsh at first glance, appearing unemotional and practical, but this is just a facade that protects their innermost, tender, delicate feelings. They avoid the tsundere`s combative and occasionally immature demeanor; rather, they are hard to approach because they are `cool`-headed: often cynical, casually blunt and dismissive. Not to be confused with dandere which is someone being quiet for its own sake, usually associated with shyness.libra (1)Libra (♎) is the seventh astrological sign in the Zodiac. Duration: 23 September – 23 Octobermiddle aged (2)Someone is generally considered middle aged if they are between 40 to 65 years old.pettanko (1)Pettanko refers to a female character that places a great deal of importance on the fact that she is flat chested. It does not refer to characters that merely happen to be flat chested, but do not make any importance of this fact. The character may be extremely proud of the fact that she is flat chested, or extremely embarrassed of the fact.phasmophobia (3)This character suffers from phasmophobia, or fear of ghosts. This is a common fear among many human cultures, generally associated to the belief that spirits of the dead may be malignant and dangerous, for reasons ranging from simple mischief to a thirst for vengeance. In some cultures, the fear is considered typical of children, while in others it is normal for adults to exhibit this trait.playing video games (1)Video games are electronic games played on a video screen, normally a television or a built-in screen when played on a handheld machine.stoic (1)A stoic person can endure pain or hardship without showing their feelings or complaining.strict (1)This character is rigorously conforming to principle, norm or condition.terminal illness (2)Terminal illness is a medical term popularized in the 20th century to describe an active and malignant disease that cannot be cured or adequately treated and that is reasonably expected to result in the death of the patient. This term is more commonly used for progressive diseases such as cancer or advanced heart disease than for trauma. In popular use, it indicates a disease which will end the life of the sufferer.tomboy (1)A girl who acts and dresses like a boy and enjoys rough, noisy activities traditionally associated with boys.trauma (2)Character with emotional or psychological injury, caused by single or multiple events/experiences in the past.tsundere (2)A character type (usually female), who is often easily agitated or combative, but other times is quite kind and caring, especially in situations involving a person they are (knowingly or unknowingly) attracted towards.wealthy (2)Somebody in possesion of wealth, usually a lot of money.workaholic (1)Workaholic is a person who is addicted to work often to the prejudice of the family, friends and even moral issues.yandere (1)A character trait involving a personality initially loving and gentle that becomes psychotic or deranged, often brutally so. See also yangire, a sibling trait to the yandere.young adult (4)Someone is generally considered a young adult if they are between 20 to 40 years old.
  • Cast
  • Staff
  • Songs
  • Discography
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Cast

show all add/edit cast
main character
episode appearance appears in ep: 2-3, 5, 7, 10-11, 13-14, 17, 24, ED2, OP1, S1
16, female, 6.65 (47), adolescentAn adolescent (teenager) is 13 to 19 years old., black hairThe character has black hair., brown eyesThe character has brown eyes., humanModern humans are the only extant members of the subtribe Hominina. Together with chimpanzees, gorillas, and orangutans, they are part of the family Hominidae. Terrestrial animals, humans are characterized by their erect posture and bipedal locomotion; high manual dexterity and heavy tool use compared to other animals; open-ended and complex language use compared to other animal communications; larger, more complex brains than other animals; and highly advanced and organized societies., JapaneseA character originating from the island nation of Japan., school uniformA type of uniform worn in Japanese schools (called "seifuku" in Japanese), generally high school age or younger. They can vary considerably; commonly, females will wear a sailor uniform (modelled off the British Royal Navy uniforms in 1920) and males will often wear a "gakuran", which is a dark button-up uniform modelled off Prussian army uniforms. But expect to see a substantial amount of variety., short hairShort hair is hair from (but not including) bald, up to (but not including) shoulder-length hair. This hair length is what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length., traumaCharacter with emotional or psychological injury, caused by single or multiple events/experiences in the past.
voiced by: Sawashiro Miyuki
episode appearance appears in ep: 1, 3-4, 7, 12-15, 17-19, 22-24, OP1, S1-S2
16, male, 5.41 (47), beta testerThe users of a beta version are called beta testers. They are usually customers or prospective customers of the organisation that develops the software, willing to test the software without charge., black eyesThis character has black eyes. (This does not refer to the injury called a black eye), black hairThe character has black hair., harem leadHarem is a genre/plot frame that is mostly present in the media of Anime, Manga, Light Novels, Visual Novels, and Video Games. It usually involves at least three or more females who for some reason are in the presence of one male as a central plot element. Said male is usually oblivious to the fact that the surrounding females are romantically interested in him., humanModern humans are the only extant members of the subtribe Hominina. Together with chimpanzees, gorillas, and orangutans, they are part of the family Hominidae. Terrestrial animals, humans are characterized by their erect posture and bipedal locomotion; high manual dexterity and heavy tool use compared to other animals; open-ended and complex language use compared to other animal communications; larger, more complex brains than other animals; and highly advanced and organized societies., short hairShort hair is hair from (but not including) bald, up to (but not including) shoulder-length hair. This hair length is what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length., software developerA person engaged in the craft of developing computer software.
episode appearance appears in ep: 1-14, OP1, S1
16, female, 7.77 (70), adolescentAn adolescent (teenager) is 13 to 19 years old., coin slotButtock cleavage is minor exposure of the buttocks and the gluteal cleft between them, often because of low-slung trousers. The crena is another formal term for the cleft between the buttocks. Some people think wearing their pants too low in the back is fashionable. The resulting exposure of buttock cleavage is commonly referred to as the "coin slot". Whether this sort of "wardrobe malfunction" is sexy or not is rightly a matter of personal taste., cyan eyesThis character has cyan color eyes., cyan hairThis character has cyan (greenish-blue) hair., game avatarA game avatar is the graphical representation of the user`s game character. It takes a three-dimensional form in games and/or virtual worlds., kuudereA kuudere may be cold and harsh at first glance, appearing unemotional and practical, but this is just a facade that protects their innermost, tender, delicate feelings. They avoid the tsundere`s combative and occasionally immature demeanor; rather, they are hard to approach because they are `cool`-headed: often cynical, casually blunt and dismissive. Not to be confused with dandere which is someone being quiet for its own sake, usually associated with shyness., sniper rifleA long-range rifle, usually equipped with a telescopic sight and often a night-vision device, stoicA stoic person can endure pain or hardship without showing their feelings or complaining.
voiced by: Sawashiro Miyuki
episode appearance appears in ep: 1, 7, 12-15, 17-20, 22-24, OP1, S1-S2
15-18, female, 6.77 (69), bishoujoIn the West, bishoujo are attractive girls generally from late childhood or early adolescence to late adolescence, especially those that appeal to males, and particularly fictional characters designed in a way traditionally associated to shoujo manga. Fictional bishoujo tend to be cute, pastel-coloured teenagers; they lack the sophistication of older women, instead having detailed eye and hair design, fluttery costumes often including ribbons, and all sorts of generally sparkly fluff., braidsBraids is a style of hair in which the hair is interweaved into locks. Braids can be displayed in various styles, such as twin braid tails or a braided hair hairband., brown hairThe character has brown hair., humanModern humans are the only extant members of the subtribe Hominina. Together with chimpanzees, gorillas, and orangutans, they are part of the family Hominidae. Terrestrial animals, humans are characterized by their erect posture and bipedal locomotion; high manual dexterity and heavy tool use compared to other animals; open-ended and complex language use compared to other animal communications; larger, more complex brains than other animals; and highly advanced and organized societies., JapaneseA character originating from the island nation of Japan., medium breastsMedium breasts are breasts that have a moderate size but aren`t overly big like large breasts. Medium breasts are what would be considered normal size in real life, whereas below average sized breasts are called small breasts., phasmophobiaThis character suffers from phasmophobia, or fear of ghosts. This is a common fear among many human cultures, generally associated to the belief that spirits of the dead may be malignant and dangerous, for reasons ranging from simple mischief to a thirst for vengeance. In some cultures, the fear is considered typical of children, while in others it is normal for adults to exhibit this trait., wealthySomebody in possesion of wealth, usually a lot of money.
voiced by: Tomatsu Haruka
secondary cast
episode appearance appears in ep: 1, 3, 5-14, OP1, S1
male, 5.06 (12), bandage wrappingThe character is wrapped in bandages. It can be a portion of their body, or all of it., cloakA cloak is a sleeveless loose garment, sometimes with a hood, that is worn over indoor clothing and serves the same purpose as an overcoat; it protects the wearer from the weather, or it may form part of a fashionable outfit or uniform. In contrast to a cape, a cloak provides more frontal cover whereas a cape leaves the front fairly open. A cape or cloak with sleeves is a robe., game avatarA game avatar is the graphical representation of the user`s game character. It takes a three-dimensional form in games and/or virtual worlds., gun marksmanshipA person who is both skilled at firing a gun and accurately hitting what they are aiming at., maskMasks are items normally worn on the face. Their uses range from medical (example: oxygen mask) to disguise (avoiding recognition). They can also be used for entertainment (for example, in theater or dance), and may even be forced upon someone as punishment. Masks have been in use since ancient times., pistolA pistol is a small firearm to be used in one hand., red eyesThis character has red eyes., swordA sword is a long, edged piece of metal, used as a cutting, thrusting, and clubbing weapon in many civilizations throughout the world. It fundamentally consists of a blade and a hilt, typically with one or two edges for striking and cutting, and a point for thrusting.
voiced by: Hoshi Souichirou
episode appearance appears in ep: 2-3, 15-21, 24, OP1, S2
male, 5.65 (22), dual wieldingThe ability to use a weapon in each hand skillfully., excaliburExcalibur is the legendary sword of King Arthur, sometimes attributed with magical powers or associated with the rightful sovereignty of Great Britain. Sometimes Excalibur and the Sword in the Stone (the proof of Arthur`s lineage) are said to be the same weapon, but in most versions they are considered separate. The sword was associated with the Arthurian legend very early. In Welsh, the sword is called Caledfwlch., extreme speedThe character has an astonishing speed, surpassing the Human limits., fairyA fairy is a type of mythical being or legendary creature in European folklore, a form of spirit, often described as metaphysical, supernatural, or preternatural., game avatarA game avatar is the graphical representation of the user`s game character. It takes a three-dimensional form in games and/or virtual worlds., harem leadHarem is a genre/plot frame that is mostly present in the media of Anime, Manga, Light Novels, Visual Novels, and Video Games. It usually involves at least three or more females who for some reason are in the presence of one male as a central plot element. Said male is usually oblivious to the fact that the surrounding females are romantically interested in him., pointy earsWell they are ears... and they are pointy... what`s more to say there?!, swordsmanno description set
episode appearance appears in ep: 2-3, 7, 9, 11, 13, 15-19, 24, OP1, S2
female, 5.72 (20), brown hairThe character has brown hair., daggerA bladed fighting weapon with a sharp point designed or capable of being used as a thrusting or stabbing weapon. Many ancient cultures used adorned daggers in ritual and ceremonial purposes. (source: Wikipedia), fairyA fairy is a type of mythical being or legendary creature in European folklore, a form of spirit, often described as metaphysical, supernatural, or preternatural., game avatarA game avatar is the graphical representation of the user`s game character. It takes a three-dimensional form in games and/or virtual worlds., real cat earsno description set, red eyesThis character has red eyes., tailThe tail is the section at the rear end of an animal`s body; in general, the term refers to a distinct, flexible appendage to the torso. It is the part of the body that corresponds roughly to the sacrum and coccyx in mammals, reptiles, and birds. Please see the full tag description for usage instructions for this tag., thighhighsThighhighs or stockings are a close-fitting, variously elastic hosiery piece that fully cover and extend above the knees, or partly cover the knees, leaving only the thigh area exposed. Generally, "thighhighs" refers to stockings that stay up by the use of built-in elastic. In contrast, "stockings" is the general term and/or refers to the kind of stockings that need a suspender belt / garter belt. Hosiery that rise up to, but not including, the knee, or slightly thereunder, are knee highs.
voiced by: Hidaka Rina
episode appearance appears in ep: 18-20, 22-24
female, 3.23 (10), brown eyesThe character has brown eyes., business suitThe business suit is a traditional Western-style business attire. For men, this usually consists of a jacket, worn over a collared shirt, with a matching pair of trousers and optional waistcoat vest. For women, this would usually be a jacket, worn over a blouse, with a matching skirt (commonly a pencil skirt) or trousers. Not to be confused with a blazer or sport coat., JapaneseA character originating from the island nation of Japan., pencil skirtA pencil skirt is a slim-fitting skirt with a straight, narrow cut. Generally the hem falls to, or is just below, the knee and is tailored for a close fit. It is named for its shape: long and slim like a pencil. Pencil skirts are often worn together with a business suit or a blazer, sometimes with a matching waistcoat vest., shoulder-length hairShoulder-length hair is hair at shoulder length, within a few centimetres margin. This hair length is longer than what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length. Typical male hair at the back of the head which reaches the shoulders does not count as shoulder-length hair; the individual hair strands are very short (0-4 cm), and therefore count as short hair., strictThis character is rigorously conforming to principle, norm or condition., wealthySomebody in possesion of wealth, usually a lot of money., workaholicWorkaholic is a person who is addicted to work often to the prejudice of the family, friends and even moral issues.
voiced by: Hayashibara Megumi

staff

Credit Name in Episodes Comment
Original Work (原作) Kawahara Reki (「電撃文庫」刊)
Original Illustration (原作イラスト) Abec
Direction (監督) Itou Tomohiko
Original Character Design (キャラクターデザイン原案) Abec
Character Design (キャラクターデザイン) Adachi Shingo
Sub Character Design (サブキャラクターデザイン) Yamashita Yuu
Concept Art (コンセプトアート) Hori Soutarou (CyDesignation)
Design Assistance (設定協力) 平八重諭 1-10, 15-16, 18, 23-24
武藤孝 1-10, 15-16, 18, 23-24
Takagi Harumi 1, 3
Aoki Yuu 4-5
Fujisawa Toshiyuki 10
Imai Fumie 15
Suzuki Gou 23
Creature Design (モンスターデザイン) Yanagi Ryuuta
Prop Design (プロップデザイン) Tsuneki Shinobu 1-14
Ishimoto Takehiro 16
Weapon Supervision (銃器監修) Shigusawa Keiichi 1-10
Chief Animation Direction (総作画監督) Adachi Shingo 1-2, 4, 6, 8, 10, 16, 18
Yamashita Yuu 3, 5, 7, 9, 11, 15, 19, 23
Main Animator (メインアニメーター) Matsumoto Kengo
Action Animation Direction (アクション作画監督) Takeuchi Tetsuya 2, 5, 8-9, 16, 19
Yanagi Ryuuta 4, 10
Mori Satoshi
Music (音楽) Kajiura Yuki
Music Producer (音楽プロデューサー) Mori Yasunori Space Craft Produce (スペースクラフトプロデュース)
Music Work (音楽制作) Aniplex
Sound Direction (音響監督) Iwanami Yoshikazu
Sound Work (音響制作) DAX Production 2-10, 15-16, 18, 23-24
Sound Effects (効果) Konno Yasuyuki 2, 6-10
Editing (編集) Nishiyama Shigeru
Art Direction (美術監督) Nagashima Takayuki (Bamboo)
Takeda Yuusuke (Bamboo)
Art Design (美術設定) Shiozawa Yoshinori
Colour Design (色彩設計) Nakashima Kazuko
Photographic Direction (撮影監督) Usuda Mutsumi
CG Direction (CGディレクター) Undou Ryuuta
Animation Producer (アニメーションプロデューサー) Katou Jun
Seita Jouji
Chief Producer (チーフプロデューサー) Iwakami Atsuhiro
Oosawa Nobuhiro
Producer (プロデューサー) Futami Yousuke
Kashiwada Shin`ichirou
Miki Kazuma
Associate Producer (アソシエイトプロデューサー) Kawai Yasukazu 1-10, 16, 23-24
Kawakami Ryuutarou 1-10, 16, 23-24
Niwa Masami 1-10, 16, 23-24
Tsuchiya Tomoyuki 1-10, 16, 23-24
Production Generalisation (制作統括) Ochikoshi Tomonori
Production Generalisation (製作統括) Koyama Naoko 1-10, 16, 23-24
Kunisaki Hisanori 1-10, 16, 23-24
Watanabe Takashi 1-10, 16, 23-24
Planning (企画) Maki Tarou
Ooshita Satoshi
Suzuki Kazutomo
Ueda Masuo
Animation Work (アニメーション制作) A-1 Pictures
Work Assistance (制作協力) Nexus 5, 18
Rising Force 7
Blade 9
Production (製作) Aniplex as part of SAOII Project
ASCII Media Works as part of SAOII Project
Bandai Namco Games as part of SAOII Project
Genco as part of SAOII Project
SAOII Project
Script/Screenplay (脚本) Itou Tomohiko 1, 24
Sugawara Yukie 2, 4, 8-9, 14, 23 Seven Days War (セブンデイズウォー)
Nakamoto Muneo 3, 5, 10-11, 15-16, 18-19 Seven Days War (セブンデイズウォー)
Kizawa Yukito 6-7, 12-13 Seven Days War (セブンデイズウォー)
Takayama Atsushi 15 Seven Days War (セブンデイズウォー)
鈴木遼介 16 Seven Days War (セブンデイズウォー)
Storyboard (絵コンテ) Itou Tomohiko 1-3, 14, 16, 24, ED3, OP1
Mori Satoshi 2
鳥塚星太郎 4
Sakamoto Kazuya 5
Miyaji Masayuki 6 credited as 宮地✩昌幸
Hirakawa Tetsuo 7
Yamada Hirokazu 8
Nakayama Naomi 9
Fujisawa Toshiyuki 10
Satou Hiroyuki 11
Takahashi Atsushi 12
Nishimura Satoshi 13
Takahashi Tooru 15
Koujina Hiroshi 16
Kosaya 18
Kawai Shigeki 19
Shikama Takahiro 19
Kojima Masayuki 23
佐藤信子 ED2
Kyougoku Takahiko ED4b
Adachi Shingo OP2a, OP2c
Episode Direction (ディレクション) Stereotype OP2a, OP2c
Takahashi Seita OP2a, OP2c
Yamashita Toshiyuki OP2a, OP2c
Episode Direction (演出) Itou Tomohiko 1, 14, 24, ED3, OP1
Kawai Shigeki 2, 13, 19, 23
Aoyagi Hironori 3
Takahashi Hidetoshi 4, 16
Takashima Daisuke 5, 11
Machitani Shunsuke 6
Watanabe Shuu 7, 15
Yamada Hirokazu 8
Iwata Yoshihiko 9
Hoshino Makoto 10
Kimura Hiroshi 12
Kosaya 18
佐藤信子 ED2
Kyougoku Takahiko ED4b
Adachi Shingo OP2a, OP2c
Animation Direction (作画監督) Yamashita Yuu 1, 24
Asai Seiko 2
Itou Kiminori 2
Suzuki Gou 2, 8, 16, 23
Nishiguchi Tomoya 3, 12, 16
Kamimoto Kanetoshi 4, 13-14
Myouchin Usaku 5, 11, 18
Terada Yuuichi 6
Fukushima Toyoaki 7
Yamazaki Teruhiko 7, 15
Matsuo Masahiko 9
Saitou Daisuke 9
Tokura Eiichi 9
Watanabe Keisuke 10
Kuroda Yuka 14
Yoshida Yuuichi 14
Itakura Kiyomi 15
Miura Takehiro 16
Toya Kento 19
Nakamura Naoto 23
Adachi Shingo 24, ED2-ED3, ED4b, OP1, OP2a, OP2c
Effects Animation Direction (エフェクト作画監督) Yanagi Ryuuta 2, 7, 15, 18
Assistant Animation Direction (作画監督補佐) Okamoto Tatsuaki 2
Ijuuin Izuro 8
Hong Seung-Hyeon 15
Kaiho Hitomi 15
Nakano Akiko 15
Ochiai Maiko 15
Urashima Miki 15
Nakai Jun 16
Nakamura Naoto 16
Asai Seiko 16, 23
Kamimoto Kanetoshi 16, 23
Nishiguchi Tomoya 19
Watanabe Keisuke 23
Weapon Animation Direction (銃器作画監督) Aoki Yuu 1-12, OP1
Motion Graphics (モーショングラフィックス) Matsuda Jun OP2a, OP2c
Two Waidee OP2a, OP2c
Background Layout Assistance (原図協力) Suetake Yasumitsu 4
Key Animation (原画) Ishihara Mitsuru 1
Kawahara Kumiko 1
Niho Tomoyuki 1
Takahashi Ken 1
Takemoto Daisuke 1
Fujiwara Yoshikazu 1-2, 6, 8, 16-17, 19, OP2a
Imai Fumie 1, 3, 10, 17, 19, 24
Kawasaki Aika 1, 6
Nakamura Junko 1, 6
Koushi Yuuka 1, 6, 8, 16, ED3
Yanagi Ryuuta 1, 6, 10, 17, 21, 24, OP1, OP2a, OP2c
Ushio Yui 1, 6, 16, 19, 23, ED4b
Arai Hiroaki 1, 8
Maeda Tatsuyuki 1, 17, 21, 24, OP1
Habe Takashi 1, 24
Iino Makoto 1, 24
Nishiguchi Tomoya 1, 24, OP2a, OP2c
Toya Kento 1, 24, OP2c
Enomoto Hanako 2
Honjou Keiichirou 2
Kasano Atsushi 2
Shimoda Kouichi 2
Sugio Yuuichi 2
Uchinou Kenji 2
Chiba Shigeru 2, 8, 17, 23
Kodama Makoto 2, 16, 21
Uike Kazuma 2, 16, 22
Hayashi Takayoshi 2, 16, 23
Satou Ayako 2, 16, 23
Masuda Nobutaka 2, 17
Baba Kazuki 2, 23
Ueda Megumi 2, 23
Araki Yutaka 3
Fujii Fumino 3
Gotou Takahiro 3
Itou Daisuke 3
Kojima Akino 3
Kotani Kyouko 3
Nishio Chie 3
Sasagawa Mitsuyuki 3
Sasaki Tokihiro 3
Sugai Yoshiaki 3
Kawamura Ryouko 3, 10
Nakanishi Mamiko 3, 10
Ono Akira 3, 10
Iimura Shin`ichi 3, 10, 17
Shimizu Hiroyuki 3, 10, 17
Ieda Yuuki 3, 10, 17, 21
Yagisawa Shuuhei 3, 10, 21
Murakami Maki 3, 17
Annoura Tatsuya 4 as 案浦達也
Houjou Naoaki 4
Muramatsu Hisao 4
Nagata Nobuhiro 4
Ochiai Hitomi 4
Onoda Takayuki 4
Oomori Hidetoshi 4
Shimizu Atsuki 4
Toukairin Shin`ichi 4
Sasaki Hiroshi 4, 6, 21
Morikawa Hitoshi 4, 17
Nakagawa Aki 4, 17, 23
Nakajima Yuki 4, 19
Takeda Shun 4, 19, 22, 24
Togashi Kouji 4, 21
Muranaga Yuki 4, 22
Narikawa Takashi 4, 24
Yamamoto Hiroshi 4, 24
Matsuhiro Tomohito 5
Okada Masato 5
婁峻瑞 5
Takeuchi Tetsuya 5, 8-9, 16, 21, 24, OP1, OP2a
Adachi Yuusuke 5, 8, 16, 20-21
Satou Shun`ya 5, 11
Tsubota Shintarou 5, 11
齊藤桂子 5, 11
Kitahara Daichi 5, 11, 18
Nakanishi Kazuya 5, 11, 18
Okuda Teppei 5, 11, 23
Wada Kento 5, 18
浦和也 5, 18
Itou Kiminori 6
Kitano Yukihiro 6
Naka Takurou 6
Sekikawa Narihito 6
Shigeta Susumu 6
Suzuki Risa 6
Takehara Naomi 6
Tokuno Yuuga 6
Ninomiya Nanako 6, 8, 16, 21
Souen Yuusuke 6, 10
Tokuda Hirotaka 6, 10
Sannomiya Shouta 6, 19
Shigetou Souta 6, 21
Daidouji Miho 6, ED2
Inoue Kanako 7
Okumura Shirou 7
Oomori Rie 7
Shimizu Asami 7
Aohachi Yoshinobu 7, 15
Ehara Sayuri 7, 15
Hong Seung-Hyeon 7, 15
Ikeda Tatsuya 7, 15
Itakura Kiyomi 7, 15
Jumondou 7, 15
Kitajima Yuuki 7, 15
Nakamura Hideo 7, 15
Rising Force 7, 15
Satou Tomoaki 7, 15
Ariga Hiromi 8
Fukuda Hiroki 8
Hirato Kanako 8
Itou Mina 8
Kageyama Takehiko 8
Matsumoto Yoshie 8
Murata Noriyasu 8
Suzuki Kanta 8
Yamauchi Masami 8
中野祐紀 8
Ishizaki Natsumi 8, 16-17, 19, 23
Aoki Yuu 8, 17, 19, OP1, OP2a
Ishida Keiichi 8, ED2
Adachi Yuusuke 9
Bessho Yuuki 9
Fujii Eri 9
Gachi Production 9
Hagio Keita 9
Oonuki Ken`ichi 9
Shibata Kazunori 9
Hayami Kouichi 9, 16
Furihata Masahiro 9, 16, 20-21, 23
Dobashi Akito 9, 20
Imagawa Yoshimi 9, 20
Kakiuchi Ayako 9, 20
Mizusaki Kenta 9, 20
Ozawa Kazunori 9, 20
Suzuki Natsuko 9, 20
White Line 9, 20
Jinbo Yousuke 10
Shigekuni Hiroko 10
Takanashi Hikaru 10
渡部崇 10
Matsumoto Kengo 10, 16, 19, 21, 24, OP1, OP2a, OP2c
Kawaguchi Hiroshi 10, 16, 19, ED4b
Masaki Yuuta 10, 17
Watanabe Keisuke 10, 17
Han Min-Gi 15 as ハンミンギ
Hong Peini 15
Kotobuki Murou 15
Nishikawa Masashi 15
Tanaami Kozue 15
姜炎青 15
Hamaguchi Akira 16
Kobayashi Mika 16
Matsuoka Misa 16
Mototani Keiko 16
Seki Minami 16
Suzuki Isamu 16
Tatezaki Hiroshi 16
Tatezaki Hiroshi 16
Tominaga Kazuyo 16
Kimura Mitsumasa 16-17, 21
Noma Satoshi 16, 21
Miura Takehiro 16, 21, OP1
Abe Hiroki 17
Akizuki Aya 17
Nakano Yuki 17
Okuda Yousuke 17
Tsukuma Takenori 17
Yamauchi Naoki 17
Kuroda Yuka 17, 19, 21, 24
Nii Manabu 17, 22
Fujiwara Chiho 18
Hayashi Naoko 18
Iizuka Youko 18
Saitou Kaori 18
Saitou Yoshiko 18
Watabe Keita 18
Yamada Kaori 18
Yokoyama Sayumi 18
岩井芳美 18
Asahi Production 19
Nagai Katsuhito 19
Oomura Masashi 19 as 大村将史
Takechi Toshimitsu 19
Tsukada Hiroshi 19
Iwasaki Ryou 19, 22
Heima Kouji 19, 24 as 平馬浩二
Oonuki Nozomi 19, 24
Asai Seiko 19, 24, OP2a, OP2c
Aoyama Masanori 20
Matsuo Masahiko 20
Miyazaki Satomi 20
Muses Production 20
Nagakawa Kaoru 20
Ishizuka Takeshi 21
Kondou Yuuichi 21
Kusunose Toshifumi 21
Moriyama Takeshi 21
Oono Tsutomu 21
Ozone Takao 21
Shibuya Hideki 21
Tamura Yasuho 21
Tominaga Hitomi 21
Unno Setsuko 21
Hayashi Asuka 21, 23
Kikuchi Takayuki 21, 24
Araki Ryou 21, 24, OP2c
Okamoto Tatsuaki 21, OP1
Arakawa Erika 22
Hashimoto Nobuo 22
Hirano Emi 22
Itou Manami 22
Kawamura Toshie 22
Nakao Kanami 22
Obara Hiroshi 22
Ogawa Miho 22
Ooshita Tomoyuki 22
Shiozawa Kaname 22
Sonoda Taisei 22
Suzuka Youko 22
Takagi Eko 22
Umezu Akane 22
Hirabayashi Takashi 23
Kamezawa Ran 23
Katsuragi An 23
Nakamura Yoshifumi 23
Nomura Youko 23
Ooyabu Kanako 23
Takarada Ayako 23
横井将司 23
Aoyama Masanori 24
Chiba Takahiro 24
Maeda Michifumi 24
Takiguchi Hiroki 24
Tsuji Yoshihiro 24
百目鬼静 24
Shikama Takahiro 24, OP2c
Kouno Megumi ED2
Oka Mariko ED2
Onoda Masahito ED2
Ootsuka Mai ED2
Yamaguchi Mami ED2
Nakai Jun ED2, ED4b, OP2a
Adachi Shingo ED2, OP2a
Takata Akira ED2, OP2c
Kikuchi Ai ED3
Majiro ED3
Iizuka Haruko ED3, OP2c
Miyashita Yuuji ED4b
Ookaji Hiroyuki ED4b
Yoshida Yuuichi ED4b
Nakamura Naoto ED4b, OP1, OP2a, OP2c
Kamimoto Kanetoshi ED4b, OP2a
Hosogoe Yuuji OP1
Mori Satoshi OP1
Nishiya Yasushi OP1
Akai Toshifumi OP1, OP2c
Yamashita Yuu OP1, OP2c
Saitou Atsushi OP2a
Yukawa Atsuyuki OP2a
Suzuki Gou OP2a, OP2c
Hayashi Isao OP2c
Kojima Takashi OP2c
Shitaya Tomoyuki OP2c
Takiyama Masaaki OP2c
Tanaka Masayoshi OP2c
2nd Key Animation (第2原画) Ishizaki Natsumi 1
Omote Mutsumi 1
Sekimoto Miho 1
Takahashi Kazuya 1
Takahashi Narumi 1
Tominaga Hitomi 1
Yamauchi Masami 1
2nd Key Animation (第二原画) Houjou Masumi 2
Takahashi Yuu 2
Yamashita Masami 2
Shigetou Souta 2-3
Asahi Production 2-3, 8, 10, 16
Furuichi Keisuke 2, 4
Studio Izena 2, 4
Studio Elle 2, 4, 8
Takarada Ayako 2, 6
Studio Graffiti 2, 6, 8, 16
D-Motion 2, 6, 16, 19
Imakubo Yousuke 3
Kawaguchi Hiroshi 3
Koumoto Hiromi 3
Muraki Mahora 3
Nakano Yuki 3
Satou Tomoko 3
Takahashi Kazuya 3
Takarada Ayako 3
Togashi Kouji 3-4, 6, 8, 10, 15-16, 24 富樫幸二 in ep 15
Chiba Shigeru 3-4, 16
Omote Mutsumi 3, 6, 8, 10, 15-16, 18, 24
Yonezawa Saori 3, 6, 23-24 as 米澤沙織 in eps 23-24
Ishizaki Natsumi 3, 6, 24
Noma Satoshi 3, 8
Tanaka Chie 3, 10, 16
Wao World 3, 10, 16, 19, 24
Kageyama Takehiko 3, 24
Anime Koubou Basara 4
Katou Tsuyoshi 4
Kushida Kenta 4
Wafuu Animation 4
Kobayashi Mika 4, 6, 8, 23
Matsuoka Misa 4, 8, 10
Koushi Yuuka 4, 10, 24
Tamura Yasuho 4, 16
Nakagawa Hajime 4, 16, 24
Nakamura Midori 5
Nakawatari Hazuki 5
真野帆波 5
Kyushu Animation 5, 8
Connect 5, 18
Silver Link 5, 18
Amino Mayuri 6
Doga Kobo 6
Hayashi Takayoshi 6
Studio Wombat 6
Terada Yuuichi 6
Yamauchi Masami 6
Yuuhodou 6, 8
Takahashi Narumi 6, 8, 10, 15-16, 18
Blade 6, 18, 23-24
Hong Peini 7
Kotobuki Murou 7
姜炎青 7
Satou Mizuki 7, 15
逢坂友美 7, 15
Rising Force 7, 15, 19
Dou Kaori 8
Henmi Kaori 8
Imai Fumie 8
Kojima Akino 8
Kouno Naoto 8
Studio Add 8
Studio Live 8
Nakagawa Aki 8, 10-11, 15-16, 18, 24
Studio Lings 8, 10, 23
Yamashita Kiyomi 8, 16
Sekimoto Miho 8, 16, 19, 23-24
Ueno Yasuhiro 8, 23-24
Ace Company 9
Big Owl 9
Muses Production 9
Studio Kuma 9
Uchimura Mikako 9
Fujiwara Yoshikazu 10
Satou Chiharu 10
尾ノ上英之 10
村上若奈 10, 15-16, 18, 23-24 as 村上若菜 in ep 10
Suzuki Gou 10, 16, 24
浦和也 11
Jumondou 15
Ochiai Maiko 15
Urashima Miki 15
尾之上知之 15
Frontier Engine 16
Kikuchi Takayuki 16
Kusunose Toshifumi 16
Tominaga Hitomi 16
Wuxi TianSheng Donghua Zhizuo 16
Takeuchi Tetsuya 16, 19
United Entertainment Corporation 16, 19
CL Corporation 16, 19, 23
Xenron 16, 23
Ensemble 19, 23
Beep 23
Ninomiya Nanako 23
Kamimoto Kanetoshi 24
Nakamura Naoto 24
In-Between Animation Inspection (動画検査) Nawa Takahiro 1, 6, 8, 16
Masaoka Megumi 2, 10, 24
Tonegawa Megumi 3, ED4b, OP1, OP2a, OP2c
Arima Yuri 4, ED3
竹中正史 5
Hong Peini 7
姜炎青 7, 15
Uchimura Mikako 9
Saitou Mikyou 11, 18
Yasumoto Dairyou 23
In-Between Animation Inspection Assistance (動画検査補佐) Tonegawa Megumi 24
In-Between Animation (動画) Nakatsu Kazumi 1
Zexcs 1
Liden Films Osaka Studio 1-2
Diomedea 1-3
Production IMS 1-4, 6, 8, 16
A-1 Pictures 1-4, 6, 10-11, 23-24
下平涼太 1-4, 10, 24
Kikuchi Takayuki 1-2, 4, 10
Tonegawa Megumi 1-2, 6, 10, 23
お台場st. 1, 3, 6
Actas 1, 3, 6, 10
Anitus-Kobe 1, 3, 6, 10
R.I.C. 1, 4-6, 8, 11, 18
Studio Elle 1, 6
Rising Force 1, 7, 15
Azeta Pictures 2
CL Corporation 2-4, 8, 16, 23-24
Wuxi TianSheng Donghua Zhizuo 2-4, 10, 16
FAI 2-3, 10
IngresA 2-3, 10, 16
Asahi Production 2, 4, 6
Go Hakuyu 2, 4, 10
D-Motion 2, 4, 11, 16, 24
Nakamura Production 2, 10, 16
Arima Yuri 2, 10, 24
Office DCI 2, 16, 23
AI 2, 16, 24
Anime R 3
A-Line 3-4
Masaoka Megumi 3-4, 23
Tatsunoko Production 4, 6
Nexus 5, 11, 18
Beep 5, 18, 23-24
Production Reed 6
Hong Peini 7, 15
Jumondou 7, 15
Kotoku Mami 7, 15
Matsunaga Aoi 7, 15
Suzaki Kaoru 7, 15
姜炎青 7, 15
Ace Company 9
Big Owl 9
Muses Production 9
Studio Kuma 9
White Line 9
Wafuu Animation 16
Xenron 16
Triple A 16, 23
Densouya TAP 18
Hashimoto Yuka 23
Igawa Norie 23
Omote Mutsumi 23 as 表むつみ
久米元ひかり 23
Ensemble 23-24
Akutagawa Yuuki 24
TAP 24
Tomita Saori 24
Tsuzuki Haruka 24
Colour Specification (色指定) Morita Mayu 1, 4, 8, 23
Yokota Asuka 2, 6, 24
Enomoto Keiko 3
Watanabe Yuuko 4, 8
Okazaki Junko 5, 11, 18
Nakagawa Akihiro 7, 15
Ueno Kouji 9
Yoshihara Chiharu 10
A-1 Pictures 16
Tanaka Naoto 18
Nakashima Kazuko ED2-ED3, ED4b, OP1, OP2a, OP2c
Finishing/Clean-up Inspection (検査) Morita Mayu 1, 4, 8, 23
Yokota Asuka 2, 6, 24
Enomoto Keiko 3
Watanabe Yuuko 4, 8, ED3, ED4b, OP2a, OP2c
Okazaki Junko 5, 11, 18
Nakagawa Akihiro 7, 15
Ueno Kouji 9
Yoshihara Chiharu 10
A-1 Pictures 16
Tanaka Naoto 18
Nakashima Kazuko ED2, OP1
Yamaguchi Mai ED3, ED4b, OP2a, OP2c
Finishing/Clean-up Inspection Assistance (検査補佐) Ario Yukiko 9 as 有尾有紀子
Finishing/Clean-up (仕上げ) Enomoto Keiko 1
Abe Haruka 1-4, 6
Yamaguchi Mai 1-4, 6, 8, 10, 23-24
A-1 Pictures 1-4, 6, 10, 16, 23-24
Wuxi TianSheng Donghua Zhizuo 1-4, 8, 10, 16
Watanabe Yuuko 1-3, 6, 10, 23-24
Animesh 1-2, 6, 16
Yokota Asuka 1, 3-4, 23
Studio Elle 1, 3, 6, 10, 16, 24
R.I.C. 1, 4-6, 8, 11, 18
CL Corporation 2-4, 8, 16, 23-24
D-Colors 2-3, 6, 8, 10, 24
Asahi Production 2, 4
D-Motion 2, 4, 11, 16, 24
Media Crew Japan 2, 6
Studio Targe 2, 6
Office DCI 2, 16, 23
AI 2, 16, 24
Seven Arcs Pictures 3-4
FAI 3, 10
Tanaka Naoto 5, 11
Jumondou 7, 15
Matsuo Takeshi 7, 15
Matsuura Yurie 7, 15
Nakagawa Akihiro 7, 15
Rising Force 7, 15
Suzuki Satoko 7, 15
Ace Company 9
Big Owl 9
Muses Production 9
Studio Kuma 9
White Line 9
Studio Gouache 10
Xenron 16
Triple A 16, 23
Densouya TAP 18
Beep 18, 23-24
Ensemble 23-24
Morita Mayu 24
TAP 24
Background Art (背景) Masuki Takamasa 1-2
Bamboo 1-11, 15-16, 18, 23-24
Hirabuki Chika 1-11, 15-16, 18, 23-24
Oonuki Kentarou 1-11, 15-16, 18, 23-24
Sakakura Atsuko 1-11, 15-16, 18, 23-24
桜井彩 1-10, 15-16, 18, 23-24
Nakajima Tomomi 1-8, 10-11, 15-16, 18, 23-24
Nakada Takayuki 1-4, 6-11, 15-16, 18, 23-24
Nagashima Takayuki 1-4, 8-9, 15-16, 23-24
Hirabayashi Izumi 1-2, 4, 23-24
Kajiwara Yoshio 2
Shiromizu Yuuko 2, 4
Kojio Kayo 2, 4, 9
Nishino Takayo 2, 4, 9
Mizukami Eri 9
Katou Tomonori 23
Jeong Su-Rok 24
Special Effects (特殊効果) Hirooka Gaku 1-4, 6-10, 15-16, 18, 23-24
Shimizu Ayaka OP2a, OP2c
Modelling (CGモデリング) A-1 Pictures 1-10, 15-16, 18, 23-24
Kudou Nao 1-6, 8-10, 15-16, 18, 23-24
Undou Ryuuta 1, 3
Naka Takuya 1, 3-10
Satou Kaori 1, 15-16
Noma Yuusuke 2, 4-6, 8-10
Monma Kazuya 18
Fukae Noburu 18, 24
Guest Modelling (ゲストモデリング) Katayama Ayuki 1-5, 8-10
Umemura Hiroko 1-5, 8-10
スタジオ夢譜 1-5, 8-10
名取優太 1-5, 8-10
新村憲 1-5, 8-10
Frame Box 4-5, 7-8
Ishigami Ryouichi 4-5, 7-8
遠国透 4-5, 7-8
髙山剛志 4-5, 7-8
Takagi Norio 8
小林淳 8
Kinematics Japan 15-16
Satou Akito 15-16
ガモンディロック 15-16
パンヤピーティパット 15-16
Character Modelling (キャラクターモデリング) Kouda Issei 5, 10
Miyajima Katsuyoshi 5, 10
田島祐樹 5, 10
Photography (撮影) 中里文哉 1-10
Kawada Yuri 1-10, 15-16, 18, 23-24
Nexus 1-10, 15-16, 18, 23-24
Yamada Midori 1-10, 15-16, 18, 23-24
Yamamoto Yuuki 15, 18, 23-24
A-1 Pictures OP2a, OP2c
UI Design (UIデザイン) Watsuji Satoshi 1-10, 15-16, 18, 23-24
3DCG Animation (CGアニメーション) A-1 Pictures 1-10, 15-16, 18, 23-24
Kudou Nao 1-6, 8-10, 15-16, 18, 23-24
Undou Ryuuta 1, 3
Naka Takuya 1, 3-10
Satou Kaori 1, 15-16
髙山剛志 2
Noma Yuusuke 2, 4-6, 8-10
Frame Box 2, 9-10, 24
Ishigami Ryouichi 2, 24
遠国透 2, 24
Takagi Norio 9-10
小林淳 9-10
Monma Kazuya 18
Fukae Noburu 18, 24
3DCG サムライ OP2c
祖父江大士 OP2c
2D Works (2Dワークス) Hirooka Gaku 1
Watsuji Satoshi 1
Digital Work (デジタルワークス) Miyahara Youhei ED2 (カプセル)
Title Logo (タイトルロゴデザイン) Metamo 1-10, 16, 23-24
Font Design (フォントデザイン) Watsuji Satoshi 1-10, 15-16, 18, 23-24
Editing Assistant (編集助手) Kondou Yuuji 1-10, 15-16, 18, 23-24 REAL-T
Film Editing (ビデオ編集) Houzou Jun`ya 1-10, 15-16, 18
Hon`ami Hitoshi 1-10, 15-16, 18, 23-24
Hisajima Tsuneyasu 23-24
Film Editing Studio (ビデオ編集スタジオ) Sony PCL Koenji Studio 1-10, 15-16, 18, 23-24
Theme Song Assistance (主題歌協力) Tonomura Keiichi 1, 16
Yamanouchi Masaharu 24
Sound Effects Assistant (効果助手) Nakajima Katsuhiro 1-10, 15-16, 18, 23-24
Sound Work Manager (音響制作担当) Imanishi Eisuke 1-10, 15-16, 18, 23-24
Recording (録音) Imai Shuuji 1-10, 15-16, 18, 23-24
Recording Assistant (録音助手) Morita Yuuichi 1-10, 15, 18, 23-24
Recording Adjustment (調整) Imai Shuuji 1-10, 15-16, 18, 23-24
Recording Studio (録音スタジオ) Three S Studio 1-10, 15-16, 18, 23-24
Web Manager (WEB制作) Uetsuji Kouji 1-10, 16, 23-24
向井恵那 1-10, 16, 23-24
Promotion (セールスプロモーション) Onogi Wataru 1-10, 16, 23-24
Publicity Producer (宣伝プロデューサー) Suzuki Kenta 1-10, 16, 23-24
Publicity (宣伝) Aikawa Kazuya 1-10, 16, 23-24
Ikegami Sayaka 1-10, 16, 23-24
Murata Rie 1-10, 16, 23-24
Sagami Yuuki 1-10, 16, 23-24
Takamura Emi 1-10, 16, 23-24
Yaguchi Yasuyuki 1-10, 16, 23-24
川上尚樹 1-10, 16, 23-24
Licence Manager (ライセンス担当) Aoki Misato 1-10, 16, 23-24 GENCO
Kanbe Muneyuki 1-10, 16, 23-24 GENCO
Overseas Licence (海外ライセンス) Gotou Hideki 1-10, 16, 23-24
Kodaka Yousuke 1-10, 16, 23-24
Nishimoto Shuu 1-10, 16, 23-24
Suehira Asa 1-10, 16, 23-24
System Manager (システム管理) Yoshioka Masayoshi 1-10, 16, 24
Production Desk (制作デスク) Kaneko Atsushi 1-10, 16, 18, 24
Assistant Production Manager (制作進行) Fujii Shouta 1, OP1, OP2a, OP2c
坂野慶太 2, 8, 16, ED4b
白崎友康 3, 10 as 白﨑友康 in ep 10
達富義経 4, 24
竹本正樹 5, 18
佐俣有沙 7
Yamada Yuki 9
Shibuya Akihisa ED2
Kaneko Atsushi ED3
Production Office Work (制作事務) Kitamura Yoshiko 2-10, 24
Tsuboi Rie 2-10, 24
Production Office Work (製作事務) Kitamura Yoshiko 1, 16
Tsuboi Rie 1, 16
Production Office Work Generalisation (制作事務統括) Ishikawa Keiko 1-10, 16, 24
Satou Masayuki 1-10, 16, 24
Project Generalisation (プロジェクト統括) Genco
Assistance/Cooperation (協力) Dengeki Bunko Henshuubu 1-10, 16, 23-24
Dengeki Bunko Magazine Henshuubu 1-10, 16, 23-24
Dengeki G`s Comic Henshuubu 1-10, 16, 23-24
Dengeki G`s Magazine Henshuubu 1-10, 16, 23-24
Gekkan Dengeki Hobby Magazine Henshuubu 1-10, 16, 23-24
Hirai Keisuke 1-10, 16, 23-24
Koyama Youko 1-10, 16, 23-24
Satou Shigenobu 1-10, 16, 23-24 Quaras (クオラス)
Tsukioka Yuuki 1-10, 16, 23-24 Quaras (クオラス)
Wada Atsushi 1-10, 16, 23-24
Watanabe Ryuuhei 1-10, 16, 23-24
Production Sales (プロダクション営業) Hayashi Ken`ichi 1-10, 16, 24
Nomura Shinsuke 1-10, 16, 24

songs

Relation Song in Episodes Rating Credit Staff Comment
opening Ignite 2-13, OP1, S1 7.00 (15) Vocals/Performed by (歌) Aoi Eir
Lyrics (作詞) Eir Ogawa Tomoyuki
Music Composition (作曲) Ogawa Tomoyuki
Music Arrangement (編曲) Saku
2nd Violin (2nd Violin) Okimasu Natsumi
Viola (Viola) Murata Yasuko
1st Violin (1st Violin) Fujinawa Youko
Guitar Saku
Drums 浜崎大地
Bass Okamura Takashi
Cello Koshikawa Kazune
Courage 15-23, OP2a-OP2c N/A (8) Vocals/Performed by (歌) Tomatsu Haruka
Lyrics (作詞) Nori
Music Composition (作曲) Nori
Music Arrangement (編曲) Furukawa Takahiro
Separate Ways 24 N/A (1) Vocals/Performed by (歌) Tomatsu Haruka
Lyrics (作詞) Suzuki Kentarou
Music Composition (作曲) Suzuki Kentarou
Music Arrangement (編曲) Furukawa Takahiro
ending Ignite 1 7.00 (15) Vocals/Performed by (歌) Aoi Eir
Lyrics (作詞) Eir Ogawa Tomoyuki
Music Composition (作曲) Ogawa Tomoyuki
Music Arrangement (編曲) Saku
1st Violin (1st Violin) Fujinawa Youko
Viola (Viola) Murata Yasuko
2nd Violin (2nd Violin) Okimasu Natsumi
Guitar Saku
Drums 浜崎大地
Bass Okamura Takashi
Cello Koshikawa Kazune
Startear 2-14, ED2, S1 N/A (3) Vocals/Performed by (歌) Haruna Luna
Lyrics (作詞) Haruna Luna Saku
Music Composition (作曲) Saku
Music Arrangement (編曲) Saku
Guitar (ギター) Saku
Piano (ピアノ) 桑原康輔
No More Time Machine 15-17, ED3 N/A (4) Vocals/Performed by (歌) Lisa
Lyrics (作詞) Furuya Shin
Music Composition (作曲) Noma Kousuke
Music Arrangement (編曲) Yashikin
Guitar Koukei Takafumi
Drums Ishii Yuuya
Bass Takama Yuuichi
Piano Noma Kousuke
Shirushi 18-24, ED4a-ED4c N/A (5) Vocals/Performed by (歌) Lisa
Lyrics (作詞) Lisa
Music Composition (作曲) Kayoko
Music Arrangement (編曲) Horie Shouta
String Arrangement (Strings Arrangement) Okamura Mio
Strings (Strings) Okamura Mio Strings
Guitar Kanda John
Drums Ishii Yuuya
Piano Kikuchi Ryouta
insert song Moon and Shadow 2 N/A (0) Vocals/Performed by (歌手) Remi
Music Composition (作曲) Kajiura Yuki
Music Arrangement (編曲) Kajiura Yuki
She Has to Overcome Her Fear 2 N/A (0) Vocals/Performed by (歌手) Remi
Music Composition (作曲) Kajiura Yuki
Music Arrangement (編曲) Kajiura Yuki
Swordland 18 N/A (3) Vocals/Performed by (歌手) Remi
Music Composition (作曲) Kajiura Yuki
Music Arrangement (編曲) Kajiura Yuki
Luminous Sword 21 N/A (0) Vocals/Performed by (歌手) Remi
Music Composition (作曲) Kajiura Yuki
Music Arrangement (編曲) Kajiura Yuki
We Have to Defeat it 21 N/A (1) Vocals/Performed by (歌手) Remi
Music Composition (作曲) Kajiura Yuki
Music Arrangement (編曲) Kajiura Yuki
image song Blazing Bullet N/A (0) Vocals/Performed by (歌) Matsuoka Yoshitsugu Sawashiro Miyuki
Lyrics (作詞) Hotaru
Music Composition (作曲) Nakayama Masato
Music Arrangement (編曲) Nakayama Masato
Mad Bullet"s" N/A (0) Vocals/Performed by (歌) Hanae Natsuki Hoshi Souichirou
Lyrics (作詞) Hotaru
Music Composition (作曲) Yashikin
Music Arrangement (編曲) Yashikin
Relief Bullet N/A (0) Vocals/Performed by (歌) Sawashiro Miyuki
Lyrics (作詞) Hotaru
Music Composition (作曲) Yamazo
Music Arrangement (編曲) Yamazo
Solitary Bullet N/A (1) Vocals/Performed by (歌) Sawashiro Miyuki
Lyrics (作詞) Hotaru
Music Composition (作曲) Yamazo
Music Arrangement (編曲) Yamazo

discography

Single, 4 tracks, 20.08.2014
Single, 4 tracks, 20.08.2014
Single, 4 tracks, 20.08.2014
Single, 4 tracks, 20.08.2014
Single, 3 tracks, 03.12.2014
Single, 3 tracks, 03.12.2014
Single, 3 tracks, 03.12.2014
Single, 3 tracks, 10.12.2014
Single, 3 tracks, 10.12.2014
Single, 4 tracks, 10.12.2014
Album, 14 tracks, 04.03.2015
Album, 14 tracks, 04.03.2015
Album, 13 tracks, 25.03.2015
Album, 14 tracks, 24.06.2015
Album, 16 tracks, 15.06.2016
Album, 16 tracks, 15.06.2016
Album, 16 tracks, 15.06.2016
Album, 16 tracks, 15.06.2016
Album, 14 tracks, 09.05.2018
Album, 14 tracks, 09.05.2018
Album, 14 tracks, 09.05.2018

Group status

Last Update Name State N Episodes HE SP Languages Source Rating Cmts
16.12.2025 LaCroiX complete 24 7 ja en en de fr it es ru ar pt Blu-ray N/A (0) 0
06.12.2025 Firesoul64 complete 24 1 ja fr fr Blu-ray N/A (0) 0
17.11.2025 Netaro complete 24 7 ja en en de fr it es ru ar pt Blu-ray N/A (0) 0
09.11.2025 ABJ complete 24 1 ja de de Blu-ray N/A (0) 0
09.11.2025 AST4u complete 24 10 ja de x-unk de Blu-ray N/A (0) 0
17.08.2025 NAN0 complete 24 0 ja en en Blu-ray N/A (0) 0
07.06.2025 Moozzi2 complete 24 10 ja Blu-ray N/A (0) 0
27.03.2025 AnimeChiby complete 24 0 ja en Blu-ray N/A (0) 0
08.03.2025 UDF complete 24 0 ja en en Blu-ray N/A (0) 0
06.03.2025 VCB-Studio complete 24 41 ja Blu-ray N/A (0) 0
no group complete finished ongoing stalled dropped specials only all

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v 2022-04, © 2002-2022 by AniDB; all rights reserved. [0s] - 10.04.2026 21:34:57

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