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Tate no Yuusha no Nariagari

Anime: Tate no Yuusha no Nariagari

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Main Title Tate no Yuusha no Nariagari (a13246)
Official Title enverified
Official Title ja
Type TV Series, 25 episodes
Year 27.12.2018 until 26.06.2019
Season Winter 2018/19
Tags actionAction anime usually involve a fairly straightforward story of good guys versus bad guys, where most disputes are resolved by using physical force. It often contains a lot of shooting, explosions and fighting., adventureAdventures are exciting stories, designed to provide an action-filled, energetic experience for the viewer. Rather than the predominant emphasis on violence and fighting, the viewer of adventures can live vicariously through the travels, conquests, explorations, creation of empires, struggles and situations that confront the main characters. Adventure films are often, but not always, set in an historical period., dark fantasyFocus set on darker themes in a fantasy setting, sometimes leaning towards horror elements. Bleak and pessimistic tones often dominate. Dark supernatural beings like vampires may play a significant role., fantasyImaginative or fanciful work, especially one dealing with supernatural elements and themes., isekaiAn isekai story is one in which the lead characters are transferred to and become stuck or trapped in another world completely different from the one they lived in up until the transfer, commonly a fictional world. They generally cannot come back permanently without meeting a highly specific goal. In some cases, they will seek and eventually find a way to return; in others, they will gleefully embrace their new life., juujinKemono is a Japanese art and character design genre prominently featuring anthropomorphic characters, referred to as juujin. Kemono employs animal traits considered cute and endearing; most kemono characters retain a fundamentally human personality, seldom behaving as the actual animals from which they have been anthropomorphized, instead depicted living as humans. Juujin leans more on the human-looking side when compared to anthropomorphism, which leans more on the animal-looking side., novelA novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. Manga, comics, or visual novels do not fit this description and are not considered novels; including a small number of illustrations, however, is still permissible, which means that light novels are considered novels., parallel worldParallel world, parallel universe, or alternative reality is a self-contained separate reality coexisting with our own. A fictional world can just as well have an alternative reality, it doesn`t need to be our reality. To put it more simply, this category is to show if more than 1 world/universe/reality is present in the anime. Multiple timelines of the same world/universe/reality are NOT considered parallel worlds., seinenSeinen, literally "young man", is one of the main demographic classifications applied to manga, and, by extension, to anime, especially manga-based ones. As the name implies, seinen works are marketed primarily to an audience of young men; the age range commonly understood to be the target of such works goes roughly from 17 to somewhere in the 40s., violenceViolence is the use of physical force against oneself or another entity, compelling action against one`s will on pain of being hurt. - [similar]
Resources
Rating 7.03 (4719)
Average 7.49 (4754)
Review Rating 5.79 (4)
Added by hidden on 2017-06-22 09:09
Edited by hidden on 2019-07-06 04:26
Main Title Tate no Yuusha no Nariagari (a13246)
Official Title enverified
Official Title ja
Official Title fr
Official Title de
Official Title pl
Official Title ru
Official Title zh-Hans
Official Title zh-Hant
Official Title ko
Kana たてのゆうしゃのなりあがり
Synonym انتفاضة بطل الترس
Short Shield, Shield Hero, Tate, Tate no Yuusha
Iwatani Naofumi is an uncharismatic otaku who spends his days on games and manga, suddenly finds himself summoned to a parallel universe! He discovers he is one of four heroes equipped with legendary weapons and tasked with saving the world from its prophesied destruction. As the Shield Hero, the weakest of the heroes, all is not as it seems. Naofumi is soon alone, penniless, and betrayed. With no one to turn to, and nowhere to run, he is left with only his shield. Now, Naofumi must rise to become the legendary Shield Hero and save the world!

Source: M-U

Note: The first episode received a special preliminary delivery on different web platforms and AT-X. The regular TV broadcast started on 09.01.2019.

Statistics

Score/Rank by

7.03 (4719)
#133 (#3)

Favourites/Rec.

Running Time

approx. 10h 50m

Completed

6633 (65.0%)

Watching

712 (7.0%)

Plan to Watch

2642 (25.9%)

Dropped

219 (2.1%)
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reasons

Explanation by Maickl on Thursday, 10.10.2024 20:59

The hero was transported to another world where he was considered the weakest, but he turned out to be the strongest.
TV Series, 2024, 12 eps, 3.74 (906), 6.02 (914)
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reasons

Explanation by Dragoste on Friday, 22.03.2019 16:54

Same settings, character abandoned by team mates and has to get strong by himself.
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Explanation by Vonacular on Monday, 21.01.2019 20:05

People summoned/forced into a game-like, RPG world.
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Explanation by Ernacram on Sunday, 11.04.2021 08:58

"Justice porn" anime.
The protagonist is the weak member of a team of heroes, and the other heroes treat him like shit.
He gets stronger and stronger, creates his own harem and gets revenge on the other heroes.

Explanation by Desion on Friday, 12.02.2021 22:37

Naïve hero becomes corrupted by the "good" people and heads toward villainy.
The difference is how far they take their villainy.
TV Series, 2021, 12 eps, 3.84 (2334), 6.08 (2401)
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TV Series, 2022, 12 eps, 4.70 (1423), 6.57 (1435)
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reasons

Explanation by EvGaS on Friday, 08.03.2019 07:52

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2015, 13 eps, 6.22 (6669), 7.23 (6714)
Approval: 50.00% (52 votes)
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Explanation by Maickl on Thursday, 10.10.2024 23:32

Heroes abandoned by their group unite to save the world
TV Series, 2023, 12 eps, 3.08 (877), 5.71 (882)
Approval: 50.00% (4 votes)
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Explanation by EvGaS on Monday, 07.01.2019 06:19

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)

Explanation by ornehx on Sunday, 06.01.2019 12:10

Oh well, isekai, rpg, and there seems to be slaves. And pretty likeable ML
TV Series, 2018, 12 eps, 3.94 (2843), 6.25 (2868)
Approval: 48.57% (35 votes)
reasons

Explanation by Ezeuz on Monday, 26.07.2021 21:33

While quality & production wise, it's unfair to compare the two, there're several formula that Seirei Gensouki might take from Tate no Yuusha:
- Generic overpowered MC, black hair deemed as unique.
- Not overly kind, and has logical personality.
- Superbly oppressed early on by the noble, ignored by bystanders.
- A beast girl which follows MC in their journey.
- Has a key character that supports him in the enemy side.
- Multiple people isekai-ed instead of just MC.
- Redemption is a big plot device, but Seirei is not as polarized as Tate.
TV Series, 2021, 12 eps, 4.62 (1463), 6.50 (1475)
Approval: 47.83% (23 votes)
reasons

Explanation by EvGaS on Friday, 08.03.2019 07:14

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2015, 13 eps, 7.00 (6755), 7.53 (6810)
Approval: 46.34% (41 votes)
reasons

Explanation by EvGaS on Friday, 08.03.2019 07:17

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2018, 12 eps, 4.71 (3233), 6.60 (3260)
Approval: 42.86% (42 votes)
reasons

Explanation by keonas on Sunday, 10.03.2019 23:52

To some degree both explore the economics of living in a fantasy world.

Explanation by EvGaS on Wednesday, 06.03.2019 05:18

Both based on classic D&D or Tolkien fantasy-type RPG-like worlds

Iwatani Naofumi & Naotsugu are main or desctinctive characters who often use shields.
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Approval: 42.42% (33 votes)
reasons

Explanation by EvGaS on Friday, 08.03.2019 07:11

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
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Approval: 38.46% (52 votes)
reasons

Explanation by ornehx on Monday, 07.01.2019 01:01

Same seiyuu for Sword Hero and Kirito, and the blacksmith dudes
TV Series, 2012, 25 eps, 6.30 (12158), 7.34 (12330)
Approval: 33.33% (48 votes)
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Explanation by keonas on Sunday, 10.03.2019 23:51

Druaga no Tou isn't an Isekai or any of the things said above but, the 2 shows are surprisingly similar in their portrayal of their fantasy world.
They're also similar is the struggle the main character goes through to find new party members and level up in preparation for battles with demon armies.
Also, somewhat similar in the way king's troops and higher level adventurers mistreated or ignored the main character for the start of the series.

Explanation by EvGaS on Friday, 08.03.2019 07:47

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2008, 12 eps, 5.62 (3363), 7.21 (3392)
Approval: 33.33% (18 votes)
TV Series, 2017, 12 eps, 3.37 (2800), 5.95 (2819)
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reasons

Explanation by EvGaS on Friday, 08.03.2019 07:26

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2014, 12 eps, 7.74 (9297), 7.85 (9369)
Approval: 28.57% (35 votes)
reasons

Explanation by EvGaS on Friday, 08.03.2019 07:53

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2004, 26 eps, 3.24 (2269), 6.30 (2317)
Approval: 28.57% (14 votes)
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Explanation by EvGaS on Friday, 08.03.2019 07:16

Isekai into another world based on computer GAME or RPG-like stuctured world

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- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
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Explanation by EvGaS on Friday, 08.03.2019 07:29

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
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Explanation by EvGaS on Friday, 08.03.2019 07:21

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
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reasons

Explanation by Gene_Starwind on Friday, 12.03.2021 18:18

The MC is in the same position: deemed weak and useless and nearly everyone is against him. He eventually makes a few friends and shows who he really is.
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Approval: 22.22% (9 votes)
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Explanation by EvGaS on Friday, 08.03.2019 07:44

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2009, 26 eps, 3.81 (442), 6.15 (448)
Approval: 20.00% (10 votes)
reasons

Explanation by EvGaS on Friday, 08.03.2019 07:07

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2018, 12 eps, 1.57 (767), 4.04 (794)
Approval: 15.00% (20 votes)
reasons

Explanation by EvGaS on Friday, 08.03.2019 18:43

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
TV Series, 2018, 12 eps, 2.68 (783), 5.43 (787)
Approval: 11.76% (17 votes)
reasons

Explanation by EvGaS on Friday, 08.03.2019 07:43

Isekai into another world based on computer GAME or RPG-like stuctured world

two rools of similarity:
- from our world to some ANOTHER (trapped or not; optionally - not trapped "isekai", just travel)
- another world must be GAME-based (not necesserilly be gameworld itself - just be similar to games)
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Approval: 8.33% (12 votes)
reasons

Explanation by EvGaS on Friday, 08.03.2019 06:29

Hack is beginner of concept:
(IDK older game-isekai example if it exists)

isekai (into another world) subcategory; where main hero goes especially into GAME WORLD where is NO EXIT button or sort of

so similar them or not in details - this show is an plot clone like about ten another shows of last two decades (SAO, LH, Grimgar, Accel, Overlord, Shield Hero etc.)

This is more remembering than a similarity parallel.
Until someone create (sub-)tag "game isekai".
TV Series, 2002, 26 eps, 5.18 (7076), 7.11 (7218)
Approval: 6.67% (15 votes)
  • Recommendations
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recommendations

recommended by 36 users - 5 for fans - 15 recommended - 16 must see

for fans
by technine on 2025-03-18 18:29
It was a great watch until around EP 16 I realized they totally botched the "dark" part in this fantasy.

Pathetic mustache-twirling villains straight from the Disney cartoon.
Main characters that can't kill a defeated antagonist even if antagonst deserves it.

Story is full of Bad Writing and the only thing helping this anime is a decent animation and production values. That is all there is to, just a nice picture.
for fans
by JoeGP on 2022-02-01 14:17
it was pretty good, or at least it would have been if it wasn't so annoying.
I guess the author is a fan of NTR or something, he also purposefully doesn't explain much, trying to create mystery, but only succeeding in pissing me of more, i mean after 25 eps we still don't know why the king hates him, also the 'final boss' of the season is a meaningless nobody that came out of nowhere, who's motives are flimsy.

Still, I wanna see more, since it's more mature than kiddy shows like My Hero Academia, although still not mature enough.
For fans of MC bullying and NTR or for those who can look past it. 6/10
recommended
by ethnic_weeb on 2021-01-16 02:25
Anime News Network hates this anime for saying women can lie, which means it's worth watching.
must see
by rhymesmatter on 2020-07-20 18:55
I started watching this mid afternoon and by midnight I was like...WTF just happened? Is it over? In other words: WHAT A BLAST! The plot is fantastic. Isekai (ugh that part is not fantastic okay) protagonist that gets utterly and totally betrayed by everyone and then starts grinding his ass off with his newly acquired loli (then mature) racoon waifu in order to get survive and get the hell out of that world. Simple right?

Well get ready for some amazing action, top notch animation and absolutely bonkers character development with some of the most satisfying mid-endings and an actually conclusive (-ish) season whilst waiting for the 2nd one. I mean there are OBVIOUSLY tons of things to be answered but the anime didn't end in an nonsensical cliffhanger which is so refreshing. I don't know what else to say, this is DEFO among the best animes I have ever watched. MUST WATCH
recommended
by Singrana on 2020-06-29 08:51
so bad its good
must see
by LittleMonkey on 2020-05-09 02:22
There are so many similar anime, like SAO, Log Horizon, etc, but this one stand out on the main character is a loser to start with, face all kind of insult, betrayed by others; which makes the first 5 episodes a bit dark and really engaging. Although toward middle of the season, it becomes more of a master with bunch of girls surrounding and all of them have typical type, the story still very engaging as it will make you wonder how he would fight with only shield.

This is a must see at least for the first 5 episodes, if you don't find it interesting, then it is not something for you.

Reviews

Rating: 9.33
Approval: 01.1% (2 votes)

No Spoilers



To maximize your enjoyment of an anime, which you should watch, this review is written without spoilers.





The visual artwork was plenty to carry the story -- thought would not draw you to this anime over other well produced ones.
The audio was certainly sufficient and did not feel that it was detracting from the experience, even if you are used to good production quality.



The basic setting and rules of the world were common. Some mixing of common foreign elements into the world, I felt detracted from the experience.The character development and parts of the plot and circumstances created were exceptionally good and make this one of my top two favorites.This is an anime worth watching, even if you usually do not like the setting.


It is going to be a challenge for a second season to be as interesting as the first.
Rating: 4
Approval: 28.3% (2 votes)

Tate no Yuusha no Nariagari, known as the The Rising of the Shield Hero (Shield Hero), is yet another attempt at the popular isekai genre of the last few seasons. Simply put, it is more the same, showing the tale of a random japanese guy sucked into a new fantastic world where he is gifted with superb powers and destined to greatness. The escapism also explores the MMO elements of every other sad attempt at medieval fantasy, as well as not wasting time into turning the adventure into a harem of absolute no consequence. Yeah. Pick a random show of the last two or three years and chances are it is the same as Shield Hero. Sad thing.

The story itself is about Naofumi, an otaku who is summoned to another world where he becomes one of the four heroes destined to save he land. Those four heroes are represented by the weapons they wield: sword, spear, bow, and shield. The shield is Naofumi's weapon, and with it comes a lot of prejudice as he is pointed as a weakling, a guy who cannot attack, and the most useless of the four heroes. Of course, if you've seen any random anime in the past half decade you know this is bullshit. Naofumi is simply the most overpowered of the heroes and no one stands a chance against him.

  1. It starts with interesting twists though
    Naofumi finds himself in this new world with a fantastic task of traveling the land, recruiting a party, and leveling up until the next wave of enemies comes from the skies. Things are not all great for him though, as he quickly discovers people in this land mock the shield hero and treat him with disgust, especially the king. The first episode makes this obvious as he is betrayed by a friend, framed as a rapist and villain, and must ultimately walk his own path instead of bathing in glory as the other three heroes. It is an interesting twist, one that makes Naofumi veers toward a darker way of dealing with things and where he is constantly pissed off for good reason.

    And his darker way...
    Means demi-human cute slaves, of course. After being unable to build his party, Naofumi buys a slave. As any other japanese teen with dubious criminal mind, he chooses a very young half-racoon girl as his slave and puts her to work as the damage dealer of his party. This girl, Raphtalia, somehow grows older when she levels up and becomes the vassal of every otaku dream. Yeah. She is in love with Naofumi because, despite being a villain, he is a good guy. Shit. We've seen that again and again, that otaku lead acting all badass but never really doing anything to deserve the fame as villain or evil. At least here Naofumi is constantly being treated as garbage by everyone and framed in the most ridiculous ways. I would even argue that it is unrealistic how stupid people are when believing the shit the king and princess tell, but hey, considering our real world I think the show is quite spot on on people's stupidity.

    It's boring though
    Although it is nice to see Naofumi being treated as a weakling, it is sad that he is simply the most powerful hero around and is capable of doing basically anything he wants with his shield. Instead of having a direct arc with an adventure, Shield Hero is simply about what Naofumi does between the waves of enemies popping. He goes around killing random mobs, saves a small village here and there, becomes a merchant, and do a lot of stuff with no consequence in the larger plot. In fact, he ends up recruiting yet another demi-human girl who becomes his slave, this time a full-time child for his sick pleasures, and later he is joined by a cute pre-teen princess too. Yeah, it is a basic harem experience with a lot of boring fights with MMO terms popping around and Naofumi unleashing a berserk-power that beats everything (or he is spared by enemies for later).

    Naofumi being treated as garbage and being betrayed becomes rarer as the episodes progresses, and with that the show loses its only real power to make it stand among the horde of similar shows.

    It's a decent production
    It seems Kinema Citrus put the money they've gained with Into the Abyss to use here. Shield Hero is among the best looking shows of the season and especially among its MMO-like genre. The characters are consistent, the clothing offers decent detail, the scenery is good, the colors are bright and clear, and the special effects are also very interesting. It is just a pity it puts so few action sequences to truly test all this sharpness and colors.


Shield Hero could be more. It is, by the end, simply yet another rehash of shows we've seen a lot since Sword Art Online released back in 2012, but it has, perhaps, the best glimpses of success among this horde of shitty shows. Naofumi is a decent lead for most part, being the most grey character to occupy this spot on the genre, yet the show triples down in boring anime tropes, harem-vibes, and generic MMORPG terms, which ends up ruining a tale of about a guy who is betrayed, tricked, and kicked from society through lies and deception.

Unlike Sword Art Online, it manages to show us these glimpses for more times than simply its first episode. Unlike Overlord, it offers a better pace and it is less shameful because it doesn't have lizardmen intercourse. Unlike the modern isekai horde it offers a protagonist that suffers and reacts with reason. You see? There is a lot of good things tucked into this dying corpse of an overused genre. The thing is, this is a dying corpse of an overused genre, so no matter how much mascara or perfume you put on it, it still reeks and is decomposing. Let it die for Christ's sake.

Anyway, if you have in you to watch more isekai stuff or MMO-like shows, you can give this a chance. Its glimpses of greatness are worth a watch, but sadly it is always reminding you that this is a rehash of stuff you've seen a thousand times in a span of just around half a dozen years.

More reviews at damageup.com.
Rating: 6.33
Approval: 80.3% (2 votes)
I was looking for another RPG-style anime to watch, and someone recommended this, citing vague similarities with Sword Art Online, and Grimgar of Fantasy and Ash. And despite some irritations, I ended up rather enjoying it. There isn't anything particularly stand-out about the visuals in a negative or positive way. They do the job and keep the standard fairly coherent with modern anime series. The lighting and animation are fairly decent, and the character design is very typical. Whether this is a good thing or a bad thing I'm unsure, but the characters look VERY similar to a few others from Sword Art Online, to the point where I started laughing when I saw the 3rd one. My only real gripe with the visuals is that there doesn't feel to be much spectacle with the action scenes - there are barely any "holy shit that was cool" moments that you want from an rpg shounen. Still, I hold out hope that it amps up in Season 2. My only issues with the sound in this anime stem from the music. While it does an adequate job, the musical score really isn't very memorable at all, and doesn't feel like it's doing much to heighten the mood of any scenes. Also the opening/closing music is a bit hit/miss. The sound effects and especially the voice acting however, are excellent. Some of the characters when I first saw them, I was bracing myself to be annoyed with when I heard their voices, but thankfully that doesn't happen here. Some of the younger characters especially are designed to make you roll your eyes at their contrived behaviour, but their voices tempered it to a much more tolerant level and in many cases, either gave them a decent degree of maturity, or reigned in their childish nature, which I'm hugely thankful for. The plot of this anime feels like a dozen things you've seen before, all mixed together with it's own variation. 4 young guys about the age of 20 are transported into a fantasy world where they are declared "Cardinal Heroes" and can level-up and gain abilities similar to an RPG, in order to defend the world against "waves" of monster attacks that occur about once a month. 3 of 4 heroes specialise in weapons (Bow, Sword, Spear), but the 4th hero, our main protagonist Naofumi, wields a Shield, and is immediately looked down upon as inferior from all those around him. Very quickly, he is unfairly out-casted and hated by all, and must rely only on himself to find a way to become stronger without being able to effectively attack monsters himself in order to gain experience and level-up. This starts a story into motion that incorporates a few different surprisingly mature themes along the way - rape allegations, slavery, racism, oppression - all seen through the eyes of our protagonist Naofumi and his choices of how to interact with these elements whilst being in a world that has them in abundance. The story does a good job of using anger and hatred as a core motif in the overall development of it's main character by having it affect him from different plot points in the narrative. All the while, it's being offset by themes of friendship and trust, which end up creating a good dichotomy of powerful feelings and emotions. There are large areas of the story that are shrouded in mystery, even after Season 1 is over, that left me a little frustrated. Most of these surround the mysterious and destructive "waves", which by the end of the season you gain slightly more insight into, but also more questions. Then there are ambiguities with the "rules" of the world applying to the heroes, the mechanics of levelling-up, and the intricacies of their abilities. The anime gives you a random bit of information every few episodes but never goes into detail, and never tries to establish a solid foundation of rules that you can be satisfied with. This results in questioning why the protagonist wouldn't want to find all these answers out as soon as possible, and some of these choices seem frustrating.You end up enjoying the fact that the Naofumi slowly becomes powerful, but are always left a bit incomplete that he doesn't use his power effectively at times and with more spectacle. There are lot of positive aspects to the anime's characters, offset by as many negatives.Just as a side note, the 3 main protagonists are laughably visual variations of 3 of the main protagonists from Sword Art Online. I don't know if this is intended or what, but it made me lol.Naofumi, the main protagonist, starts off very light hearted but quickly becomes an untrusting, hard natured person after being betrayed, and essentially spends the rest of the season learning to trust again, whilst battling his own anger. I thought it was a great arc for the character, and especially when exploring the themes of anger and hatred, really connected well and were justified by the character's experience in the story. Raphtalia was also a likeable character, who has a softer demeanour but never became too annoying in her worship of Naofumi. The anime tried to establish a credible reason for her sadness and her joy, and her unwavering loyalty to Naofumi without it becoming too obnoxious. Filo, similarly was a character that I thought would become too clingy but ended up being genuinely quite adorable. The antagonists were suitably horrible but also the most frustrating aspect of the series. I won't mention names, but it was disappointing to see that 2 of the worse culprits in the series ended up receiving bizarrely light punishments for their crimes, and effectively are still able to do harm? This just feels like the most stupid decision ever, and tries to make them into jokes when in fact they are seriously dangerous. The 3 other heroes too, never seem to learn anything or have any real development. This also becomes tremendously frustrating especially when you see Naofumi painstakingly try to help them improve their ways. By the end of the season, I was also rolling my eyes at how the anime was becoming more and more harem, and sorely wished there was at least 1 - just 1 - more guy to offset the increasing collection of supporting girl characters that were accruing in the anime. It's likely I wouldn't bother to watch this season of the anime again in future as it can be painfully frustrating to watch the main protagonist go through his ordeals knowing that he never really gets a proper satisfying level of justice. However this could change depending on what happens in Season 2 and 3. I was pleasantly surprised by how quickly I was hooked onto this anime. I ended up watching the entire season in 2 days. It scratched an RPG itch I had, and contained enough variations on similar animes that kept me hungry to see what would happen next. It's by no means perfect, and there are definitely better anime out there in the genre, but it was sufficiently entertaining, fun, and memorable.
Rating: 3.5
Approval: 46.3% (12 votes)
1) The hook
A lot of people were really hyped during the early episodes of this anime because of a little thing called Outrage culture. Just like it happened with Goblin Slayer some seasons before, the touchy premise of fake rape allegations and pro-slavery themes triggered the social justice warriors. This in turn motivated the defenders of the light novel to write long essays for defending the anime. One of the usual excuses any fan says about any show he likes is how it’s a subversion. It ain’t like other isekai! This one is different! These fans were so vocal about it they managed to attract a lot of random people who got curious by the ongoing controversy. Before you know it everyone was watching and talking about the Shield Hero. And as usual what matters the most is the execution and not the initial hook or how popular a show is. Which is actually really funny when you look back at what they were saying and what the show ended up being. The hook of the premise, the same one that lured in so many people with fake rape allegations and pro-slavery themes, managed to enrage a lot and to keep them watching with a promise of justice porn. And by that I mean everyone was waiting impatiently for the protagonist to prove his innocence and make those who were responsible to pay. Something which he eventually does. Pretty easily I must say. And then most of those watchers lost their interest because they got what they wanted and the hook was no more.

2) The degradation of the plot
During the initial episodes, the plot was edgy, dark, and kind of depressing in tone. It begins to fall apart after the fourth episode by becoming another generic empowerment fantasy. Up until then nothing was easy and uplifting, but then it turns into a typical isekai full of every cliché in the book. Comic relief, fan service, cockblocking romantic advancements, easy victories, constant ridicule of the opposition, and non-stop ego-stroking.
-Naofumi’ shield was supposed to be weak and unable to be used for attack, but soon became able to cast every ability imaginable, and to have enough firepower to blow up entire mountains.
-The girls Naofumi travels with, which were supposed to have depth and mental issues, constantly do typical fan service shenanigans. Going to hot springs, getting molested by tentacle monsters, never shutting up about how awesome Naofumi is, fighting over who gets to be his lover, and constantly yelling about how they can’t live without him.
-By the time you get to the half point of the first season Naofumi gets vindicated. His enemies, the vicious nobles who at first were sinister and sneaky in their plan to ruin Naofumi’s reputation, turn to complete idiots who exist to be constantly ridiculed. Their only defining features are being evil and idiots. It’s easy to get bored of them since they come off as incompetent and not as threatening as they did in the first episodes.
-The rival heroes who during their introduction were presented as super smart and calculative, quickly turned into complete idiots who can’t even walk without tripping over their own feet. Every single thing they do turns to a disaster and it’s up to Naofumi to clean after their mess.
-The world where nobody supports the Shield Hero, is quickly proven to be full of people who are constantly supporting him (peasants in need), wish to enter his team (soldiers during the monster invasion), defend him every time he is accused (queen’s spies), and even plot armor him when he is about to be killed (Fitoria).
-The notorious fake rape allegations, the bread and butter when it comes to this show, like it or not, ended up being just dumb people with power, incriminating a person THEY summoned for helping them out. It was a cheap shot of the writer, victimizing the protagonist in order to make him sympathetic to the audience. Lots of shows do that and try their best to maintain the victimizing all the way to the end of the story. This anime doesn’t do that.

3) The protagonist

The initial impression you were given about the protagonist, was that he was not another overpowered self insert otaku and not everything in his second life in an isekai is rainbows and unicorns. He is not yet another neet otaku loser who gets transported to a different world that works like a generic videogame, gets ultra powerful very fast, and amasses a harem of pretty girls who all love him for being bland. Well, fancy that, he ends up becoming exactly that as the episodes go by. Something you can’t forgive though, even if he is bland, is how he is entirely passive. Not a characteristic you want from any hero in any show. Naofumi is constantly told what to do instead of thinking for himself, and is then praised for doing what he’s told. So it’s basically double standards at play. The author can have him doing whatever he wants for the plot to move in any direction he fancies and is then retroactively proving him right for being passive. The author treats the protagonist’s actions like a heroic feat, when in reality he makes him comes off as a robot following a program imposed by others.
-Buying the slaves was not the protagonist’s idea, it was proposed by the slave merchant.
-Doing the missions that help the villagers was not his idea, it was the villagers asking for help.
-He did not want to be in a team with the other heroes, the chocobo queen demanded it or she would kill him. Plus that archbishop dude wanted to kill them. He went as far as revealing his evil plans right in front of them. He became a common enemy of the heroes by wanting to kill them and they automatically became a team in order to take down this enemy.

Some elaboration on that last point. What really takes the cake is how besides being passive, the narrative is also constantly using double standards for every little thing he does, thus coming off as hypocritical. Naofumi’s idea of working together as a team comes down to mocking the very people he is supposed to work with as a team. The constant need of the author to provide justice porn contradicts what the protagonist is supposed to be doing. You don’t mock your teammates and then pretend you are a team player. In fact, you are not a team player if you were forced to enter a team.

4) The bad guys

The nobles and the clergy are very shallow as bad guys since they did all their evil fake allegations just because they didn’t like Naofumi. When Naofumi eventually gets vindicated he doesn’t even allow them to be punished with public execution. No, he saves their lives just for changing their names into slurs and having them being humiliated for life. That is apparently enough of a punishment if all the viewer cares about is constant humiliation of the protagonist’s enemies. It’s otherwise very childish and done that way for a revenge porn written with the mentality of a ten year old. Haha, let’s change the big baddie’s name to kaka doodoo and call her names all the time, haha! Beyond that, nothing changes in the evil princess’ behavior. After all the crap she did, she remains in the team of the Spear Hero despite humiliating him that way, and she still constantly tries to mess with Naofumi despite having her life spared and being given the chance to turn a new leaf.

Then there is the evil clergy which frankly do their best to contradict their very agenda.
-The cartoonishly evil religion hates the Shield Hero because the previous heroes of the same class were allied with the furry kingdom. So basically, they hate the current hero for nothing, since he didn’t do something to hurt them. He just belongs in the same class.
-The dogma of the cartoonishly evil religion is against the cute furry waifus, thus they seemingly justify their hate. And I say seemingly because they don’t, since the hate came before the Shield Hero had cute furry waifus. They hated him before he even got to have cute furry waifus.
-The Shield Hero was normally supposed to be summoned at the furry kingdom. The cartoonishly evil religion cheated and summoned him in their kingdom, so they can hate him. Which means, they have the nerve to blame the guy for forcefully appearing in the place they rigged for him to appear.
-If the cartoonishly evil religion hadn’t framed the Shield Hero, he wouldn’t be forced to buy cute furry waifus as aid in battles. So by framing him they got exactly what they were trying to avoid. And no, this is not smart writing by having a self-fulfilled prophecy. It’s backwards reasoning.
-The cartoonishly evil religion is also suicidal. Before the second monster invasion they had the excuse of not needing the Shield Hero for defeating the monsters. After the second monster invasion they clearly need the Shield Hero, because he’s the only one who is not incompetent. By continuing to slander the only person capable of defeating the monsters they effectively doom everyone, including themselves.
-The cartoonishly evil religion gets completely rewritten into a different organization. At first they needed to resort to slander against Naofumi, because they were unable to kill him directly. And then out of nowhere they have a magic weapon that is as powerful as the four heroes. Why were they accusing the Shield Hero all these months when their plan was to kill him? Everybody believes their lies, so there is no need for all this nonsense. Why didn’t they kill him all this time when they had such a powerful weapon and he was far weaker? Why were they hiding this super weapon and weren’t using it against the monsters? Why did they even need the heroes to save the world when they have weapons and chocobo waifus that are far more powerful than them? Why are the other three heroes considered blessed when they casually decide to kill them? Why do they have monarchy and not theocracy if they can casually kill the royal family in front of a thousand people and get away with it? There is absolutely no consistency.
-In general all villains are one dimensional jerks. They smile smugly, love to torture and kill innocents, and they do it for fun because they can. What a better way to justify your justice porn if not by having sadistic one-dimensional nobles who exist just to make you hate them and wish to see them dead. And obviously, the only one who can stop them is the self-insert protagonist.

5) The slave girls

The slaves in Naofumi’s harem have horribly rushed character progression. The author never gave them more than a single episode to grow up into the forms they maintain throughout the rest of the show. Because why should you spend years on properly nurturing anything? Just skip all the build up and go straight for the outcome. And by outcome I mean seeing them constantly antagonize each other over who gets to have the self-insert’s attention, like in any typical harem. Obviously the protagonist is written to be dense as solid rock and constantly ignores their flirting, since the age rating doesn’t allow depictions of sex. There’s Redo of Healer for that. By the way, isn’t it strange to have everything growing up so fast on this world, yet their lifestyle is the same one we have in a typical medieval world? Not even the world building feels right because of that.

Adding to that, whether they are slave raccoons, or birds from loot boxes, or random encounters with princesses in the wilderness, the protagonist’s allies are all cute girls who make every other male to be jealous of Naofumi. Did I mention how their ages range from 12 and all the way down to… a few months old? What does that say about the author’s sexual preferences? Let’s not ignore the fetishism of the show as many fans tend to do. It’s about a male slaver saving very young girls from other slavers, who are deliberately written to be one-dimensional evil rapists so the protagonist will be ‘forced’ to protect them by adding them to his harem. And then he grooms them into sexy ladies that fight over who gets to be next on his bed.

6) The antagonists

Whatever issues you might have with slavery you can’t blame the show for having it if it’s doing a decent job at portraying it. But, as I stated several times already, the author keeps using double standards all the time, so everything comes off as disingenuous. Naofumi makes fun of the Spear hero for taking advantage of cute girls and adding them in his team, when his own team also consists of nothing else besides cute girls, whom he also took advantage of by buying as slaves. So basically, it’s ok when he does it and wrong when anyone else does it. Also, very conveniently, Naofumi’s furries do not correct him on this obvious hypocrisy and instead support him, while also making fun of the Spear Hero for doing the exact same thing, thus only making the hypocrisy more obvious.

Late in the show, more heroes from a different world appear. They were constantly helping Naofumi and the rest to level up, defeat the monsters, and protect the people. Then all of sudden they want to kill everyone. The reason is so convoluted it becomes impossible to follow. They want to destroy this world, so the world they came from will be spared. It’s a lie, it will be destroyed anyways, but we need some sort of new fake allegations now that the justice porn is over. That aside, they are not fighting with the monsters so the world will be destroyed, they are fighting against the monsters which is the opposite of what they are here to do. So, the ‘logical’ explanation is, they are good people, they don’t want to kill innocents, they only want to kill the four heroes so the monsters will have nobody able to stop them. It’s another lie, because there are a dozen more people far more powerful than the heroes, so the monsters can still be stopped. And also, their sense of justice is so stupid they actually believe that if they only kill the defenders of the world they would totally not be responsible for the deaths of all those innocent people. Also, even if they are here to kill the heroes, they fight the monsters and help the heroes to level up and become harder to kill, although they are here to kill them. The ‘logical’ explanation for that is that they didn’t believe those four were the heroes they came to kill because they were too weak, so they might as well befriend them and help them get stronger, although it doesn’t matter because they are going to die anyways. So basically they befriend people they know they will eventually stab in the back. And obviously they couldn’t simply ask someone to confirm if they are the heroes; that’s too much work, man. It’s not like they are here to find and kill the heroes, thus their first question should be where they can find them. Literally everybody knows who the heroes are besides them. But wait, there is a ‘logical’ explanation even for that. They didn’t ask anyone to tell them where the heroes are because they had to level up first. You see when you cross over from another world the videogame logic of this stupid show dictates that you lose your levels because it’s a different videogame, so they had to grind all over again. Only when they were strong enough they felt like asking if they are the heroes and only then they wanted to kill them. And then they proceed to not kill them and to change their minds in the next season, thus dooming their world and making their trip here completely pointless. Don’t tell me all that are not completely convoluted, because they totally are.

7) Videogame (lack of) logic

The world of the isekai functions like a videogame, which is nothing uncommon, but it’s done in such a way that it makes no sense. The allegations which make up the whole conflict of the show could have instantly been proven false, if anyone had bothered to use a slave crest that forces the target to be truthful. The core conflict had no thought put behind it since there is a way to fix it in a few seconds. The reason it didn’t happen so soon is because everybody was deliberately not mentioning the ability of the slave crests. The viewer had no idea they could be used that way and not a single character who knew about them pointed it out. The excuse in-story is that they are very expensive to use in a trial. And yet Naofumi used them three times on his waifus with no financial problems. Did you see any villages starving to death because of all the money he spent on drawing a few crests? Of course not, because they don’t exist.

Even the cost excuse falls apart when you take a step back and realize the setting is an oligarchy. The king owns everything in the kingdom, so it wouldn’t cost him a thing if he uses crests in a trial. I mean, he didn’t because that would prove he is a scumbag, but the fact remains. It doesn’t cost a thing to him. It doesn’t cost a thing for the queen either, who used one in the trial without starving a million children. Essentially, the author had no idea how to prevent everyone from spamming crests and said ‘errr they are expensive I guess’ before allowing everybody to use them whenever it suits the protagonist and without any penalties. More specifically, when he enslaves waifus, and gets his justice porn by placing it on the bitch princess during the trial. Oh, now the cost is not an issue!

The funny part is that they didn’t need magical crests to force the bitch princess into revealing the truth. If they had bothered to ask the guy who sold Naofumi the armor, he would reveal the lies of the princess, since she didn’t find it somewhere and then gifted it to the Spear Hero. It was an armor Naofumi bought from the armorsmith and it’s now right before his eyes!

On top of all this mess, the dreaded videogame logic ruins even the concept of money. During the pilot episode, the heroes are given coins to buy their equipment. Why do they have to pay for anything? They were summoned against their will to save the world. Just give them the best available armor so they can save your sorry ass. An excuse could be so they won’t ruin the economy, but what good is money if they are all dead? Also, monsters ravaging the world are going to mess the economy either way. And it becomes even messier later on, when Naofumi is constantly given stuff for free as thanks for helping people out. Also, turns out the magical weapons can literally clone anything for free. There was literally no need for money since day one, so what was the point of giving them coins? The author had no idea what he was doing, and he definitely did not thought of the economy collapsing because of it.

The videogame logic ruins even the need to have a team and go on missions. There is no need to do any missions, because there is nothing to actually gain from them.
-Some missions give them money, which they don’t need because their weapons can clone anything they want.
-Mundane stuff like food and drinks are free for heroes who are here to save the world.
-Monsters during missions give you experience points for leveling up, but there is no need to bother as there are special events where you can level up like crazy by beating trash mobs.

8) Dumb action
Despite the videogame terminology, everything constantly comes down to getting power ups in the middle of the battle by triggering a hidden ability, or turning to the power of friendship. What is the point in having rules, if powers come and go depending on what the plot says will happen?
-They try to make it seem like the backlash for using major attacks comes at a cost by losing enough blood to fill a swimming pool. Yet there is a scene where Naofumi casually waits defenseless for 5 minutes, as everyone else around him are busy talking to the queen than saving him, thus making it seem like his injuries are not serious. He can take it like a champ.
-The protagonist loses control several times because he uses a weird rage armor. They constantly want you to think he’s going to hurt the innocent when every single time he reverts to normal when his waifus hug him and tell him how much they love him… for buying them and grooming them into his waifus.
-The villains stand still while the heroes talk in the middle of the battle.
-The heroes use mostly long ranged attacks, even when their weapons are short ranged. This makes the battles dull, since they are just standing still and fire projectiles. It also makes the Bow Hero to seem like he got the crappiest weapon, since he is supposed to be the only one using arrows and be useless in close range.
-The three heroes use the exact same one attack all the time, making the battles repetitive on top of dull.

9) Slavery
Regarding the touchy subject of slavery, which caused the controversy and made the show so popular… it’s garbage. Naofumi was accused of owning slaves in a setting where slavery is legal and most nobles own slaves. Hypocrisy, anyone? It never gets any deeper than that, and eventually it’s just an excuse for harem shenanigans. No sir, Naofumi is not forcing cute girls to fight on his side, and is certainly not going to have naughty moments with them at the hot springs. He only bought them! Plus, the slave chicks clearly state that they love being slaves. Raphtalia in particular is given her freedom when someone removes the slave tattoo from her body. But she immediately rushes to get another slave tattoo. On her boobs I need to point out, since we need fan service for this garbage to sell. This validates the victimized protagonist by having the cute animal ear waifu proudly stating how she loves being manipulated as a slave. You don’t want to disagree with a cute animal ear waifu, do you now? Look how cute she is and has a tattoo on her boobs, she can’t be wrong. And as simple as that Naofumi once again has the moral high ground to do whatever the hell he wants.

10) Plot armor
There is absolutely no tension in the show. The chocobo waifu plot armors Naofumi from the dinosaur, the spy woman plot armors the 2 heroes from the energy attack, the 2 heroes plot armor Naofumi from the Pope. There is never any sense of death in the show if they can survive all the time like that. And don’t get me started on why the Pope didn’t confirm the death of the 2 heroes before trying to kill the other 2, or how they never show how Sword and Bow survived the explosion. Eventually, even the queen plot armors the heroes from the church, and proves how the allegations were false by using a slave tattoo. Something everyone could have used since day 1. And essentially Naofumi didn’t have to do a thing for clearing his name. He could have sat on a bed for months and just wait for the queen to solve everything. There never was any urgency, there never was any actual threat, and he was plot armored from all sides.

11) Retroactive answers
Most of the illusion of tension in the story comes from the author omitting information from the viewer. Almost every conflict would be easy if we were told how slave crests work or how the weapons can copy everything without the need for money. Even the heroes from the other world would have an easy mission if they had asked who the heroes of this world are. The show constantly hides its problems by basically making everyone too stupid to ask about things that are free and known to most people. Furthermore it provides answers to mysteries that shouldn’t exist in the first place. Why should the way crests and weapons work be kept a secret in the first place? It’s counter-productive for what the heroes aim to achieve. As a literary device it works on people who have no critical thinking, since they will perceive it as a plot twist or a major revelation, instead of bad writing. Thus whatever complains you might have about the show are instantly shut down by the defenders, who will claim ‘you didn’t know that at first and it’s explained later in the story, thus your complaints are moot’. The thing is, nobody was watching the show just to get answers for what is going on with the monster invasion or why the church hates the Shield Hero. Everyone was watching the show for the revengeporn and the pedophilic memes concerning Naofumi’s harem. There was no mystery to solve and therefore late explanations did nothing to save face. Especially when they did not fix any problems and did not make the writing any better.

12) Everyone is dumb
This last point is a culmination of everything that is wrong in the aforementioned points I made. Every single character is dumb as rocks and self sabotages his own goals that way.
-The protagonist not telling the armorsmith to clear his name right away
-The king mentioning money when they are not needed
-The other heroes being morons who cause more trouble with whatever they do
-Raphtalia forgetting she had friends being tortured somewhere until she bumps onto them. Then she refuses to kill the slaver so she won’t be like him (although she is not a slaver so WTH?)
-The church hating the Shield Hero when they can’t survive without him (plus they already had a super weapon)
-In general, the civilian population is a bunch of sheep with no thoughts of their own. Throughout the series they believe everything they are told right away. And before some of you say that’s exactly how the real world is like, people don’t do a 180 in a couple of seconds. One moment they demand to see the ones responsible to be punished, and the immediate next they change their minds and renounce the religion they believed in for centuries just because the validated self insert that is Naofumi said a few mean words against their god.

And that is why the Shield Hero is a dumb show for dumb people that blew in popularity because of all the wrong reasons. But don’t worry, the hype all died out after half a season.
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abilitiesAbilities are skills or competences that have applicability in some sort of activity.

agile (2)The character has a great agility which comes in very handy for combatants or otherwise fighting characters.alchemy (1)Alchemy is the "art of transformation" or "transmutation" (the art of sacrificing the matter of certain objects for the creation of something else), and is a historical science of philosophy.anti-magic (4)The ability to negate or prevent the effects of supernatural powers, either during or after their use.barrier creation (4)The ability to create a wall or dome of force that hinders others from approaching a person or object.blood control (1)Blood control is the ability to control blood (often one`s own, but sometimes others`) in order to use it as a weapon or as fuel for other effects.clever (2)A clever or smart person is generally understood as having broad knowledge and the sharpness of mind required to put that knowledge to good use, especially when applying rational thought to long-reaching decisions, with the broad knowledge leaning more on the smart side and the sharp mind on the clever side. Unlike a genius, the clever person may be skilled, but only mundanely so, and in contrast to a cunning person, a clever person is not characterized by being sly or apt at surreptitiousness.cooking (1)Cooking is the process of preparing food by using heat.dark magic (1)no description setdual wielding (2)The ability to use a weapon in each hand skillfully.extrasensory perception (2)Extrasensory perception (ESP), involves reception of information not gained through the recognized physical senses but sensed with the mind.extreme durability (2)The character possesses some sort of natural armor. It takes extreme amounts of damage to even injure, let alone kill him/her/it.extreme speed (3)The character has an astonishing speed, surpassing the Human limits.fire magic (8)Magical application of the fire element. Usually strong against living beings, such as plants and animals, but easily fought by employing water. Also usually entails immunity against heat.first aid (1)The character is capable of preforming first aid (like artificial respiration or CPR) and may even have a license to do so.fishing (2)no description setfixed-form shapeshifting (5)Fixed-form shapeshifting is the ability to switch one`s bodily appearance, form, and structure between two or more predetermined forms, while being restricted to picking only from among those forms. This is contrasted to free-form shapeshifting, the ability to change one`s bodily appearance, form, and structure in any way that the user desires, without being restricted to a limited number of forms.healing (3)Healing is the power to restore biotic organisms to their optimal health.illusion (2)no description setkeen hearing (1)no description setlight magic (2)no description setlightning magic (4)no description setlock picking (1)Lock picking is the art of unlocking a lock by manipulating the components of the lock device without the original key.magic (19)Magic is the art of purportedly manipulating aspects of reality either by supernatural means or through knowledge of unknown occult laws.poison user (2)Uses poisons of varying strength, artificial or natural, to achieve his/her means.precognition (2)The ability to see into the future. This can manifest as prophetic visions or could be more prosaic, such as the ability to see future events by means of some divinatory devices such as tarot cards or astrology, but such divination should be accurate.pyrokinesis (1)Pyrokinesis is the ability to create and manipulate fire with one`s mind.reality manipulation (1)The ability to bend reality to one`s will.summoning (2)Ability to call/materialize some kind of creature.swimming (1)Swimming is an individual or team sport that involves using arms and legs to move the body through water. Typically, the sport takes place in pools or in open water. Competitive swimming is one of the most popular Olympic sports.teleportation (6)Teleportation is the transfer of matter from one point to another, possibly a distant one, without application of force, and generally instantly. This contradicts scientific law as we know it, and is therefore nowadays impossible. Sometimes it appears as a paranormal or supernatural ability, and sometimes it is shown in science fiction through technological devices backed up by scientific laws yet to be discovered.weapon fabrication (1)An ability that allows the user to make copies of a weapon or weapons for use in battle.wind magic (9)no description set

accessoriesAccessories are objects characters use or sometimes simply carry around.

armour (5)no description setglasses (3)Glasses (also called eyeglasses or spectacles) are frames bearing lenses worn in front of the eyes, normally for vision correction, eye protection, or for protection from UV rays. For practical tagging purposes, sunglasses should not be considered glasses; the "glasses" tag is specifically about the type that doesn`t block light. However, a character who wears prescription glasses with dark lenses or who wears both eyewear types should take both tags.helmet (3)Primarily used as protective head gear. However, it can also be decorative and is frequently used to conceal one`s visage and identity.shield (1)A shield is a type of personal armor, meant to intercept attacks, either by stopping projectiles such as arrows or redirecting a hit from a sword, mace or battle axe to the side of the shield-bearer. (Source: Wikipedia)shoulder guards (4)Armour that covers the shoulders.spear (2)A spear is a pole weapon consisting of a shaft, usually of wood, with a pointed head. The head may be simply the sharpened end of the shaft itself, or it may be made of a more durable material fastened to the shaft, such as flint, obsidian, iron, steel or bronze. The spear has been used throughout human history both as a hunting and fishing tool and as a weapon. Variant forms of the spear include the javelin, the lance, and the pike, a very long thrusting spear.sword (10)A sword is a long, edged piece of metal, used as a cutting, thrusting, and clubbing weapon in many civilizations throughout the world. It fundamentally consists of a blade and a hilt, typically with one or two edges for striking and cutting, and a point for thrusting.

clothingClothing is fiber and textile material worn on the body.

boots (2)Boots are heavy-duty work shoes that are often made of leather and have thick rubber soles. They are usually found stomping on things: floors, people, etc. Generally, typical boots can be as short as angle height (ankle boots), and as long as the mid point of the lower leg (crew length boots). Boots at least longer than crew length would be half boots or higher.cloak (2)A cloak is a sleeveless loose garment, sometimes with a hood, that is worn over indoor clothing and serves the same purpose as an overcoat; it protects the wearer from the weather, or it may form part of a fashionable outfit or uniform. In contrast to a cape, a cloak provides more frontal cover whereas a cape leaves the front fairly open. A cape or cloak with sleeves is a robe.dress (3)A dress is an item of clothing, usually worn by females, which both covers the upper part of the body and includes a skirts below the waist.scarf (1)A scarf is a piece of fabric worn around the neck, near the head or around the waist for warmth, cleanliness, fashion, or religious reasons. They can come in a variety of different colours. Scarves are not to be confused with scarf ties or headscarves.thigh boots (1)Thigh boots and over-the-knee boots are boots that either: fully cover and extend above the knees, or partly cover the knees, leaving only the thigh area exposed. Boots that rise up to, but not including, the knee, or slightly thereunder, are kneehigh boots.

entityno description set

bird (4)no description sethuman (23)Modern humans are the only extant members of the subtribe Hominina. Together with chimpanzees, gorillas, and orangutans, they are part of the family Hominidae. Terrestrial animals, humans are characterized by their erect posture and bipedal locomotion; high manual dexterity and heavy tool use compared to other animals; open-ended and complex language use compared to other animal communications; larger, more complex brains than other animals; and highly advanced and organized societies.raccoon person (5)A raccoon person is a juujin with raccoon or tanuki characteristics. Not to be confused with tanuki, a demon raccoon or raccoon spirit from folklore. Not to be confused with a Japanese raccoon dog, an animal that may also be portrayed in anime with the ability to talk.talking animal (2)Talking animals are a common theme in mythology and folk tales, as well as children`s literature. Fictional talking creatures often are anthropomorphic, possessing human-like qualities but appearing as a creature. An animal that only knows how to say its name (for example, 99.9% of all Pokemon), are not talking animals.

fashion accessoriesno description set

choker (1)A choker is a necklace, narrow strip of cloth, ribbon, or other object that fits very closely around the neck. It is not to be confused with a collar, which, for humans and other human-like entities, is generally a collar-like accessory serving a restraint, identification, and/or display of submissiveness usage. Please see the description of the collar tag for more information on the distinction. Please also see this tag`s full description for other information on how to use it.crown (2)no description setearring (3)An earring is a piece of jewellery attached to the ear via a piercing in the earlobe or another external part of the ear (except in the case of clip earrings, which clip onto the lobe). Earrings are worn by both sexes, although more common among women, and have been used by different civilizations in different times.gloves (1)A glove is a garment covering the whole hand.hair clip (2)A small metal or plastic clip used to keep the hair in a certain style, or sometimes just for style.hair ribbon (2)Hair ribbons are ribbons used both as hair decorations and as hair ties. Hair ribbons are often tied into bows. They may also be present as part of a hairband. In older anthropomorphic series, where the gender of characters was sometimes hard to tell at first glance, ribbon bows were used to indicate a female character.lipstick (1)Lipstick is a cosmetic product containing pigments, oils, waxes, and emollients that applies color, texture, and protection to the lips. Many varieties of lipstick are known. As with most other types of makeup, lipstick is typically, but not exclusively, worn by women. The use of lipstick dates from the ancient times.ribbon tie (2)A ribbon tie is a ribbon used to tie the collar of a shirt, blouse, or other clothing top. This means that the ribbon, with or without a bow loop, is tying a collar that is cut close to the neck (i.e. not a low-cut collar); otherwise, the ribbon is just a common case of ribbons on clothes. Please see the full description for more detailed instructions on when to apply or not apply this tag.witch hat (2)A typical pointy witch`s hat.

fetish appealsno description set

large breasts (2)Large breasts are breasts a fair notch larger than average, as found in some real life adolescent girls or fully grown women. They are bigger than medium breasts and smaller than huge breasts. Note: This tag has many anime/character entries that need to be moved to the new medium and huge breasts tags. Please add the appropriate tag and remove this one from the corresponding anime/character afterwards.medium breasts (1)Medium breasts are breasts that have a moderate size but aren`t overly big like large breasts. Medium breasts are what would be considered normal size in real life, whereas below average sized breasts are called small breasts.zettai ryouiki (1)Zettai ryouiki, literally "absolute territory", is an area of exposed skin of a female in the gap between thigh-high or over-the-knee hosiery and a miniskirt, shorts, or on occasion a minidress. In addition to the area itself, the term can describe the clothing combination. Please note that zettai ryouiki requires all three components: over-the-knee or thigh-high hosiery, thigh skin, and one of skirt, shorts, or minidress.

looksThe looks are a person`s physical appearance. They are commonly used to describe people. Specific parts of one`s looks are most often referred to when especially pleasing or attractive, and sometimes also when particularly jarring.

beard (5)A beard is the collection of hair that grows on the chin, upper lip, cheeks, and neck of human beings.black hair (3)The character has black hair.blue eyes (6)This character has blue-colored eyes.blue hair (2)The character has blue hair.braids (3)Braids is a style of hair in which the hair is interweaved into locks. Braids can be displayed in various styles, such as twin braid tails or a braided hair hairband.brown eyes (5)The character has brown eyes.brown hair (12)The character has brown hair.curly hair (1)This character has locks of hair that grow in a curved, rather than straight, direction.exposed midriff (3)In fashion, midriff is a term for the human abdomen. The midriff is exposed when wearing a crop top or some forms of swimwear.fair skin (27)Fair skin is a naturally occurring range of skin colour that is lighter than the average for humans, but not light enough to be considered white. Ethnically speaking, a reasonable real life metric for fair skin is the skin colour of people normally said to be "white".fat (2)This character is in a medical condition characterized by the excessive accumulation and storage of fat in the body.feathered wings (3)Feathered wings are the wings with feathers. They are often found on feathered birds. Feathered wings are also commonly associated with the Christian image of angels, and may sometimes also be found in fictional or mythological deities.green eyes (5)The character has green eyes.green hair (2)The character has green hair.grey eyes (3)This character has grey-coloured eyes.grey hair (6)Of a color intermediate between black and white, as of ashes or an overcast sky. Refers to hair that is this color.hair antennae (2)Hair antennae are two, or sometimes more, strands of hair that stick up from the top of the head and curve forward like antennae. Not to be confused with ahoge ("idiot hair"), which only has one strand and is commonly associated with idiots.handsome (1)no description setlong hair (8)Long hair is hair from (but not including) shoulder-length, up to (but not including) waist length hair. Sidelocks do NOT count as long hair.moustache (7)A moustache is facial hair grown on the upper lip.pink eyes (4)This character has pink eyes.ponytail (3)A ponytail is a hairstyle in which most or all of the hair on the head is gathered and secured at the back of the head with a hair tie, clip or similar device, and allowed to hang freely from that point.purple eyes (4)This character`s eyes are colored somewhere between red and blue.purple hair (2)This character`s hair is colored somewhere between red and blue.real raccoon ears (5)no description setred eyes (2)This character has red eyes.red hair (2)The character has red hair.scars (2)A scar is an area of fibrous tissue that replaces normal skin after an injury. Scars are result of the biological process of wound repair in the skin and scarring is a natural part of the healing process.short hair (11)Short hair is hair from (but not including) bald, up to (but not including) shoulder-length hair. This hair length is what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length.shoulder-length hair (4)Shoulder-length hair is hair at shoulder length, within a few centimetres margin. This hair length is longer than what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length. Typical male hair at the back of the head which reaches the shoulders does not count as shoulder-length hair; the individual hair strands are very short (0-4 cm), and therefore count as short hair.tail (5)The tail is the section at the rear end of an animal`s body; in general, the term refers to a distinct, flexible appendage to the torso. It is the part of the body that corresponds roughly to the sacrum and coccyx in mammals, reptiles, and birds. Please see the full tag description for usage instructions for this tag.twintails (3)Twintails are type of hairstyle where the hair is gathered into two "tails" on either side of the head. Twintails may also include a pair hair buns, one bun at the base of each tail.very long hair (4)Very long hair is hair from (and including) waist-length hair or longer.wings (2)no description setwrinkled skin (3)This character`s skin is wrinkled.yellow eyes (2)This character has yellow eyes.yellow hair (4)The character has yellow hair. This does not map precisely to real-life blond hair.yellow hair highlights (1)no description set

roleno description set

aristocrat (5)An aristocrat or noble is a member of the aristocracy or nobility, an upper class in feudal societies. Nobles may or may not hold any specific nobility title. For simplicity`s sake, royalty should also be considered nobility.femme fatale (1)A Femme fatale (french for "deadly woman") often leads men into compromising, dangerous, and deadly situations. She tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, and sexual allure. Typically, she is exceptionally well-endowed with these qualities. In some situations, she uses lying or coercion rather than charm. She may also be (or imply to be) a victim, caught in a situation from which she cannot escape.hero (5)no description setking (1)This character rules a kingdom. Normally, kings are men, and their female counterparts are called queens, but in anime there is at least one known female king. Real-life kings of the past usually held absolute power, but as the time went on more and more kings had to be subjected to control from an external body, in the form of constitutional monarchies. In modern real-life kingdoms, it is very common for the king to be restricted to the role of a popular and political leader who no longer has any ruler powers. Kingship is usually inherited, and rules vary from place to place, but the most common is: preference goes to the direct descendants (e.g. sons are privileged in comparison with nephews), normally by the eldest relative in a given line, and in most monarchies a male will displace a female, often even in more preferred lines (e.g. a nephew would displace an older niece and often also an elder daughter, but not a younger son).knight (4)A gentleman soldier, or a member of the warrior caste, an elite warrior who subscribes to the ideals of chivalry, and upholds honor, faith, loyalty, and courage.princess (2)no description setqueen (2)A queen is a female monarch (queen regnant; female sovereign who is the official ruler or head of state) or wife of a monarch (queen consort).slave (2)A slave is a person who is the legal property of another and is forced to obey them.student (3)A student or pupil is a learner, or someone who attends an educational institution. The may be understood to mean only those enrolled in some sort of educational institution, but, in its widest use, it applies to anyone who is learning, including mid-career adults who are taking vocational education or returning to university, or younger researchers or artists learning from a more experienced colleague and mentor.underdog (1)The character portrayed in this anime is seemingly not cut for his challenge. He is expected to be no match for his rivals or enemies. However, mostly through hard work and dedication he will eventually overcome his limitations.viscount (1)no description set

traitsTraits are characteristics, habits, or trends that can be associated to and may be used to identify individuals.

Napoleon complex (1)Napoleon complex is an informal term describing a type of inferiority complex which is said to affect some people who are short in stature.adolescent (5)An adolescent (teenager) is 13 to 19 years old.arrogant (2)Having or revealing an exaggerated sense of one`s own importance or abilities.attention seeker (2)An attention seeker is someone who solicits attention, typically in a manner or through means considered excessive or inappropriate.bad luck (1)Fate hates you. Your sister is killed, your girlfriend breaks up with you after being crippled in a terrorist attack and finally you end up as a pizza delivery boy. And just when you thought it can`t get worse, it does.brave (3)This character shows little or no fear in face of danger, perhaps even jumping onto the danger when he or she believes the time comes.cautious (1)A cautious person considers their actions thoughtfully, aiming to minimize potential risks.cheerful (2)This character is conducive to cheer; likely to dispel gloom or worry.child (3)A child is any person 3 to 12 years old. In everyday usage, babies (younger than 3 years old) are also children, but they are tagged separately; they should not be tagged child as well. Once a person becomes 13, they are an adolescent instead.cynical (1)The character often goes for the most realistic/pessimistic take on events.elderly (4)An elderly person is someone that is older than "middle-aged". For humans, this generally covers anyone age 65 and older.headstrong (1)A headstrong person is one that is determined to do as one pleases, and not as others want.honourable (2)Adhering to ethical and moral principles.illeist (3)Illeism is the act of referring to oneself in the third person instead of first person.immature (2)Marked by or indicating a lack of maturitykind (4)Having or showing a friendly, generous, and considerate nature.loyal (7)Character remains firm in friendship or support for a person or thing.middle aged (4)Someone is generally considered middle aged if they are between 40 to 65 years old.motion sickness (4)Motion sickness or kinetosis, also known as travel sickness, is a condition in which a disagreement exists between visually perceived movement and the vestibular system`s sense of movement. Dizziness, fatigue, and nausea are the most common symptoms of motion sickness. (source: wikipedia)narcissistic (1)The term narcissism refers to the personality trait of egotism, which includes the set of character traits concerned with self-image ego. The terms narcissism, narcissistic, and narcissist are often used as pejoratives, denoting vanity, conceit, egotism or simple selfishness. Applied to a social group, it is sometimes used to denote elitism or an indifference to the plight of others.overeater (3)A character (who quite often is anything but fat) eats enough for an entire football team, usually devastating the whole table — and perhaps entire restaurants — with their insatiable hunger. Often combined with a speed-eating technique that makes food seem to vanish spontaneously from the plate.physically strong (2)In comparison to the norm, someone who is physically strong possesses superior, sometimes even unnatural, physical strength. Said strength usually allows them to win fights, or at least to last longer; stronger people are also normally able to withstand harsh conditions more easily than the rest, and even do things as simple as carrying heavy weights around. This tag also applies when a race is stronger than others (think the Sayajin), as long as said weaker races are also a part of the cast.post-traumatic stress disorder (1)Post-traumatic stress disorder, also known as PTSD, is a mental health condition triggered by excessive stress and terrifying events. Symptoms may include flashbacks, nightmares and severe anxiety, as well as uncontrollable thoughts about the traumatic events.precocious (2)Exhibiting mature qualities at an unusually early age, especially in mental aptitude.protection complex (1)A character has a protection complex if the character is overly protective of other characters, beyond what would be considered a "normal" or "expected" duty of care. The magnitude of overprotection can vary. It can be as low as constantly nagging someone to "stay safe". It can be as extreme as the protector making it their mission in life to protect the other character.racism (3)Racism is prejudice, discrimination, or antagonism directed against someone of an ethnically different background based on the pseudo-scientific belief that biological differences between peoples form so-called "races" and that one`s own "race" is superior to another, possibly also holding that members of different "races" should be treated differently. In works of fiction, this may also include similar actions against other sentient species, including non-biological species such as robots.rude (2)no description setruthless (2)This character will stop at nothing to achieve their goals and will be unbound by any constraintssadist (2)A sadist obtains pleasure, sometimes sexual, from inflicting pain and/or other cruelty on another person. The opposite of a sadist is a masochist.sarcastic (1)The character frequently uses sharp, bitter, or cutting expressions or remarks. (From Greek sarcasmos, "to tear flesh, gnash the teeth, speak bitterly".)selfish (2)Selfishness is the condition of holding one`s own self-interest as the chief or sole influence and standard in decision-making and lacking concern for the well-being of others. Those characterized by selfishness are said to be selfish.simple-minded (1)This character exhibits a `special` sort of intelligence. Be it the inability to comprehend even the most simple of situations, or the lack of common sense found in even a preschooler, the character never ceases to amaze both the show`s cast and audience with their idiocy.stubborn (2)Is a description of someone who has difficulty changing opinions. The word can also be used to describe objects that are difficult to move or changetactless (1)The character does not know or care when not to say something, i.e. blabs out anything that comes to mind.trauma (1)Character with emotional or psychological injury, caused by single or multiple events/experiences in the past.vengeful (1)This character is driven by a desire for revenge.vicious (2)no description setwealthy (2)Somebody in possesion of wealth, usually a lot of money.young adult (4)Someone is generally considered a young adult if they are between 20 to 40 years old.
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Cast

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main character
episode appearance appears in ep: 1-25
20, male, 5.40 (74), barrier creationThe ability to create a wall or dome of force that hinders others from approaching a person or object., cookingCooking is the process of preparing food by using heat., fair skinFair skin is a naturally occurring range of skin colour that is lighter than the average for humans, but not light enough to be considered white. Ethnically speaking, a reasonable real life metric for fair skin is the skin colour of people normally said to be "white"., herono description set, protection complexA character has a protection complex if the character is overly protective of other characters, beyond what would be considered a "normal" or "expected" duty of care. The magnitude of overprotection can vary. It can be as low as constantly nagging someone to "stay safe". It can be as extreme as the protector making it their mission in life to protect the other character., studentA student or pupil is a learner, or someone who attends an educational institution. The may be understood to mean only those enrolled in some sort of educational institution, but, in its widest use, it applies to anyone who is learning, including mid-career adults who are taking vocational education or returning to university, or younger researchers or artists learning from a more experienced colleague and mentor., weapon fabricationAn ability that allows the user to make copies of a weapon or weapons for use in battle., young adultSomeone is generally considered a young adult if they are between 20 to 40 years old.
voiced by: Ishikawa Kaito
secondary cast
episode appearance appears in ep: 1, 3-6, 8, 10-13, 16-17, 19-25
16, male, 2.92 (36), aloofA character whose emotions are mostly not affectionate, cordial or friendly. In some cases the characters do not want to display their emotions, while in other they are in lack of emotional desire., fair skinFair skin is a naturally occurring range of skin colour that is lighter than the average for humans, but not light enough to be considered white. Ethnically speaking, a reasonable real life metric for fair skin is the skin colour of people normally said to be "white"., herono description set, scarfA scarf is a piece of fabric worn around the neck, near the head or around the waist for warmth, cleanliness, fashion, or religious reasons. They can come in a variety of different colours. Scarves are not to be confused with scarf ties or headscarves., short hairShort hair is hair from (but not including) bald, up to (but not including) shoulder-length hair. This hair length is what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length., studentA student or pupil is a learner, or someone who attends an educational institution. The may be understood to mean only those enrolled in some sort of educational institution, but, in its widest use, it applies to anyone who is learning, including mid-career adults who are taking vocational education or returning to university, or younger researchers or artists learning from a more experienced colleague and mentor., swordA sword is a long, edged piece of metal, used as a cutting, thrusting, and clubbing weapon in many civilizations throughout the world. It fundamentally consists of a blade and a hilt, typically with one or two edges for striking and cutting, and a point for thrusting., unable to swimA person who can`t swim, either because (s)he never learned it or has a pre-condition that makes him/her unable to swim to begin with.
episode appearance appears in ep: 1, 4-5, 12, 14, 21, 25
male, 1.84 (37), beardA beard is the collection of hair that grows on the chin, upper lip, cheeks, and neck of human beings., elderlyAn elderly person is someone that is older than "middle-aged". For humans, this generally covers anyone age 65 and older., fair skinFair skin is a naturally occurring range of skin colour that is lighter than the average for humans, but not light enough to be considered white. Ethnically speaking, a reasonable real life metric for fair skin is the skin colour of people normally said to be "white"., kingThis character rules a kingdom. Normally, kings are men, and their female counterparts are called queens, but in anime there is at least one known female king. Real-life kings of the past usually held absolute power, but as the time went on more and more kings had to be subjected to control from an external body, in the form of constitutional monarchies. In modern real-life kingdoms, it is very common for the king to be restricted to the role of a popular and political leader who no longer has any ruler powers. Kingship is usually inherited, and rules vary from place to place, but the most common is: preference goes to the direct descendants (e.g. sons are privileged in comparison with nephews), normally by the eldest relative in a given line, and in most monarchies a male will displace a female, often even in more preferred lines (e.g. a nephew would displace an older niece and often also an elder daughter, but not a younger son)., long hairLong hair is hair from (but not including) shoulder-length, up to (but not including) waist length hair. Sidelocks do NOT count as long hair., purple eyesThis character`s eyes are colored somewhere between red and blue., racismRacism is prejudice, discrimination, or antagonism directed against someone of an ethnically different background based on the pseudo-scientific belief that biological differences between peoples form so-called "races" and that one`s own "race" is superior to another, possibly also holding that members of different "races" should be treated differently. In works of fiction, this may also include similar actions against other sentient species, including non-biological species such as robots., ringA ring is a circular ornament. Strictly speaking, a normal ring is worn around the finger, and the term "ring" alone normally refers to that type. Rings are usually in metal, but they can be of a wide range of materials, and they may include a gem or stone. Usages and symbolism for rings vary immensely, with different forms of rings meaning to display things ranging from profession or degree to espousal to the power to rule all other rings of power.
voiced by: Nakano Yutaka
episode appearance appears in ep: 5-9, 11-16, 18-25
female, 6.96 (29), cheerfulThis character is conducive to cheer; likely to dispel gloom or worry., fixed-form shapeshiftingFixed-form shapeshifting is the ability to switch one`s bodily appearance, form, and structure between two or more predetermined forms, while being restricted to picking only from among those forms. This is contrasted to free-form shapeshifting, the ability to change one`s bodily appearance, form, and structure in any way that the user desires, without being restricted to a limited number of forms., hair clipA small metal or plastic clip used to keep the hair in a certain style, or sometimes just for style., loyalCharacter remains firm in friendship or support for a person or thing., magicMagic is the art of purportedly manipulating aspects of reality either by supernatural means or through knowledge of unknown occult laws., physically strongIn comparison to the norm, someone who is physically strong possesses superior, sometimes even unnatural, physical strength. Said strength usually allows them to win fights, or at least to last longer; stronger people are also normally able to withstand harsh conditions more easily than the rest, and even do things as simple as carrying heavy weights around. This tag also applies when a race is stronger than others (think the Sayajin), as long as said weaker races are also a part of the cast., swimmingSwimming is an individual or team sport that involves using arms and legs to move the body through water. Typically, the sport takes place in pools or in open water. Competitive swimming is one of the most popular Olympic sports., talking animalTalking animals are a common theme in mythology and folk tales, as well as children`s literature. Fictional talking creatures often are anthropomorphic, possessing human-like qualities but appearing as a creature. An animal that only knows how to say its name (for example, 99.9% of all Pokemon), are not talking animals.
voiced by: Hidaka Rina
episode appearance appears in ep: 16-20, 25
female, 6.90 (33), chokerA choker is a necklace, narrow strip of cloth, ribbon, or other object that fits very closely around the neck. It is not to be confused with a collar, which, for humans and other human-like entities, is generally a collar-like accessory serving a restraint, identification, and/or display of submissiveness usage. Please see the description of the collar tag for more information on the distinction. Please also see this tag`s full description for other information on how to use it., eternal youthEternal youth is the concept of human physical immortality free of aging. The youth referred to is usually meant to be in contrast to the depredations of aging, rather than a specific age of the human lifespan., extreme speedThe character has an astonishing speed, surpassing the Human limits., fixed-form shapeshiftingFixed-form shapeshifting is the ability to switch one`s bodily appearance, form, and structure between two or more predetermined forms, while being restricted to picking only from among those forms. This is contrasted to free-form shapeshifting, the ability to change one`s bodily appearance, form, and structure in any way that the user desires, without being restricted to a limited number of forms., loyalCharacter remains firm in friendship or support for a person or thing., magicMagic is the art of purportedly manipulating aspects of reality either by supernatural means or through knowledge of unknown occult laws., pink eyesThis character has pink eyes., shoulder-length hairShoulder-length hair is hair at shoulder length, within a few centimetres margin. This hair length is longer than what one would typically, though not always, see on most males. Short hair includes hair that goes no more than a centimetre or two beyond the chin; anything longer is shoulder-length. Typical male hair at the back of the head which reaches the shoulders does not count as shoulder-length hair; the individual hair strands are very short (0-4 cm), and therefore count as short hair.
voiced by: Tange Sakura
episode appearance appears in ep: 1, 3-6, 8-9, 11-14, 16, 18-25
female, 2.34 (89), aristocratAn aristocrat or noble is a member of the aristocracy or nobility, an upper class in feudal societies. Nobles may or may not hold any specific nobility title. For simplicity`s sake, royalty should also be considered nobility., large breastsLarge breasts are breasts a fair notch larger than average, as found in some real life adolescent girls or fully grown women. They are bigger than medium breasts and smaller than huge breasts. Note: This tag has many anime/character entries that need to be moved to the new medium and huge breasts tags. Please add the appropriate tag and remove this one from the corresponding anime/character afterwards., long hairLong hair is hair from (but not including) shoulder-length, up to (but not including) waist length hair. Sidelocks do NOT count as long hair., magicMagic is the art of purportedly manipulating aspects of reality either by supernatural means or through knowledge of unknown occult laws., poison userUses poisons of varying strength, artificial or natural, to achieve his/her means., red hairThe character has red hair., selfishSelfishness is the condition of holding one`s own self-interest as the chief or sole influence and standard in decision-making and lacking concern for the well-being of others. Those characterized by selfishness are said to be selfish., shoulder guardsArmour that covers the shoulders.
voiced by: Bridcutt Sarah Emi

staff

Credit Name in Episodes Comment
Original Work (原作) Aneko Yusagi (MFブックス『盾の勇者の成り上がり』/ KADOKAWA刊)
Original Illustration (原作イラスト) Minami Seira
Manga (コミカライズ) Gekkan Comic Flapper
Manga (漫画) Aiya Kyuu
Direction (監督) Abo Takao
Series Composition (シリーズ構成) Koyanagi Keigo
Character Design (キャラクターデザイン) Suwa Masahiro
Design Assistance (デザインアシスタント) Wada Shinpei
Creature Design (モンスターデザイン) Mori Satoshi Gift-o`-Animation (ぎふとアニメーション)
Prop Design (プロップデザイン) Sugimura Ayako
Action Design (アクション設計) Kuroda Yuka
Chief Animation Direction (総作画監督) Sera Kouta 19
Suwa Masahiro
Action Animation Direction (アクション作画監督) Kuroda Yuka 2, 4, 7, 20, 24
Music (音楽) Kevin Penkin
Music Producer (音楽プロデューサー) Iijima Hiromitsu (IRMA LA DOUCE)
Uemura Shun`ichi Nippon Columbia (日本コロムビア)
Music Work (音楽制作) Irma La Douce
Nippon Columbia
Sound Direction (音響監督) Gou Fumiyuki Grooove (グルーヴ)
Sound Work (音響制作) Glovision
Sound Effects (音響効果) Yaso Shouta
Editing (編集) Sudou Hitomi (REAL-T)
Recording Direction (レコーディングディレクター) Shota Nakama
Layout Supervision (レイアウト監修) Hishinuma Yoshinori 22, 25
Colour Design (色彩設計) Okamatsu Anna Kinema Citrus (キネマシトラス)
Photographic Direction (撮影監督) Kajiwara Yukiyo T2 Studio (T2スタジオ)
CG Direction (3DCGディレクター) Koshida Yuuji Orange (オレンジ)
CG Producer (3DCGプロデューサー) Inomoto Eiji
Animation Producer (アニメーションプロデューサー) Ogasawara Muneki
Line Producer (ラインプロデューサー) Naoe Masayuki
Producer (プロデューサー) Kashiwagi Yutaka
Kishida Naoki
Kurosu Nobuhiko
Nakahigashi Toyokazu
Nakajima Yasuhiro
Ogata Mitsuhiro
Tachizaki Takashi
Tamura Jun`ichirou
Tanaka Shou
Taniguchi Hiroyasu
Tokumura Ken`ichi
Associate Producer (アソシエイトプロデューサー) Kawakita Ken
Song Sae-Ho as saechan
Yamada Kaho
Planning (企画) Kikuchi Takeshi
Kudou Daijou
Original Work Planning (原作企画) Frontier Works
Animation Work (アニメーション制作) Kinema Citrus
Work (制作) Kinema Citrus
Production (製作) Horiuchi Daiji
Houjou Makoto
Kobayashi Satoshi
Okabe Shun`ichi
Saida Hideyuki
Satomi Haruki
Shinozaki Fumihiko
Tsuji Masahide
Yamazaki Asuka
安藝貴紀
盾の勇者の製作委員会
Script/Screenplay (脚本) Koyanagi Keigo 1, 17, 21, 25
Ezaki Ooine 2-4, 9-10, 13-15, 22
Tazawa Daisuke 5-8, 11-12, 18-20, 23-24
Nakayama Ryuu 16
Yatsushige Katsuji 17
Script/Screenplay Assistance (脚本協力) Koyanagi Keigo 2-4, 15, 22-23
Storyboard (絵コンテ) Abo Takao 1, 4, 10, 15, 20-21, 25, ED2, ED4
Son Seung-Hui 2, 7
Gift-o`-Animation 3
Mori Satoshi 3
Kuroda Yuka 4, 7, 20, 24
Haga Hitoshi 5, 8, 13, 18-19
Namura Hidetoshi 6, 14, 24
Furukuwa Kouji 9, 22
Kudou Toshiharu 9, 23
Kawabata Erkin 11
Irie Yasuhiro 12
Nakayama Ryuu 16
Komatsu Tatsuhiko 17-18
Okamatsu Anna ED4
Wada Shinpei OP1
Miyamoto Takuji OP2
Episode Direction (演出) Haga Hitoshi 1, 8, 13, 19
Son Seung-Hui 2, 4
Gift-o`-Animation 3
Mori Satoshi 3
Kudou Toshiharu 5, 9, 15, 23
Awai Shigeki 6, 12
Tokuno Yuuji 7
Takahashi Jun 10 as 髙橋順
Kuramoto Hodaka 11, 17
Murata Naoki 14, 18
Nakayama Ryuu 16
Suzuki Takuma 20, 24
Abo Takao 21, 25, ED2, ED4
Furukuwa Kouji 22, 25
Yamamoto Takanori 24
Wada Shinpei 25, OP1
Okamatsu Anna ED4
Miyamoto Takuji OP2
Animation Direction (作画監督) Awai Shigeki 1
Ikai Kazuyuki 1
Taniguchi Yoshiaki 1
Ootaka Yuuta 1-2, 4, 7, 10, 15, 21-23, 25
Yamamoto Zen`ya 1, 4
Yamamura Shunsuke 1, 4, 7, 10, 18, 20-21, 24-25
Sera Kouta 1, 13, 18, 21-25, OP1-OP2
Ikezu Sue 2, 4
Higuchi Kaori 2, 4-5, 9, 12, 17, 19-20, 22-25
Tada Yasuko 3, 8
Gift-o`-Animation 3, 8, 11, 15, 18-25
Mori Satoshi 3, 8, 11, 15, 18-25
Shiga Michinori 4
Sakiguchi Saori 5, 9, 12, 17, 19, OP1
Ebisu Youki 6
Hattori Masumi 6
Hidaka Mayumi 6, 22
Soramoto Kan 6, OP1
Aoki Mariko 7
Kawashima Hisashi 7
Kojima Emi 7
Ichinose Yuuri 7, 21, 25
Satou Konomi 7, 22, 25
Yamamoto Takanori 7, 24-25
Takemoto Daisuke 9
Shimizu Kaito 10, 13-15, 19-25
Takasawa Mika 11, 24
Takahashi Mizuki 12
Ooshita Kyuuma 12, 17-18, 20-25
Kamada Akemi 13
Nakamoto Nao 13
Kawamoto Reiou 13, 23
Kawabata Erkin 14
Matsuo Akiko 14
Misawa Seiya 14
Wada Shin`ichi 14
Sonose Motoi 14, 18, 20
Komatsu Sana 15, 20-21, 23-25
Futsuzawa Tokiemon 16
Ishige Rie 16
Suwa Masahiro 16, 18, 25, ED2, ED4, OP1-OP2
Asao Hironari 18 Chain Shield AD (チェンジシールド作画監督)
Choi Gyeong-Seok 18, 21-22 as Choi Kyung-seok
Studio Bus 18, 21-22
Saitou Daisuke 19, 21, 24
Haneda Kouji 21
Honda Souichi 21-22, 24
Kinema Citrus 21-22, 25
Koide Takushi 21-22, 25
Tani Shiori 21-22, 25
Kataoka Hideyuki 21, 25
Hayakawa Motoki 22, 25
Kunikichi Anzu 24-25
Fujioka Satoshi 25
Gunsou 25
Mochizuki Shunpei 25
Tsukamoto Akane 25
Tokie Isshin OP2
Effects Animation Direction (エフェクト作画監督) Kuroda Yuka 17, 21, 25
Assistant Animation Direction (作画監督補佐) Tada Yasuko 1
Satou Konomi 1, 4, 6, 12
Okada Yukiko 1, 12
Sakiguchi Saori 2, 4, 16
Gift-o`-Animation 4
Mori Satoshi 4, 16
Sera Kouta 4, 16
Koide Takushi 7, 16, 20, 24
Tani Shiori 7, 16, 20, 24
Kamada Akemi 7, 19, 21
Oohara Hiroshi 9
Ebisu Youki 11-12
Wada Shinpei 11-12, 14-16, 18, 20-21, 25, ED4
Mochizuki Shunpei 11, 14, 20
Kawamoto Reiou 12, 14-15, 17-22, 24-25
Kuroda Yuka 12, 16
Shimizu Kaito 12, 16, 18
Asao Hironari 13, 16-17, 20-21, 23-25
Gunsou 16
Higuchi Kaori 16
Komatsu Sana 16
Saitou Daisuke 16
Yamamura Shunsuke 16
Saita Hiroyuki 16, 20
Ozato Akane 16, 22
Matsuo Akiko 18
Misawa Seiya 18
Takasawa Mika 18
相馬梓 18-20, 23-25
Yamamoto Takanori 20
Yamamoto Tsukiho 21, 24-25
Sugiyama Arisa 22
Kinema Citrus 24
Creature Animation Direction (モンスター作画監督) Takakura Takeshi 6, 9-10, 16
Prop Animation Direction (プロップ作画監督) Takakura Takeshi 1-4, 7, 11, 20, 22-25
Motion Graphics (モーショングラフィックス) Kamimura Hidekatsu Sublimation (サブリメイション)
Layout (レイアウト) Arakawa Masatsugu ED2, ED4
Key Animation (原画) Hamatsu Takehiro 1
Hayashi Naoko 1
Kibe Yoshinori 1
Kudou Toshiharu 1
Makino Hidenori 1
Ookubo Koutarou 1
Sera Kouta 1
Taniguchi Yoshiaki 1
Tsukamoto Akane 1
Uesugi Junji 1
Yoshida Takahiko 1
Nanbu Masahiro 1-2
Tada Yasuko 1-3
Uchida Shin`ya 1-7, 9-10, 12-15, 17, 19-22, 24, OP1
Shigeta Satoshi 1-4, 6, 11-12, 19-20, 24-25
Arakawa Masatsugu 1-2, 4-5, 7, 9-12, 21, 25, OP1
Kuroda Yuka 1-2, 4, 7, 11-12, 14, 16, 18, 20, 24, OP1-OP2
Sakaibara Miki 1-2, 4, 8, 14, 19, 23, 25
Suzuki Misa 1-2, 5, 8
Shimizu Kaito 1-2, 15, 18, 21, 25, OP1
Yatsunami Sennin 1, 3, 8, 11, 17, 20, 25
Wada Shinpei 1, 3, 8, 11, 20-21, 25, OP1
Ozato Akane 1, 3, 8, 16
Yamauchi Ryou 1, 3, 11, 16, 25
Hasegawa Yuka 1, 4
Satou Shigeki 1, 4, 8
Kobayashi Maiko 1, 4, 14, ED2
Sugita Shuu 1, 4, 16, OP2
Misawa Mizuki 1, 5, 8-9
Higuchi Kaori 1, 5, 25
Yoshikawa Tomoki 1, 6-7, 11, 16
Hagio Keita 1, 6, 15
Takano Nao 1, 6, 24
Yamashita Shuuko 1, 7-8, 16
Yoshii Katsuya 1, 8
Mochizuki Shunpei 1, 8, 11, 14, 20, OP2
Lee Myoung-Jin 1, 8, 14
Ikezu Sue 1, 8, 25
Fujioka Satoshi 1, 9, 11-12, 20, 25
Takahashi Ken 1, 11, OP2
Shimada Satoshi 1, 14, 20
Nagamine Keiko 1, 15, 23
Tani Shiori 1, 16, OP1
Aoki Koutetsu 1, 17, 22
Takeuchi Kazumasa 1, 17, 22
Isogawa Hisashi 1, 21, 25
Takiguchi Hiroki 1, 24
Abiko Mamoru 2
Iimura Shin`ichi 2
Ishii Kazuhiko 2
Kitagawa Jun`ichi 2
Ooshita Kyuuma 2
Taniguchi Shigenori 2
Tatezaki Hiroshi 2
Iida Mitsuhiro 2-3, 8, 11, 14, 17, 20, 24
Yamamoto Takanori 2, 5, 7-9, 11-13, 15, 19-20, OP1
Kakiuchi Ayako 2, 5, 10-11, 14, 17, 20, 22-23, 25
Yamada Yuuichirou 2, 5, 10, 13, 19
Kunikichi Anzu 2, 5, 13, 24
Okuno Hiroyuki 2, 10, 21
Nishimi Shouichirou 2, 11
Nakajima Yuki 2, 12, 19
Sugie Toshiharu 2, 13, 18
Adachi Yuusuke 2, 14, 17, 22
Gift-o`-Animation 3
Naeki Youko 3, 11
Mori Satoshi 3, 25, OP2
Hattori Masumi 4
Hirata Takuya 4
Kitagawa Takayuki 4
Murakami Ryuunosuke 4
Nishiyama Shingo 4
Okuda Yousuke 4
Okumura Mitsuhiro 4
Ozawa Naoko 4
Shiga Michinori 4
Takanashi Hikaru 4, 6, 9, 18, 20-21, 23-24
Yoshino Mitsuzumi 4, 10
Ozawa Kazunori 4, 12, 17
Samejima Hisashi 4, 13
Amisaki Ryouko 4, 14, 20, 25, ED2, ED4, OP1
Maehara Kaoru 4, 15
Sawai Maki 4, 18, 22
Kataoka Hideyuki 4, 25
Takemoto Daisuke 4, 25
Yamazaki Kouhei 4, 25
Fujiwara Chiho 5
Itou Yuuta 5
Oomae Yumiko 5
Soramoto Kan 5
Suwa Masao 5
Takahashi Teruo 5
Taniguchi Yoshihiro 5
Tsukamoto Tomoya 5
Wang Guonian 5
Miura Ryuu 5, 8, 21
Ogawa Tamotsu 5, 11
Hashimoto Toshiyuki 6
Inoue Haruhi 6
Ishii Kaori 6
Kon Fumiko 6
Nonaka Masayuki 6
Numazu Masato 6
Tayori Masafumi 6
Ura Ryuuta 6
Ichinose Yuuri 6, 9, 15, 25
Mori Etsuhito 6, 12
Konno Hiroshi 6, 12, 17
Sugimoto Tatsuhiko 6, 12, 21
Kitahara Akio 6, 15
Kojima Emi 6, 15
Inoue Kanako 6, 15, 23
Kakihara Tsuyoshi 6, 17
Suzuki Takanori 6, 17
Honda Souichi 6, 19, 24
Ebisu Youki 6, 20, ED4
Coge 7
Fujita Shin`ya 7
Ishijima Mariko 7
Kawashima Hisashi 7
Matsuda Hayato 7
Meshiya 7
Sakiguchi Saori 7
Yama 7
Yamamoto Ken 7
後藤翔一 7
Asao Hironari 7, 9, 14-15, 17-23, 25
Hayano Masaki 7, 10
Yamamoto Hiroshi 7, 11
Chigira Naoki 7, 17
Akutsu Tetsuya 8
Hayakawa Motoki 8
Honda Miyuki 8
Kashiwagi Ayaka 8
Shirai Nobuaki 8, 12, 15
Kamada Akemi 8, 13
Aoyagi Fujiko 8, 14
Kawazoe Akiko 9
Konagawa Tsuyoshi 9
Koshiishi Akira 9
Nakazawa Yuuichi 9
Ookawa Mihoko 9
Sakurai Takurou 9
Shibata Kazuko 9
Umemoto Ken`ichi 9
Wada Kento 9
Yamashita Yutaka 9
Yamada Shuntarou 9-10
Kimura Kunihiko 9, 11, 14, 23
Sawada Hironori 9, 21, 24
Uehara Maoto 9, 23
Kimura Yukitaka 9, OP1
Hara Takako 10
Iwamura Takeshi 10
Kon Kyouko 10
Yamanaka Izumi 10
山川夏 10
Okazaki Nobuhiro 10, 13, 17, 22, 24
Yoshikai Junko 10, 13, 19, 21
Imura Manabu 10, 13, 19, 21, 24
Satou Yoshitaka 10, 13, 21
Takano Yukari 10, 15, 21
茶岡志蔵 10, 16
Mototani Keiko 10, 17, 21-22
Kawabata Erkin 11
Kimura Fumiyo 11
Kusakabe Yuitsu 11
Studio Gokumi 11
Tanaka Tsubasa 11
しまの 11
峠五十郎 11
Tsukamoto Ayumu 11, 15
Murata Noriyasu 11, 20
Iwai Yuuki 11, 20-21, 25
Gunsou 11, 25
Gosso 12
Hirabayashi Takashi 12
Kikuchi Kazuma 12
Matsubara Kazuyuki 12
Nakaya Kouichi 12
Nishikawa Kenji 12
Shimabukuro Natsuki 12
Sugita Youko 12
Tanaka Hironori 12
Yamazaki Katsuyuki 12
Watabe Takahiro 12, 14, 16
Hatsumi Daisuke 12, 16
Nomichi Kayo 12, 23
Awai Shigeki 13
Imai Shoutarou 13
Ishida Chinatsu 13
Kadokura Yooko 13
Takahashi Mizuki 13
Yoshida Shouta 13
鈴木一朗 13, 19, 21, 24
Aya Kirara 14
Ishida Keiichi 14
Lee Ju-Hyeon 14
Oka Tatsuya 14
Togashi Keita 14
Tsuchiya Ryouun 14
川島保 14
Mori Kouta 14-15, 17-19, 24-25
Itou Kazuki 14, 20
Fujimoto Kouki 14, 20, 24
Shirakawa Mari 14, 22
Karatani Ayako 15
Matsuyama Kouji 15
Okada Masato 15, 17, 22
Suzuki Warurou 15, 18, 21, 23
Komatsu Sana 15, 23
Futsuzawa Tokiemon 16
Ishige Rie 16
Nakayama Ryuu 16
Tanaka Yuushi 16
マムモス 16
釜揚しらす 16
Hayakawa Motoki 16, 19-20, 24, OP2
Ookawa Takahiro 16, OP1
Koide Takushi 16, OP1-OP2
Kanno Kouhei 17
Narimatsu Yoshito 17
Tsujimoto Kenta 17-18, 22
Sakata Hiromi 17, 21-22
H.s 18
Higashide Futoshi 18
Izumi Misako 18
Kujirai Seigo 18
Makaria 18
Nakanishi Mamiko 18
Satou Masashi 18
Shibata Miwako 18
Tsurukubo Hisako 18
キワン 18
中村たすく 18
Asada Michiko 19
Iwaida Natsuho 19
Saitou Daisuke 19
Ishizuka Rio 19, 21
Hosoki Takahiro 20
Abo Takao 21
Hatano Yuusuke 21
Nakamura Yuusaku 21
Shibata Kotone 21
Suda Rikiya 21
ジュノンたけお 21
Gotou Arihiro 22
Sakai Shouhei 22
静勢舞 22, 25
Akuzawa Akihisa 23
Anitus-Kobe 23
Hayashi Takayoshi 23
Shimizu Yumi 23
Takahashi Chihiro 23
Zhong Wenshan 23
Otsuji Hiroaki 23, 25
Shin Young-Soon 24
Takagi Hiroaki 24
牧野佑一 24
Nagano Yuudai 24-25
Hayashi Hirotaka 25
Inoue Shinshuu 25
Miyazaki Sou 25
Nakamura Yumiko 25
Oohashi Kei 25
Saitou Jun`ichi 25
Spike 25
Takeya Teppei 25
Hirayama Kanna ED4
Sugimura Ayako ED4
Abe Naoto OP1
Hino Takafumi OP1
Joseph Oh OP1
Kawashima Kumiko OP1
Kiso Yuuta OP1
Koike Yuuki OP1
Ooyama Jin OP1
Sakai Satoshi OP1
Suruki Saori OP1
Takahashi Ken OP1
Tomoda Masaharu OP1
Yokomatsu Yuuma OP1
Arai Kazuto OP2
China OP2
Igarashi Yuuki OP2
Isuta OP2
Itoyama Reo OP2
Miya Kenta OP2
Miyamoto Takuji OP2
Nagasawa Reiko OP2
Torii Takafumi OP2
Watanabe Keiichirou OP2
呉周人 OP2
山腰蒔 OP2
2nd Key Animation (第2原画) Akatsuki 1
Anitus-Kobe 1
Axsiz 1
Be Loop 1
C2C 1
Dannoura Hironobu 1
Fujiki Kahoru 1
Gift-o`-Animation 1
Graphinica Asagaya Studio 1
Hayase Miki 1
Hayashi Rintarou 1
Ikushima Haruka 1
Kakei Miyuki 1
Kawada Kyouko 1
Koga Tomohiro 1
Kokubun Mizuo 1
Komata Takuma 1
M.S.J. Musashino Seisaku-jo 1
Misawa Mizuki 1
Revival 1
Saitou Jun`ichi 1
Saitou Kimikazu 1
Sekimoto Miho 1
Studio Myu 1
Suzuki Misa 1
Tachikawa Ayaka 1
TAP 1
Torinoumi Koko 1
Triple A 1
Trycell 1
Wafuu Animation 1
White Fox Izukougen Studio 1
住田周 1
Shinkai Ryousuke 1, OP1 (SIGNAL.MD)
Asao Hironari OP1
Mori Kouta OP1
2nd Key Animation (第二原画) Actas 2
Art Base Bam 2
Asao Kousei 2
Enomoto Shuuto 2
Fujii Daiki 2
Graphinica Asagaya Studio 2
Hatake Shoutarou 2
Kandou Maho 2
Kokubun Mizuo 2
Shimada Satoshi 2
Studio Boomerang 2
Studio Gram 2
Tanimoto Kaoru 2
Artbox 2-3
Misawa Mizuki 2-7, 11-14, 16-20, 22-25
Axsiz 2-6, 13, 24
Anitus-Kobe 2-4, 8-13, 16, 20
Gonzo 2-4, 16
Ebisawa Maiko 2, 4
Xenron 2, 4
Zhang Yun 2, 4
Dannoura Hironobu 2, 4, 6, 10-11, 15, 21, OP2
Akuzawa Akihisa 2, 5
Higuchi Kaori 2, 5
Kobori Yuuko 2, 5-6
Studio Elle 2, 5, 7-9, 15, 17, 23
Studio Lings 2, 9, 23
Suda Rikiya 2, 10, 13, 19, 24
IngresA 2, 10, 16
Wafuu Animation 2, 22
C2C 2, 23
Kon Kyouko 3
Neo Media 3
住田周 3
早瀬未悠 3
Suzuki Misa 3-7, 9, 11-23, 25
Pioneer Production 3, 6-7, 17
White Fox Izukougen Studio 3, 8-11, 13-21, 23-25
Be Loop 3, 8-9, 12, 17-18, 21-22, 24
Gift-o`-Animation 3, 8, 11, 15
Kakei Miyuki 3, 8, 11, 15
Studio CL 3, 9, 12
Kamomiya Hiroki 3, 10-11, 14, 16-21, 24-25
Miura Hitomi 3, 11, 14, 16-22, 24-25
Torinoumi Koko 3, 11, 14, 16-22, 24-25
Ogawa Takashi 3, 11, 14, 16-21, 24-25
Tachikawa Ayaka 3, 11, 14, 16-17, 19, 24-25
Ikushima Haruka 3, 11, 14, 16, 18-19, 21, 24-25
Koga Tomohiro 3, 11, 14, 16, 19-22, 25
Saitou Kimikazu 3, 14, 16-20, 22, 25
Tsurumi Takako 3, 20-21
White Fox Tokyo Studio 3, 20-21
Anime R 4
Lim Ji-taek 4
Min Hyeon-suk 4
Park Mi-Hyeon 4
Yasui Takashi 4
Sekimoto Miho 4-6, 10, 12, 21-22
Nakamura Production 4, 6-7, 9-10, 15, 17, 23
Saitou Rie 4, 7, 9-12
Ooshima Yuki 4, 7, 12-13, 19, 21, 23-24
Ishizuka Rio 4, 7, 24
Triple A 4, 9, 11-12, 15
Umino Yoshie 4, 16
Studio Bus 4, 16, 18-22, 25
Gainax 5
Gallop 5
Hadashi Pro 5
Imai Shoutarou 5
Sakiguchi Saori 5
Sunshine Corporation 5
Asahi Production 5-6
Platinumvision 5-6
Takano Nao 5, 8-9, 12
Ootsuki Chie 5, 9-10
Ootaka Yuuta 5, 12, 25
Shimabukuro Natsuki 6
Signal MD 6
Inaguma Kazuaki 6, 12
Animo Caramel 6, 23
Kojima Emi 7
Maenami Takeshi 7
Nakadai Akifumi 7
Sakaibara Miki 7
Sakura Create 7
TAP 7
田仲寛基 7
Studio Gokumi 7, 9
Tani Shiori 7, 13-14, 25
Haseda Haruka 7, 21
B.S.P 8
Dogwood 8
C-Station 8-10
Shimizu Kaito 8, 10, 13-14, OP2
Asao Hironari 8, 11-14, 18-20, 24, OP2
Shimizu Fumino 8, 11, 25
A-Real 9
Fujiura Takashi 9-10, 15
Rising Force 9, 20, 22
Kadokura Yooko 10
Kudou Toshiharu 10
Okazaki Kurumi 10
Suzuki Ichirou 10
Yamamoto Ayaka 10
鎌田結子 10
齋藤佑香 10
Kamomiya Mizuki 10-11, 14, 16-18, 20, 24-25
Sera Kouta 10, 13, 18-19, 23
Hirotomi Mayu 10, 14
Kawakami Erika 10, 16
Sakasai Atsumi 10, 21, 23
Mori Kouta 10, 21, OP2
Isogawa Hisashi 11
Kanno Kouhei 11-14
Hiramatsu Nobuyuki 11, 14, 16-22, 24-25
Hayashi Rintarou 11, 14, 16-18, 20-22, 24-25
Reboot 12
チョウイン 12
Nakagawa Minori 12-13, 15
Yamamoto Tsukiho 12-13, 15-21, 23-25, OP2
Ebisu Youki 12, 14, 17
Togashi Ayana 12, 17
Hara Makoto 13
Hayashi Nami 13
Nakamoto Nao 13
三ツ夏 13
Konuma Yoshii 13-14
Takahashi Chihiro 13-14, 16, 25
Uetake Yuuya 13, 16, 18-19
Matsuo Akiko 14
Togashi Keita 14
Tsujimoto Kenta 14
Wada Shinpei 14
水澤智丈 14
Isoko Shinobu 14-15
Abe Daiki 14, 16-18, 20-21, 25
Iwama Rina 14, 16-17, 19-20, 24-25
Mizusawa Chika 14, 18
Nonoshita Iori 15
Saitou Chie 15
Yamakita Takahiro 15
Abe Kimio 16
Kondou Oozora 16
Nakahara Naomi 16
Oota Shinnosuke 16
Otsuji Hiroaki 16
Takayama Sakura 16
Ueda Asagi 16
佐藤翼 16
Kim Jin-young 16, 18-21
Sunrise Sakuga Juku 16, 19
矢野汐美 16, 19, 21, 23-25
相馬梓 16, 19, 24-25
Bibury Animation Studios 16, 21, 23
吉野佳奈 17
Nonaka Ai 17, 19, 21, 25
Sugiyama Arisa 18
Uehara Maoto 18
佐藤瞬 18 as 佐藤駿
Ogiue Naomi 19
Kanai Akiko 20
Lay-duce 20
Misawa Seiya 20
Murata Yukiya 20
Sonose Motoi 20
Tomita Tomoko 20
Miura Rina 20-21
Youmoto Momoka 20-21
Tomohiro Ai 20-22, 24-25
Seven Arcs Pictures 20, 23
Fujioka Mitsunori 21 as 藤岡三穂
Hamada Kana 21
Hirano Tomohiro 21
Ishikawa Kazumasa 21
Iyama Sara 21
Kanou Miyako 21
Katou Sayo 21 as 加藤沙誉
Nakajima Shun 21
Takeda Makiko 21
Yoshino Akitoshi 21
中川実紀 21
河江陽尚 21
静勢舞 21
Jinyun Park 21-22
Studio 3Hz 21-22
IRO animation 21-22, 24
Noguchi Tomoya 21-22, 25
Yamazaki Takuma 21, 24
Makino Hidenori 22
PRA 22
White Fox 22
中野優作 22
Ozato Akane 22, 25
Hyein 23
Kowada Mayumi 23, 25
Yoshida Souma 23, 25
Baba Kaichi 24
Kawamoto Reiou 24
Tsushima Yurika 24
佐藤絢花 24
篠原愛美 24
Noguchi Manami 24-25
Takenaga Kazuki 24-25
Uemichi Takuya 24-25
Hayakawa Motoki 25
Oonishi Kenta 25
Saitou Daisuke 25
Shibata Kotone 25
Tsukamoto Akane 25
Yamamoto Takanori 25
In-Between Animation Inspection (動画検査) Min Kyung-ae 1-25, OP1-OP2
Studio Bus 1-25, OP2
Kinema Citrus 1-2, 4-13, 15-25, ED4, OP2
Misawa Mizuki 1-2, 5, 7, 9, 11, 13, 15, 17, 19, 21, 23, 25, ED4, OP1-OP2
Suzuki Misa 1, 4, 6, 8, 10, 12, 14, 16, 18, 20, 22, 24, ED4, OP1-OP2
Gift-o`-Animation 3
Tada Yasuko 3
Iwata Mai 11, 13, 15, 17, 19, 21, 23, 25, OP2
Uetake Yuuya 12, 14, 16, 18, 20, 22, 24, OP2
Takahashi Chihiro OP1
Watanabe Misa OP1
In-Between Animation (動画) Kanai Akiko 1
Liden Films 1
Nakamura Ryuuji 1
Revival 1
Takahashi Chihiro 1
Tatsunoko Production 1
Tomita Tomoko 1
Watanabe Misa 1
White Fox Tokyo Studio 1
北川智也 1
Jung Ji-young 1-2
Jung Young-joo 1-9
Park Eun-ji 1-15
Lim Ji-hee 1-25
Min Kyung-ae 1-25
Park Kyung-sook 1-25
Studio Bus 1-25, OP1
Kinema Citrus 1-2, 4-7, OP1
Suzuki Misa 1-2, 4, 6, ED2
Misawa Mizuki 1-2, 5, 7, ED2
Saitou Honami 1-2, 6-7
Iwata Mai 1-2, 7, ED2, OP1
Uetake Yuuya 1-2, ED2, OP1
Diomedea 1, 4
M.S.J. Musashino Seisaku-jo 1, 4
Studio Elle 1, 4-5, 7, 12, 14, 21-22, 25
Triple A 1, 4, 11-12
B.S.P 1, 6, 8, 11
TAP 1, 7
PEEC Animation 2
Studio Gram 2, 4
Xenron 2, 4
Jumondou 4
Studio Lings 4
等々力里菜 6, OP1
等々力里奈 7
Studio CL 7, 11-12, 20, 25
Ham Tae-hyeon 10-11
Kim Min-Ju 10-15
R.I.C. 11
Reboot 11
Kim Sung-je 11-15
Dogwood 11-25
Kawamoto Reiou 12
Han Tae-hyeon 12-25
Min Su-in 12-25
剛雨 13, 15, 17, 19, 21-25
周婷婷 13, 15, 17, 19, 21-25
曽雪妍 13, 15, 17, 19, 21-25
李智超 13, 15, 17, 19, 21-25
李炳剣 13, 15, 17, 19, 21-25
楊浩東 13, 15, 17, 19, 21-25
段妍 13, 15, 17, 19, 21-25
洪建蘇 13, 15, 17, 19, 21-25
王乃嫺 13, 15, 17, 19, 21-25
王子健 13, 15, 17, 19, 21-25
趙立国 13, 15, 17, 19, 21-25
Ye Xin 14, 16, 18, 20
徐婧婧 14, 16, 18, 20
杜昊南 14, 16, 18, 20
武曦 14, 16, 18, 20
王珏 14, 16, 18, 20
盧靖 14, 16, 18, 20
相鵬坤 14, 16, 18, 20
蔡枝龍 14, 16, 18, 20
邱靖凱 14, 16, 18, 20
陳式武 14, 16, 18, 20
隋鑫 14, 16, 18, 20
Asahi Production 14, 16, 24-25
Park Chan-young 16-25
Gonzo 16, 18
Kisanuki Maya 18
Nakahara Yasuhiro 18
Sukjai Apichatpongbut 18
Tarapong Tummaratchai 18
Wandee Vijitthamasarn 18
Xebec Fukuoka Studio 18
Yoshinaga Eri 18
IRO animation 21-24
ENGI 25
GK Sales 25
Teartribe 25
Maeda Chikage OP1
伊野波沙玖美 OP1
In-Between Animation Manager (動画担当) Honda Kouichi 1-12
山田葵 1-12
In-Between Animation Manager (動画管理) 山田葵 13-25
Digital In-Between Animation (デジタル動画) Graphinica 1
Hayase Miki 1
Gift-o`-Animation 1-6, 8-11, 15-22, 25
Kakei Miyuki 1-6, 8-11, 15-18, 20-22, 25
木下真澄 1-2, 4-6, 8-11, 15-18
早瀬未悠 2-3, 5-6, 8-11, 15-18, 20-22, 25
城彩花 2, 4-6, 8-11, 15-19
Asahi Production Miyagi Shiroishi Studio 3
Gonzo 3
Izu Hironori 3
Kusanagi Miho 3
Likeminds Animation 3
Masui Ryou 3
Oota Shouya 3
PEEC Animation 3
Sasozaki Miku 3
Studio Ubud 3
Yoshimura Naochika 3
Kinema Citrus 3-25, ED4, OP2
Saitou Honami 3, 6, 8-25, OP2
Iwata Mai 3, 6, 8-12, 14-17, 21-25, ED4
Uetake Yuuya 3, 7-12, 14, 18, 20, 22, 24-25, ED4
Studio CL 3, 9, OP2
Xenron 4
Asahi Production 4-5, 10, 25
Suzuki Misa 4, 6, 8, 10, 12, 14, 18, 20, 22, 24-25
Kudou Mana 5-8, 10-25, ED4, OP2
Misawa Mizuki 5, 8-11, 25, ED4
Watanabe Misa 5, 13, 24
Maeda Chikage 6-25, ED4, OP2
伊野波沙玖美 6-25, OP2
Dogwood 7-10, ED4, OP1-OP2
Takahashi Chihiro 8-11, 13, 15-17
工藤真由 9
等々力里菜 9-20, 22-25, ED4, OP2
山根あゆみ 19-20, 23-25
ENGI 25
GK Sales 25
Teartribe 25
Studio Bus OP1-OP2
Watanabe Keiichirou OP2
山腰蒔 OP2
Colour Design Assistance (色彩設計補) Yamashita Miyao
Colour Specification (色指定) Yamashita Miyao 1, 3, 6, 9, 12, 15, 18, 21, 23, 25, ED4, OP2
Iguchi Makoto 1, 4, 7
Hasegawa Miho 2
Oohashi Asako 5, 8, 11, 14, 17, 20
Yamazaki Tomoko 10
Yamaguchi Yukiko 13, 22
Komiya Hikari 16, 19
Matsumoto Mai 21-23, 25
渡邉由佳 21-23, 25
Kinema Citrus 21-23, 25, ED4, OP2
Studio Gouache 22
Okamatsu Anna 22, 25, ED2, ED4, OP1-OP2
Saitou Tomoko 24 as 齋藤友子
Finishing/Clean-up Inspection (検査) Yamashita Miyao 1, 3, 6, 9, 12, 15, 18, 21, 23, 25, ED4, OP2
Iguchi Makoto 1, 4, 7
Hasegawa Miho 2
Oohashi Asako 5, 8, 11, 14, 17, 20
Yamazaki Tomoko 10
Yamaguchi Yukiko 13, 22
Komiya Hikari 16, 19
Matsumoto Mai 21-23, 25
渡邉由佳 21-23, 25
Kinema Citrus 21-23, 25, ED4, OP2
Studio Gouache 22
Okamatsu Anna 22, 25, ED2, ED4, OP1-OP2
Saitou Tomoko 24 as 齋藤友子
Finishing/Clean-up Inspection Assistance (検査補佐) 太田奈緒 2
Yamashita Miyao 4, 16, 24, OP1
Matsumoto Mai 12, 15-16, 18-19, 24
渡邉由佳 12, 15-16, 18-19, 24
Kinema Citrus 16, 18-19, 24
Okamatsu Anna 16, 19, 24
Finishing/Clean-up (仕上) B.S.P 1
D-Colors 1
Gift-o`-Animation 1
Graphinica 1
Hayase Miki 1
Kakei Miyuki 1
Kim Jung-hye 1
Kim Tae-hee 1
Kinema Citrus 1
Lee Byeong-Ae 1
Lee Ji-Eun 1
M.S.J. Musashino Seisaku-jo 1
Matsumoto Mai 1
Nishiyama Marina 1
Okamatsu Anna 1
Park So-yoon 1
Revival 1
Seol Hyun-jong 1
Son Mi-sun 1
Song Yu-mi 1
Studio Bus 1
Studio Elle 1
Studio Hibari 1
Studio Road 1
TAP 1
Triple A 1
Yamashita Miyao 1
木下真澄 1
渡邉由佳 1
Finishing/Clean-up (仕上げ) Okuzawa Yuusuke 2
Song Yu-mi 2
Studio Gram 2
Studio Hibari 2
林鈴音 2
Gift-o`-Animation 2-6, 8-11, 15-22, 25
Kakei Miyuki 2-6, 8-11, 15-18, 20-22, 25
Son Mi-sun 2-3, 5-9
Park So-yoon 2-3, 5-10
Seol Hyun-jong 2-3, 5-10
Kim Jung-hye 2-3, 5-25
Lee Byeong-Ae 2-3, 5-25
Lee Ji-Eun 2-3, 5-25
Studio Bus 2-3, 5-25, OP1-OP2
Kim Tae-hee 2-3, 5-18, 20-25
早瀬未悠 2-3, 5-6, 8-11, 15-18, 20-22, 25
Xenron 2, 4
木下真澄 2, 4-6, 8-11, 15-18
城彩花 2, 4-6, 8-11, 15-19
Hiyori 2, 5, 8, 11, 14, 17, 20
Asahi Production Miyagi Shiroishi Studio 3
Gonzo 3
Izu Hironori 3
Kusanagi Miho 3
Likeminds Animation 3
Masui Ryou 3
Oota Shouya 3
PEEC Animation 3
Sada Erika 3
Sasozaki Miku 3
Studio Ubud 3
Yoshimura Naochika 3
Kinema Citrus 3-25, ED4, OP1-OP2
Matsumoto Mai 3-20, 23, 25, ED2, ED4, OP1-OP2
渡邉由佳 3-20, 23, 25, ED2, ED4, OP1-OP2
Okamatsu Anna 3-17, 19-20, 25, ED2
Na Jong-ah 3, 5-25
Saitou Honami 3, 6, 8-25
Iwata Mai 3, 6, 8-12, 14-17, 21-25
Uetake Yuuya 3, 7-12, 14, 18, 20, 22, 24-25
Studio CL 3, 7, 9, 11-12, 20, 25, OP2
Asahi Production 4-5, 10, 25
Suzuki Misa 4, 6, 8, 10, 12, 14, 18, 20, 22, 24-25
Kim Eun-kyeoung 5-25
Kudou Mana 5-8, 10-25
Studio Elle 5, 7, 12, 25
Misawa Mizuki 5, 8-11, 25
Watanabe Misa 5, 13, 24
Maeda Chikage 6-25
伊野波沙玖美 6-25
B.S.P 6, 8, 11
TAP 7
Dogwood 7-25, ED4, OP1-OP2
Takahashi Chihiro 8-11, 13, 15-17
工藤真由 9
等々力里菜 9-20, 22-25
R.I.C. 11
Reboot 11
Triple A 11-12
Zhou Lin 13, 15, 17, 19, 21-25
大鵬 13, 15, 17, 19, 21-25
宋松亮 13, 15, 17, 19, 21-25
徐高翔 13, 15, 17, 19, 21-25
鄭愉 13, 15, 17, 19, 21-25
陽淑環 13, 15, 17, 19, 21-25
呂仟恵 14, 16, 18, 20
林奔奔 14, 16, 18, 20
桂月進 14, 16, 18, 20
邱靖文 14, 16, 18, 20
韓晶 14, 16, 18, 20
馬玲玲 14, 16, 18, 20
Seol Hyun-jung 16-25
山根あゆみ 19-20, 23-25
IRO animation 23
ENGI 25
GK Sales 25
Teartribe 25
Yamashita Miyao 25
Finishing/Clean-up Manager (仕上担当) Honda Kouichi 1-12
山田葵 1-12
Finishing/Clean-up Manager (仕上管理) 山田葵 13-25
Art (美術) Akashi Seiko Studio Uni (スタジオ・ユニ)
Kinoshita Shinsuke Inspired (インスパイアード)
Nishiguchi Sachiko Inspired (インスパイアード)
Art Manager (美術担当) Morio Maki 2-4
Studio Uni 2-15, 17, 19
Akashi Seiko 5-15, 17, 19
Inspired 16, 18, 20, 22-25
Nishiguchi Sachiko 16, 18, 20, 22-25
Creators in Pack 18
Matsuzaki Hiroyuki 18
Hishinuma Yoshinori 21
Background Art (背景) Charles Lemor 1
Coralie Nagel 1
Ines Scheiber 1
Marie Renaud 1
NGUYEN THI NHU NGOC 1
PHAN THE DAI 1
Tokushige Ken 1
TRAN THANH SANG 1
Yann Le Gall 1
Yapiko Animation 1
杜晴 1
Iwaya Kuniko 1, 16, 18, 20
Kawada Hiroyuki 1, 16, 18, 20
Sekiguchi Teru 1, 16, 18, 20, 22-25
Inspired 1, 16, 18, 20, 22-25, ED2, ED4, OP2
PEEC Animation 1, 16, 22, 24-25
Katanosaka Emi 1, 18, 20, 22-25
Studio Bus 1, 21
Kawai Shinji 2
Mihara Nobuaki 2
Miya Yoshiko 2-3
Studio Uni 2-7, 9, 13, OP1
Iijima Akiyoshi 2-3, 5-7, 9
Ikeda Reiko 2-3, 5-7, 9
Sakaba Makoto 2-3, 6-7
Nagai Yuka 2-3, 6-7, 9
Echizen Takimi 2-3, 9
Sagawa Emiko 2, 6-7, 9
Fujimoto Satoshi 2, 9
Studio Sey 3-5, 8, 10-15, 17, 19
Seo Yong-Hyeon 4
An Seong-Yong 4-5, 8, 10-15, 17, 19
曺在鉉 4-5, 8, 10-15, 17, 19
曺志雲 5, 8, 10
Kim Gyeong-Suk 5, 8, 10-15, 17, 19
Matsumiya Yumi 6-7
Ochiai Maho 6-7
本多美樹 6-7
Ujiie Kohaku 9
金在槿 11-15, 17, 19
Akashi Seiko 13
Matsumoto Sumire 16, 18, 20, 22-23
Murakami Shouichirou 16, 18, 20, 22-25
Nishiguchi Sachiko 16, 18, 20, 22-25
Oogami Mami 16, 18, 20, 22-25
NHU NGOC 16, 22, 24
Bien Thuoc 16, 22, 24-25
PHAN DUNG 16, 22, 24-25
TRAN THINH 16, 22, 24-25
Asada Natsuki 18
Creators in Pack 18
Mame 18
Nishikimi Yuusuke 18, 20, 22-25
Hwang Jun-Pil 21
Kim Dae-Hwan 21
Kim Sun-nyeo 21
Lee Yun-Mo 21
Shin Hyeun-mi 21
Sung Dae-Yong 21
Satou Riku 23-25
Kinoshita Shinsuke 23, 25
Asahi Production 24
IRO animation 24
Arimoto Hisae 25
Atelier Platz 25
Matsumoto Hiroki 25
銭正紅 25
Harmony Processing (ハーモニー処理) Inspired ED2, ED4
Modelling (3Dモデラー) Kanai Kazuhiro 1, 3-25
Uchida Kazuma 1, 3-25
後藤裕之 1, 3-25
藤岡浩史 1, 3-25
Oosugi Tsubasa 5
Photography (撮影) Fukushima Toshiyuki 1-2
Horikoshi Hironobu 1-2
Satou Youichirou 1-2
Akao Emi 1-25
Kajiwara Yukiyo 1-25
T2 Studio 1-25, ED2, ED4, OP1-OP2
Watanabe Tatsuya 4-7, 9-25
Asahi Kouhei 4-6, 12
兼久卓 9-25
上田茜 13
Takahashi Tomohiro 18-25
Iwamoto Yasuyuki 20-25
3DCG Animation (CGアニメーター) Ikeuchi Ryuuichi 1, 3-25
Nishino Hayato 1, 3-25
Tanida Makiko 1, 3-25
Maruyama Kaori 3-25
ショウ・エンテイ 4-25
Masuyama Takashi 12-25
3DCG Orange 1, 3-25, ED4, OP1-OP2
Digital Department Manager (デジタル部管理) 原田真之介 1-25
2D Design (2Dデザイン) Hydekick 2Dアーティスト
Line Test (ラインテスト) Asura Film 1-6, 8, 11, 14, 18-19, 25
キネマシトラスデジタル部 1-2, 20, 25
Team Home 6-19, 21-22, 24
Asahi Production 6-7, 9
Triple A 6, 15-16, 23
Studio Elle 8-9, 20
Studio CL 9, 11, 14-15, 17-18, 20-21, OP1
Typhoon Graphics 9, OP1
J.C.Staff Satsueibu 17
Linefarm 18
Jumondou 21
雲山洸 21
PRA 23, OP1
Bibury Animation Studios 24
Online Editing (オンライン編集) Ishii Chika
Sony PCL
Suzuki Moe
Foley (フォーリー) Yoshizawa Mizue
Sound Work Manager (音響制作担当) 鶴岡聡美
Sound Mixing Engineer (ミックスエンジニア) Falk Au Yeong
Recording Assistant (録音助手) 栗脇安奈
Recording Engineer (レコーディングエンジニア) Matt Peiffer
Robin Moore
Recording Adjustment (録音調整) Gunji Tetsuya
Recording Studio (レコーディングスタジオ) WGBH Fraser Performance Studio
Recording Studio (録音スタジオ) Glovision
Studio Management (スタジオマネージメント) Matsumoto Naoko
Web Manager (WEB制作) Furuuchi Takeshi (WEB SMITH)
Hydekick
Ikeda Ryou
Domestic Sales (国内セールス) Yamaguchi Takayuki
Promotion (セールスプロモーション) Kimura Ayako
Nakayama Takuya
岡本梨沙
Publicity Producer (宣伝プロデューサー) Mano Yumiko
Publicity (宣伝) Yamamoto Kyouka 1-12
Christie Leu 17-25
Shiraha Sonia 25
Kawasaki Mai
Takahashi Nobuaki
Licencing (ライセンス) Murata Yoshihiro
山田芽
Copyright Manager (版権担当) 山田葵 1-12
Copyright Manager (版権管理) 山田葵 3-25
Overseas Marketing (海外セールス) Manuela Leon
中澤茉莉
陳俊亦
Package Manager (パッケージ担当) Tsuruta Mieko
Design Manager (設定制作) Ogata Ryousuke 13-25
Furukuwa Kouji
System Manager (システム担当) 砂賀貴範
Production Desk (制作デスク) Dejima Tatsuo
Assistant Design Manager (設定制作補) Ogata Ryousuke 1-12
Assistant Production Manager (制作進行) Yamamoto Hiroki 1, 8, 11, 20, 25, ED2, ED4
Dejima Tatsuo 1, OP2
松橋夏希 2, 4, 10
山田葵 2, 5, 10
原田真之介 3
Furukuwa Kouji 4
Ogata Ryousuke 6, 12
砂賀貴範 7
Oida Shouhei 9, OP1
岩奥沙紀 10, 13, 16, 21
毛利佑里花 12, 15, 23
大久保あすか 13, 19, 24
Maeda Daichi 14, 18, OP1
松原毅幸 17, 22
Assistant Manager (制作進行補佐) Honda Kouichi 13-25
Nabeta Daichi 16, 22
毛利佑里花 20, 24-25
Watanabe Narumi 21-22
岩奥沙紀 24
Furukuwa Kouji 25
朱斐 25
Production Support (制作サポート) Ishii Kazushige
鈴木さよ
Retake Manager (リテイク担当) Honda Kouichi 1-12
山田葵 1-12
Assistance/Cooperation (協力) Chiai Yousuke
Frontier Works
Gekkan Comic Flapper Henshuubu
MF Books Henshuubu
Miyazaki Shin`ichirou
Suzuki Ryouta
Umeda Masakatsu
Yatsushige Katsuji
わたなべしゅんすけ
クロスメディア事業部
花野竜郎
Assisting Production (プロダクション協力) Gift-o`-Animation 3
Distribution Manager (配信担当) Itou Makoto
Kaneko Naotomo
Suzuki Kaito

songs

Relation Song in Episodes Rating Credit Staff Comment
opening Rise 2-12, OP1 N/A (5) Vocals/Performed by (歌) Madkid
Lyrics (作詞) Madkid
Music Composition (作曲) Madkid
Music Arrangement (編曲) Kitaura Masataka Madkid
Faith 13-19, 22-24, OP2 N/A (3) Vocals/Performed by (歌) Madkid
Lyrics (作詞) Madkid
Music Composition (作曲) Madkid
Music Arrangement (編曲) Kitaura Masataka Madkid
ending Rise 1 N/A (5) Vocals/Performed by (歌) Madkid
Lyrics (作詞) Madkid
Music Composition (作曲) Madkid
Music Arrangement (編曲) Kitaura Masataka Madkid
Kimi no Namae 2-3, 5-12, 25, ED2 N/A (3) Vocals/Performed by (歌) Fujikawa Chiai
Lyrics (作詞) Fujikawa Chiai Takahashi Hana
Music Composition (作曲) Oohata Takuya
Music Arrangement (編曲) Fujinaga Ryuutarou
Falling Through Starlight 4 N/A (1) Vocals/Performed by (歌) Seto Asami
Lyrics (作詞) Kevin Penkin
Music Composition (作曲) Kevin Penkin
Music Arrangement (編曲) Kevin Penkin
Atashi ga Tonari ni Iru Uchi ni 13-20, 22-24, ED4 N/A (3) Vocals/Performed by (歌) Fujikawa Chiai
Lyrics (作詞) Fujikawa Chiai Takahashi Hana
Music Composition (作曲) Fujinaga Ryuutarou
Music Arrangement (編曲) Fujinaga Ryuutarou
Cold Illusions 21 N/A (1) Vocals/Performed by (歌) Ryan Greaves
Lyrics (作詞) Kevin Penkin
Music Composition (作曲) Kevin Penkin
Music Arrangement (編曲) Kevin Penkin
insert song Falling Through Starlight 15 N/A (0) Vocals/Performed by (歌手) Amelia Jones
Lyrics (作詞) Kevin Penkin
Music Composition (作曲) Kevin Penkin
Music Arrangement (編曲) Kevin Penkin
En Annan Tid, Ett Annat Liv 15, 22 N/A (1) Vocals/Performed by (歌) Maria Andersson
Lyrics (作詞) Maria Andersson
Music Composition (作曲) Kevin Penkin
Music Arrangement (編曲) Kevin Penkin
Rise 20, S1 N/A (5) Vocals/Performed by (歌) Madkid
Lyrics (作詞) Madkid
Music Composition (作曲) Madkid
Music Arrangement (編曲) Kitaura Masataka Madkid

discography

Album, 11 tracks, 07.05.2019

Group status

Last Update Name State N Episodes HE SP Languages Source Rating Cmts
21.12.2025 A-Kei complete 25 0 ja es Blu-ray N/A (0) 0
15.09.2025 DBD-Raws complete 25 0 ja Blu-ray N/A (0) 0
16.06.2025 RTemp complete 25 0 ja de de Blu-ray N/A (0) 0
08.06.2025 VULCAN complete 25 4 ja en en Blu-ray N/A (0) 0
05.03.2025 Shiniori-Raws complete 25 4 ja Blu-ray N/A (0) 0
21.02.2025 Hi10 complete 25 8 ja en en Blu-ray, www N/A (0) 0
27.11.2024 AnimeChiby complete 25 0 ja en Blu-ray, www N/A (0) 0
29.10.2024 AEOG complete 25 4 ja en en Blu-ray N/A (0) 0
23.06.2024 ABJ complete 25 0 ja de de Blu-ray N/A (0) 0
19.05.2024 Asakura complete N 25 0 ja en Blu-ray N/A (3) 1
no group complete finished ongoing stalled dropped specials only all

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v 2022-04, © 2002-2022 by AniDB; all rights reserved. [0s] - 10.04.2026 21:31:57

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